Morris Hirshfield Rediscovered reintroduced a singular self-taught artist of the 1930s and 1940s to contemporary audiences.
Celebrated as one of the year’s best by The New York Times, The Wall Street Journal, and Hyperallergic, the exhibition represents the most comprehensive gathering of Hirshfield’s work ever assembled. It featured over 40 of the self-taught artist’s paintings, including iconic works such as Girl with Flowers, Stage Beauties, Parliamentary Buildings, and Inseparable Friends.
Morris Hirshfield Rediscovered was curated by Richard Meyer, Robert and Ruth Halperin Professor of Art History at Stanford University. Susan Davidson served as curatorial advisor to the exhibition. Valérie Rousseau, the American Folk Art Museum (AFAM)’s Senior Curator of Self-Taught Art and Art Brut, was the show’s coordinating curator.
Photos by Eva Cruz/EveryStory.
EXHIBITION-RELATED PROGRAMS
Please click the links below to enjoy programs related to the exhibition via the Museum’s YouTube channel.
Virtual Insights: Rediscovering Morris Hirshfield
In the Wilds of Brooklyn: Roz Chast and Ben Katchor in Conversation
In Dreams Awake: Jamea Richmond-Edwards,Kathy Ruttenberg and Susan Bee in Conversation
Unexpected Partners: Self-Taught Art and Modernism in Interwar America (symposium)
Richard Meyer’s book, Master of the Two Left Feet: Morris Hirshfield Rediscovered is available to purchase at the Museum and in our online Shop. Become a member today and receive a 10% discount on the book and all purchases.
Morris Hirshfield Rediscovered was supported in part by the Lily Auchincloss Foundation, the David Berg Foundation, the Salo W. and Jeannette M. Baron Foundation, the David Davies and Jack Weeden Fund for Exhibitions, the Stacy C. Hollander Fund for Exhibitions, The Gladys Krieble Delmas Foundation, the Robert Lehman Foundation, the Wyeth Foundation for American Art, the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. Learning and engagement programs are sponsored in part by Con Edison, the National Endowment for the Humanities, and the Sparkjoy Foundation.
- The New York Times