Exhibition

“Eugene Von Bruenchenhein: ‘Freelance Artist—Poet and Sculptor—Inovator—Arrow maker and Plant man—Bone artifacts constructor—Photographer and Architect—Philosopher’” focuses on the formal leitmotifs of leaves and floral patterns as organizing principles in Von Bruenchenhein’s multidisciplinary oeuvre. The exhibition highlights the evolution of these forms from the fabric and wallpaper featured in the early “pinup” photographs of the artist’s wife, Marie, to hand-built ceramic flowers, vessels, and crowns. These ideas are further abstracted in vertical chicken- and turkey-bone towers and thrones and in paintings of spires, castles, and visionary buildings. The installation culminates with a book of drawings housed in a wallpaper-sample book and 34 rarely displayed ballpoint-pen drawings, unifying the two structural strands. Made in the early- to mid-1960s, those works range from studies of arabesque curves to architectural designs.

Eugene Von Bruenchenhein (1910–1983) was one of the most complex and multifaceted American self-taught artists. Born in Marinette, Wisconsin, he was from an early age self-identified as an artist. Over a 50-year period, between the late 1930s until his death in 1983, Von Bruenchenhein produced expansive bodies of work in poetry, photography, ceramics, sculpture, painting, and drawing. This exhibition marks the first New York museum presentation of his work across all disciplines. Organized by guest curator Brett Littman, executive director of the Drawing Center, New York, it comprises approximately 100 objects culled primarily from the American Folk Art Museum’s extensive holdings, as well as loans from several private collections.