[{"ID":35244,"post_type":"programs","title":"Shades of Cotton: The Material Worlds of 19th-Century Textiles 12\/2\/25","content":"","status":"publish","date":"2025-09-04 18:47:41","name":"shades-of-cotton-the-material-worlds-of-19th-century-textiles-12-2-25","parent":0,"modified":"2025-12-15 23:38:53","series?":"Program","category":{"term_id":40,"name":"Discussions","slug":"discussions","term_group":0,"term_taxonomy_id":40,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":35245,"id":35245,"title":"shadesofcotton_banner","filename":"shadesofcotton_banner.jpg","filesize":255008,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/09\/shadesofcotton_banner.jpg","link":"https:\/\/folkartmuseum.org\/programs\/shades-of-cotton-the-material-worlds-of-19th-century-textiles-12-2-25\/shadesofcotton_banner\/","alt":"","author":"30","description":"","caption":"","name":"shadesofcotton_banner","status":"inherit","uploaded_to":35244,"date":"2025-09-04 18:43:10","modified":"2025-09-04 18:43:10","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1920,"height":1080,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/09\/shadesofcotton_banner-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/09\/shadesofcotton_banner-300x169.jpg","medium-width":300,"medium-height":169,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/09\/shadesofcotton_banner-768x432.jpg","medium_large-width":768,"medium_large-height":432,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/09\/shadesofcotton_banner.jpg","large-width":1920,"large-height":1080,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/09\/shadesofcotton_banner-1536x864.jpg","1536x1536-width":1536,"1536x1536-height":864,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/09\/shadesofcotton_banner.jpg","2048x2048-width":1920,"2048x2048-height":1080}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/09\/shadesofcotton_banner.jpg","headline":"Shades of Cotton: The Material Worlds of 19th-Century Textiles","di_date":"2025-12-02","excerpt":"<p><span style=\"font-weight: 400;\">Join historians Anna Arabindan-Kesson and Chloe Chapin for a conversation on the economic and symbolic value of cotton, from raw fiber to finished textile.<\/span><\/p>\n<p><span style=\"color:#000000;\">Watch a recording of this program online<\/span> <a href=\"https:\/\/youtu.be\/cLUVpVxWus0\">here<\/a>.<\/p>\n","start_time":"1:00 pm","end_time":"2:30 pm","admission":"Virtual; free with registration","main_content":"<p class=\"p1\">Focusing on the environment, the exhibition <i>An Ecology of Quilts: The Natural History of American Textiles<\/i> highlights the many facets of global material culture that emerged in the early modern period and profoundly shaped the United States in the 18th, 19th, and 20th centuries.<\/p>\n<p class=\"p1\">In her book <i>Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World<\/i> (Duke University, 2021), historian Anna Arabindan-Kesson juxtaposes contemporary artworks with historical moments to explore the visual relationship between the cotton trade and the representation of the Black body in American culture.<\/p>\n<p class=\"p1\">In her forthcoming book,\u00a0<i>Suitable: The Sartorial Revolution and the Fashioning of Modern Men<\/i>, designer and historian Chloe Chapin investigates the materiality and manufacture of men\u2019s suits between the American Revolution and the Civil War, including their linen (and then cotton) shirts, tracing material connections to land, labor, and the virtues of whiteness.<\/p>\n<p class=\"p1\">Using a selection of textiles and quilts on view as a springboard, the two historians will present their research on cotton as material, process, and value, and explore the links between the American textile industry and the construction of identity.<\/p>\n<p class=\"p1\">Introduced and moderated by Teju Adisa-Farrar, creator and host of the <i>Black Material Geographies<\/i> podcast, this program offers an opportunity to examine how the materiality, production, and maintenance of cotton-based textiles have historically shaped and symbolized ideas of race, labor, and power in America.<\/p>\n<p><strong>About the speakers:\u00a0<\/strong><\/p>\n<p><strong>Anna Arabindan-Kesson<\/strong><span style=\"font-weight: 400;\"> holds the position of Associate Professor of Black Diasporic art with a joint appointment in the Departments of African American Studies and Art and Archaeology at Princeton University. Her work emphasizes histories of race, empire, medicine, and migration from the 18<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> century to the contemporary. She practiced as a Registered Nurse before completing her PhD in African American Studies and Art History at Yale University. Her prizewinning monograph is called <\/span><i><span style=\"font-weight: 400;\">Black Bodies White Gold: Art, Cotton and Commerce in the Atlantic World<\/span><\/i><span style=\"font-weight: 400;\"> (Duke University Press, 2021). Her second monograph <\/span><i><span style=\"font-weight: 400;\">Empire States of Mind<\/span><\/i><span style=\"font-weight: 400;\"> is under contract with Duke University, and the book she edited, <\/span><i><span style=\"font-weight: 400;\">Beyond Boundaries: Seeing Art History from the Caribbean<\/span><\/i><span style=\"font-weight: 400;\"> will be published this year with Yale University Press. Anna is the director of<\/span><a href=\"https:\/\/mail.google.com\/mail\/u\/1\/www.artandcolonialmedicine.com\"> <span style=\"font-weight: 400;\">Art Hx<\/span><\/a><span style=\"font-weight: 400;\"> a platform for exploring art and medicine and sits on multiple arts Advisory Boards, in the US and internationally. She holds a Senior Research Fellowship at the Art Gallery of Western Australia, where she curated an exhibition with US-based photographer Sam Contis and has also been a Terra Rome Prize Fellow at the American Academy in Rome. She is now a guest mentor and lecturer in the Arts Intensive Study Program led by artist Wael Shawky for the Fire Station Contemporary Art Space in Doha.\u00a0<\/span><\/p>\n<p><strong>Chloe Chapin<\/strong><span style=\"font-weight: 400;\"> is a designer, artist and fashion scholar. She holds a PhD in American Studies from Harvard University, and master&#8217;s degrees in history (Harvard), fashion and textile studies (FIT), and costume design (Yale). As a costume designer for over twenty years, Chloe worked on Broadway musicals, Shakespeare, opera, and downtown experimental dance theater. She has taught courses on fashion history, costume design, gender studies, museum studies, and anthropology at FIT, Parsons, Reed College, and Harvard University<\/span><i><span style=\"font-weight: 400;\">.<\/span><\/i><span style=\"font-weight: 400;\"> Chloe is a former Fulbright Scholar<\/span> <span style=\"font-weight: 400;\">and has held fellowships at the Smithsonian, Mount Vernon, and Monticello. She works at Harvard University and lives in Cambridge, MA with her dog Tiny. Her first book, <\/span><i><span style=\"font-weight: 400;\">Suitable: The Sartorial Revolution and the Fashioning of Modern Men, <\/span><\/i><span style=\"font-weight: 400;\">comes<\/span><span style=\"font-weight: 400;\"> out with Oxford University Press in 2026.<\/span><\/p>\n<p><strong>Teju Adisa-Farrar<\/strong> <span style=\"font-weight: 400;\">is the founder and ecosystems director of the Black Fiber &amp; Textile Network (bftn), a global community for Black people who grow, use, and work with plant-based fibers, textiles, natural dyes, and other sustainable materials. She is the creator and host of the Black Material Geographies Podcast and an environmental designer. A 2025 Craft Archive Fellow with the Center for Craft, Teju has collaborated with institutions such as the Smithsonian\u2019s Cooper Hewitt Museum and the United States Embassy of Botswana, and has spoken at colleges including Princeton University and the Rhode Island School of Design. As an independent researcher, her work explores and honors Black people\u2019s relationships to plant dyes, botanical pigments, natural fibers, and sustainable textiles. She creates opportunities and advocates for Black communities to connect with nature, agricultural art and ecosystems of survival. Teju is currently based on Mvskoke Land (Atlanta) and goes wherever else she is called.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Images\u00a0<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Left: Wolf Helmhardt von Hohberg (1612\u20131688), \u201cBleiche [bleach],\u201d from <\/span><i><span style=\"font-weight: 400;\">Georgica Curiosa Aucta<\/span><\/i><span style=\"font-weight: 400;\">, 1716. Munich Digitization Center.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Middle: Cornucopia and Dots Whitework Quilt, c. 1800\u20131820. Cotton, 95 x 89 in.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Right: Flying Geese Quilt, c. 1870. Cotton, 82 x 68 in. Collection of the American Folk Art Museum<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Registration<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Space is limited; advance registration is required. Please consider making a donation when you register to support ongoing virtual programming.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Instructions for joining with a Zoom link and password will be provided by email upon registration confirmation under \u201cAdditional Information.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Closed captioning will be provided in English.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For questions or to request accessibility accommodations, please email <\/span><a href=\"mailto:publicprograms@folkartmuseum.org\"><span style=\"font-weight: 400;\">publicprograms@folkartmuseum.org<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n","show_in_past_programs":true,"reserve_text":"WATCH HERE","reserve_link":"https:\/\/youtu.be\/cLUVpVxWus0","day":"02","month":"Dec","year":"2025","link":"https:\/\/folkartmuseum.org\/programs\/shades-of-cotton-the-material-worlds-of-19th-century-textiles-12-2-25\/"},{"ID":35520,"post_type":"programs","title":"Verbal Description & Touch Tour","content":"","status":"publish","date":"2025-11-25 01:28:31","name":"verbal-description-touch-tour","parent":0,"modified":"2025-11-25 01:28:31","series?":"Program","category":{"term_id":36,"name":"Access","slug":"access","term_group":0,"term_taxonomy_id":36,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":35521,"id":35521,"title":"Verbal Description and Touch Tour","filename":"Verbal-Description-and-Touch-Tour-scaled.jpeg","filesize":903982,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/11\/Verbal-Description-and-Touch-Tour-scaled.jpeg","link":"https:\/\/folkartmuseum.org\/programs\/verbal-description-touch-tour\/verbal-description-and-touch-tour\/","alt":"","author":"30","description":"","caption":"","name":"verbal-description-and-touch-tour","status":"inherit","uploaded_to":35520,"date":"2025-11-25 01:24:12","modified":"2025-11-25 01:24:12","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1920,"height":2560,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/11\/Verbal-Description-and-Touch-Tour-150x150.jpeg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/11\/Verbal-Description-and-Touch-Tour-225x300.jpeg","medium-width":225,"medium-height":300,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/11\/Verbal-Description-and-Touch-Tour-768x1024.jpeg","medium_large-width":768,"medium_large-height":1024,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/11\/Verbal-Description-and-Touch-Tour-3000x4000.jpeg","large-width":3000,"large-height":4000,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/11\/Verbal-Description-and-Touch-Tour-1152x1536.jpeg","1536x1536-width":1152,"1536x1536-height":1536,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/11\/Verbal-Description-and-Touch-Tour-1536x2048.jpeg","2048x2048-width":1536,"2048x2048-height":2048}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2025\/11\/Verbal-Description-and-Touch-Tour-scaled.jpeg","headline":"Verbal Description & Touch Tour","di_date":"2025-12-02","excerpt":"<p>Individuals who are blind or have low vision are invited to join us at the Museum for a tour of <em>An Ecology of Quilts: The Natural History of American\u00a0Textiles<\/em>, using verbal description and touch.<\/p>\n","start_time":"10:00 am","end_time":"12:00 pm","admission":"In-Person; free with registration","main_content":"<p>Individuals who are blind or have low vision are invited to join us on Tuesday, December 2nd, from 10 am-12 pm at the American Folk Art Museum (2 Lincoln Square, Columbus Avenue between West 65th and 66th Street).<\/p>\n<p>We will explore the current exhibition, <em>An Ecology of Quilts: The Natural History of American\u00a0Textiles<\/em>, through Verbal Description and touch.<\/p>\n<p>This program begins with complimentary coffee and pastries before we head into the galleries.<\/p>\n<p>Free, but RSVP is required. For more information, or to register: <a href=\"mailto:education@folkartmuseum.org\">education@folkartmuseum.org<\/a>.<\/p>\n","day":"02","month":"Dec","year":"2025","link":"https:\/\/folkartmuseum.org\/programs\/verbal-description-touch-tour\/"}]