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Paa Joe: Gates of No Return

October 30, 2018–February 24, 2019
Exhibition
At the American Folk Art Museum
Lincoln Square, Manhattan

Accra-based artist and craftsman Paa Joe (b. 1947), known for his figurative coffins that draw from the traditional Ghanaian custom of abebuu adekai, gained international recognition in seminal presentations like Magicians of the Earth (Pompidou, 1989). This exhibition presents a unique series of large-scale painted wood sculptures commissioned in 2004 and 2005—architectural models of Gold Coast castles and forts that served as way stations for more than six million Africans sold into slavery and sent to the Americas and the Caribbean between the sixteenth and nineteenth centuries. Once forced through these “Gates of No Return,” they started an irreversible, perilous journey during which many died. This production alludes to Paa Joe’s coffins, seen as vessels ferrying the dead in the afterlife, speaking to spirits separated from bodies in trauma. Archival documents and recordings accompany the show.

Curator: Valérie Rousseau, curator, Self-Taught Art and Art Brut, American Folk Art Museum

Installation photos by Olya Vysotskaya.

Images: Paa Joe (1947, Ghana); Cape Coast Castle – Cape Coast. 1653 Sweden, 1665 Britain; 2004–2005 and 2017; Accra, Ghana; emele wood and enamel; 45 x 133 x 88 in.; American Folk Art Museum, gift in memory of Claude Simard, 2018.13.1. Photo © Paa Joe, courtesy of the artist and Jack Shainman Gallery, New York.

Paa Joe (1947, Ghana); Fort St. Anthony – Axim. 1515 Portugal, 1642 Netherlands, 1872 Britain; 2004–2005 and 2017; Accra, Ghana; emele wood and enamel; 48 1/2 x 100 x 84 1/2 in.; courtesy of the artist and Jack Shainman Gallery, New York. Photo © Paa Joe, courtesy of the artist and Jack Shainman Gallery, New York.

Paa Joe (1947, Ghana); [Fort] Gross-Friedrichsburg – Princestown. 1683 Brandenburg, 1717-24 Ahanta, 1724 Neths, 1872 Britain; 2004–2005 and 2017; Accra, Ghana; emele wood and enamel; 40 x 100 x 70 in.; courtesy of the artist and Jack Shainman Gallery, New York. Photo © Paa Joe, courtesy of the artist and Jack Shainman Gallery, New York.

Paa Joe (1947, Ghana); Cape Coast Castle – Cape Coast. 1653 Sweden, 1665 Britain; 2004–2005 and 2017; Accra, Ghana; emele wood and enamel; 45 x 133 x 88 in.; American Folk Art Museum, gift in memory of Claude Simard, 2018.13.1. Photo © Paa Joe, courtesy of the artist and Jack Shainman Gallery, New York.

 

Exhibition-Related Programs

Critical Walk-Through: Cy Gavin – November 8, 2018
Curator’s Perspective Tour – November 20, 2018
Gallery Talk: New Perspectives with Teaching Fellows – November 24, 2018
Gallery Talk: New Perspectives with Teaching Fellows – December 10, 2018
Walls Can Speak: Sites, Memorials, and Social Justice – December 12, 2018
Family Story Hour: Celebrating Paa Joe’s Ghana – January 5, 2019
Critical Walk-Through: Nari Ward – January 10, 2019
Screening of Paa Joe & The Lion and Ghanaian Drumming Performance – January 15, 2019
2019 Anne Hill Blanchard Uncommon Artists Lecture – January 20, 2019
Gallery Talk: New Perspectives with Teaching Fellows – January 29, 2019
Gallery Talk: New Perspectives with Teaching Fellows – February 8, 2019

Credits

This exhibition is supported in part by the David Davies and Jack Weeden Fund for Exhibitions, the Ford Foundation, the New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and the Council for Self-Taught Art.

Installation