Psychiatrist Francesc Tosquelles on the roof of the Saint - Alban Psychiatric Hospital, holding a sculpture created by Auguste Forestier
Romain Vigouroux
This exhibition—situated at the intersection of art and psychiatry—explores for the first time in the United States the legacy of Catalan psychiatrist Francesc Tosquelles (Reus, Spain, 1912–Granges-sur-Lot, France, 1994).
After fleeing the Nationalist government of Franco amidst the Spanish Civil War, Tosquelles arrived in 1940 at the Saint-Alban psychiatric hospital in Southern France, where he devised a series of revolutionary psychiatric practices that came to be called “institutional psychotherapy,” predicated on non-hierarchical relations between patients, doctors, manual laborers on site, neighboring communities, and outsiders.
During the German occupation of France, this “asylum-village” also became a refuge for political dissidents and intellectuals associated with the artistic avant-garde, whom were exposed to the prodigious artistic output of its patients—among them Auguste Forestier, Marguerite Sirvins, and Aimable Jayet. These very artworks prompted French artist Jean Dubuffet to expand upon the notion of “art brut” in 1945 and contribute to the development of his collection.
The exhibition and accompanying book will include artworks by European artists associated with Tosquelles and Dubuffet’s concurrent aspirations to “cure” mental health and art institutions alike, as well as films and archival documents excavating Saint-Alban’s outsized but subterranean influence on French intellectual life in the 20th century, featuring Antonin Artaud, Paul Éluard, Frantz Fanon, and Jean Oury.
In light of this rich legacy, Francesc Tosquelles: Avant-Garde Psychiatry and the Birth of Art Brut will examine mental health history in the United States through the works of American artists—among them Martín Ramírez, Judith Scott, Masaaki Iswasmoto, Melvin Way, and Gabriel Mitchell.
The final stop in a four-venue collaboration, this exhibition was presented in 2021–2023 at the Abattoirs, Musée–Frac Occitanie Toulouse, Centre de Cultura Contemporània de Barcelona (CCCB), and Museo Nacional Centro de Arte Reina Sofía in Madrid. At the American Folk Art Museum (AFAM), it is curated by Joana Masó, Carles Guerra, Valérie Rousseau, and Edward Dioguardi. Co-organized by CCCB and the Abattoirs, this exhibition developed from a research project entitled “Llegat oblidat de Francesc Tosquelles” (“Francesc Tosquelles’ Forgotten Legacy”), co-produced by the University of Barcelona, Mir-Puig Private Foundation (Barcelona), and Antoni Tàpies Foundation (Barcelona).
Please be advised that this exhibition features challenging imagery and subject matter, addressing histories of institutionalization and the complexities of living with mental illness. We encourage you to further reflect on the exhibition’s themes and share your feedback by using the Visitor Response Card and various resource materials available at the Welcome Desk.
Exhibition Related Programs:
April 16th, 2024 – Virtual Insights: Francesc Tosquelles: Avant-Garde Psychiatry and the Birth of Art Brut (online program)
May 2nd and 3rd, 2024 – Institutional Psychotherapy: Legacy and Constellations of Francesc Tosquelles (online symposium)
June 21st-23rd, 2024 – Radical Institutions and Experimental Psychiatry: The Legacy of Francesc Tosquelles on Film (in-person program at the Museum of the Moving Image)
Major support for Francesc Tosquelles: Avant-Garde Psychiatry and the Birth of Art Brut is provided by the Institut Ramon Llull, Nina Beaty, Susan Weiler, and the Anthony Petullo Foundation. Additional support is provided by the Juliet Lea Hillman Simonds Foundation, the Art Dealers Association of America Foundation, the Dorothea and Leo Rabkin Foundation, the New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Ellen Still Brooks, and the David Davies and Jack Weeden Fund for Exhibitions.
Romain Vigouroux (active mid-20th century, France), Francesc Tosquelles on the Roof of a Building at the Saint-Alban Psychiatric Hospital, Holding a Sculpture by Auguste Forestier, 1947, Gelatin silver print, 7 x 4 7/8 in Collection Family Ou-Rabah Tosquelles.
Marguerite Sirvins (1890–1957, France), Untitled, 1941. Embroidered silk threads on fabric, 8 5/8 x 10 in. Collection Family Ou-Rabah Tosquelles. Photographic reproduction: © Roberto Ruiz.
Auguste Forestier (1887–1958, France, Untitled (Boat), 1935–1949, Wood, fabric, metal, leather, nail, 29 1/2 x 45 1/4 x 9 1/2 in. Centre Pompidou, Paris, Musée national d’art moderne/Centre de création industrielle, ART BRUT/Gift of Bruno Decharme in 2021, AM 2022-43.
Jean Dubuffet (1901–1985, France), Bum du Bowery (Bowery Bum), January 1952, Watercolor and india ink on paper, 18 1/2 x 13 in. Centre Pompidou, Paris, Musée national d’art moderne/Centre de création industrielle, Gift of Mr. Daniel Cordier in 1989, AM 1989-298. © 2024 Artists Rights Society (ARS), New York / ADAGP, Paris.
Antonin Artaud (1896–1948, France), La Révolte des Anges Sortis des Limbes (The Revolt of Angels from Limbo), January–February 1946, Charcoal and colored pencil on paper, 25 1/2 x 19 5/8 in., Musée Cantini, Marseille, C.92.4.
Major support for Francesc Tosquelles: Avant-Garde Psychiatry and the Birth of Art Brut is provided by the Institut Ramon Llull, Nina Beaty, Susan Weiler, and the Anthony Petullo Foundation. Additional support is provided by the Juliet Lea Hillman Simonds Foundation, the Art Dealers Association of America Foundation, the Dorothea and Leo Rabkin Foundation, the New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Ellen Still Brooks, and the David Davies and Jack Weeden Fund for Exhibitions.