{"1":{"ID":15903,"post_type":"programs","title":"Critical Walk-Through: Hank Willis Thomas on Transforming Uniforms 12\/13\/17","content":"","status":"publish","date":"2017-08-16 16:32:30","name":"critical-walk-through-hank-willis-thomas-on-transforming-uniforms","parent":0,"modified":"2018-10-10 14:22:50","series?":"Program","category":{"term_id":40,"name":"Discussions","slug":"discussions","term_group":0,"term_taxonomy_id":40,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":16007,"id":16007,"title":"hankwillis-banner2","filename":"hankwillis-banner2.jpg","filesize":158789,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/hankwillis-banner2.jpg","link":"https:\/\/folkartmuseum.org\/programs\/critical-walk-through-hank-willis-thomas-on-transforming-uniforms\/hankwillis-banner2\/","alt":"","author":"16","description":"","caption":"","name":"hankwillis-banner2","status":"inherit","uploaded_to":15903,"date":"2017-08-21 15:15:47","modified":"2017-08-21 15:15:47","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1260,"height":460,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/hankwillis-banner2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/hankwillis-banner2-300x110.jpg","medium-width":300,"medium-height":110,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/hankwillis-banner2-768x280.jpg","medium_large-width":768,"medium_large-height":280,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/hankwillis-banner2-1024x374.jpg","large-width":1024,"large-height":374,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/hankwillis-banner2.jpg","1536x1536-width":1260,"1536x1536-height":460,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/hankwillis-banner2.jpg","2048x2048-width":1260,"2048x2048-height":460}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/hankwillis-list.jpg","headline":"Critical Walk-Through: Hank Willis Thomas on Transforming Uniforms\u2014SOLD OUT","di_date":"2017-12-13","excerpt":"<p>Contemporary artist Hank Willis Thomas will discuss his <em>We the People<\/em> series in which he transforms prison uniforms into handmade quilts, exploring how they relate to the works on view in the <em>War and Pieced <\/em>exhibition.<\/p>\n","start_time":"6:30 pm","end_time":"7:30 pm","performer_or_host":"Hank Willis Thomas","admission":"$5 members, students, seniors; $8 non-members","main_content":"<p><span style=\"color: #ff0000;\"><em>This discussion is now sold out.<\/em><\/span><\/p>\n<p>Contemporary artist Hank Willis Thomas will discuss his <em>We the People<\/em> series in which he transforms prison uniforms into handmade quilts, exploring how they relate to the works on view in the <em>War and Pieced <\/em>exhibition.<\/p>\n<p>A Critical Walk-Through is a 40-minute guided tour that is meant to offer an alternative perspective to the works on view. They include conversations with artists, scholars, and curators, providing an intimate opportunity to engage with the central themes and histories found in the artwork. The program is limited to 25 individuals.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Hank Willis Thomas<\/strong> is a conceptual artist working primarily with themes related to identity, history, and popular culture. His work has been exhibited throughout the United States\u00a0and abroad, including the International Center of Photography, Guggenheim Museum Bilbao, Mus\u00e9e du quai Branly, and the Cleveland Museum of Art. Thomas\u2019 work is in numerous public collections including the Museum of Modern Art New York, the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the Brooklyn Museum, the High Museum of Art, and the National Gallery of Art in Washington DC, among others. His collaborative projects include &#8220;Question Bridge: Black Males, In Search of the Truth (The Truth Booth),&#8221; and &#8220;For Freedoms,&#8221; which Thomas co-founded in 2016 as the first artist-run super PAC. &#8220;For Freedoms&#8221; was recently awarded the 2017 ICP Infinity Award for New Media and Online Platform. Thomas is also the recipient of the 2017 Soros Equality Fellowship. Current and upcoming exhibitions include <em>Prospect 4: The Lotus in Spite of the Swamp<\/em> in New Orleans and <em>Freedom Isn\u2019t Always Beautiful<\/em> at Savannah College of Art and Design Museum. Thomas is a member of the Public Design Commission for the City of New York. He received a BFA\u00a0in Photography and Africana studies from New York University and a MFA\/MA in Photography and Visual Criticism from the California College of Arts. He has also received honorary doctorates from the Maryland Institute of Art and the Institute for Doctoral Studies in the Visual Arts. Thomas lives and works in New York City.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\"><strong>Image:\u00a0<\/strong>Hank Willis Thomas,\u00a0<em>We the People<\/em>, 2015, quilt made out of decommissioned prison uniforms, 73 1\/4 x 88 1\/4 in., 76 3\/8 x 92 1\/8 x 2 1\/8 in. (framed). Courtesy of the artist and Jack Shainman Gallery, NY.\u00a0<\/span><\/p>\n","show_in_past_programs":true,"reserve_text":"Purchase tickets","reserve_link":"https:\/\/www.eventbrite.com\/e\/critical-walkthrough-hank-willis-thomas-on-transforming-uniforms-tickets-36903377997","day":"13","month":"Dec","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/critical-walk-through-hank-willis-thomas-on-transforming-uniforms\/"},"2":{"ID":16636,"post_type":"programs","title":"Materials and Textures: A Family Art Workshop in Self-Taught Genius 12\/9\/17","content":"","status":"publish","date":"2017-11-01 15:18:46","name":"materials-and-textures-a-family-art-workshop-in-self-taught-genius","parent":0,"modified":"2018-06-05 15:55:02","series?":"Program","category":{"term_id":35,"name":"Families","slug":"familyprograms","term_group":0,"term_taxonomy_id":35,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":16679,"id":16679,"title":"ffa-banner","filename":"FFA-banner.jpg","filesize":359241,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/11\/FFA-banner.jpg","link":"https:\/\/folkartmuseum.org\/programs\/materials-and-textures-a-family-art-workshop-in-self-taught-genius\/ffa-banner\/","alt":"","author":"16","description":"","caption":"","name":"ffa-banner","status":"inherit","uploaded_to":16636,"date":"2017-11-07 18:16:53","modified":"2017-11-07 18:16:53","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1200,"height":480,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/11\/FFA-banner-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/11\/FFA-banner-300x120.jpg","medium-width":300,"medium-height":120,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/11\/FFA-banner-768x307.jpg","medium_large-width":768,"medium_large-height":307,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/11\/FFA-banner-1024x410.jpg","large-width":1024,"large-height":410,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/11\/FFA-banner.jpg","1536x1536-width":1200,"1536x1536-height":480,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/11\/FFA-banner.jpg","2048x2048-width":1200,"2048x2048-height":480}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/11\/familySTG-list1.jpg","headline":"Materials and Textures: A Family Art Workshop in Self-Taught Genius","di_date":"2017-12-09","excerpt":"<p>Artist\u00a0Judith Scott\u00a0concealed everyday objects under layers of wound and woven yarn and textiles, creating new and\u00a0mysterious works of art. We will examine her artwork and others&#8217;\u00a0included in the exhibition\u00a0<em>Self-Taught Genius<\/em>\u00a0and then make our own sculptures inspired by the artists.<\/p>\n","start_time":"11:00 am","end_time":"12:30 pm","admission":"Free with RSVP","main_content":"<p>Artist <a href=\"http:\/\/judithandjoycescott.com\/index.shtml\">Judith Scott<\/a> concealed everyday objects under layers of wound and woven yarn and textiles, creating new and mysterious works of art. We will examine her artwork and others&#8217; included in the exhibition\u00a0<em><a href=\"https:\/\/folkartmuseum.org\/exhibitions\/highlights-from-self-taught-genius\/\">Self-Taught Genius<\/a>,<\/em>\u00a0and then make our own sculptures inspired by the artists, using a variety of unique materials.<\/p>\n<p>This program introduces children ages 4 to 12 and their accompanying adults to folk art through interactive discussion-based tours in the gallery followed by hands-on artmaking activities. Gallery admission is always free. Space is limited; registration required.<\/p>\n<p><em><span style=\"color: #ff0000;\">Please note that this program will take place at the <a href=\"https:\/\/folkartmuseum.org\/resources\/selftaughtgeniusgallery\/\">Self-Taught Genius Gallery<\/a> in Long Island City, Queens.<\/span><\/em><\/p>\n","show_in_past_programs":true,"reserve_text":"RSVP","reserve_link":"https:\/\/www.eventbrite.com\/e\/materials-and-textures-a-family-art-workshop-in-self-taught-genius-tickets-39460015970","day":"09","month":"Dec","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/materials-and-textures-a-family-art-workshop-in-self-taught-genius\/"},"6":{"ID":15429,"post_type":"programs","title":"Fall 2017 Benefit Gala","content":"","status":"publish","date":"2017-07-06 15:22:18","name":"fall-2017-benefit-gala","parent":0,"modified":"2018-06-27 15:12:00","series?":"Program","category":{"term_id":31,"name":"Special Events","slug":"special-events","term_group":0,"term_taxonomy_id":31,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":15480,"id":15480,"title":"gala-banner","filename":"gala-banner.jpg","filesize":129471,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/gala-banner.jpg","link":"https:\/\/folkartmuseum.org\/programs\/fall-2017-benefit-gala\/gala-banner\/","alt":"","author":"16","description":"","caption":"","name":"gala-banner","status":"inherit","uploaded_to":15429,"date":"2017-07-06 21:10:09","modified":"2017-07-06 21:10:09","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1260,"height":504,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/gala-banner-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/gala-banner-300x120.jpg","medium-width":300,"medium-height":120,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/gala-banner-768x307.jpg","medium_large-width":768,"medium_large-height":307,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/gala-banner-1024x410.jpg","large-width":1024,"large-height":410,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/gala-banner.jpg","1536x1536-width":1260,"1536x1536-height":504,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/gala-banner.jpg","2048x2048-width":1260,"2048x2048-height":504}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/gala-banner-list.jpg","headline":"Fall 2017 Benefit Gala","di_date":"2017-11-16","excerpt":"<p>The annual Fall Benefit Gala provides a primary source of funding for the American Folk Art Museum\u00a0and its acclaimed educational programs. The 2017 benefit honors Elizabeth and Irwin Warren, Jill Soltau, and Gail O. Mellow.<\/p>\n","start_time":"6:30 pm","end_time":"9:30 pm","admission":"Tables: $50,000, $25,000, $15,000, $10,000; Tickets: $5000, $2500, $1500, $1000","main_content":"<p><a href=\"https:\/\/501auctions.com\/afamgala2017\/category\/all\/1\"><strong>**Online auction now open!**<\/strong><\/a><\/p>\n<p><span style=\"color: #000000;\">The annual Fall Benefit Gala provides a primary source of funding for the American Folk Art Museum\u00a0and its acclaimed educational programs. The museum has a long-standing commitment to arts education and serves more than eight thousand New York City schoolchildren each year. Your support will allow the museum to sustain and expand its wide range of exceptional initiatives and help make the arts accessible to a broad audience.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>2017 Honorees<\/strong><br \/>\nElizabeth and Irwin Warren<br \/>\nJill Soltau, <em>President and CEO, Joann Stores<\/em><br \/>\nGail O. Mellow, <em>President, LaGuardia Community College<\/em><\/p>\n<p><strong>Gala Chairs<\/strong><br \/>\nKarin and Jonathan Fielding<br \/>\nBarbara Gordon and Steve Cannon<br \/>\nLaura and Richard Parsons<\/p>\n<p><strong>Vice Chairs<\/strong><br \/>\nMonty Blanchard and Leslie Tcheyan<br \/>\nGreg and Susan Danilow<br \/>\nLucy and Mike Danziger<br \/>\nJimmy and Debby Goodman<br \/>\nPeter Gruenberger and Carin Lamm<br \/>\nPenny and Allan Katz<br \/>\nJeffrey Pressman and Nancy Kollisch<br \/>\nJoanna S. Rose<br \/>\nLeslie Seeman and David Becker<\/p>\n<p>&nbsp;<\/p>\n<h4>Event\u00a0Details<\/h4>\n<p><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\">Location:<\/span> \u00a0J.W. Marriott Essex House,\u00a0<\/span><span style=\"color: #000000;\">160 Central Park South\u00a0<\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\">Date:<\/span> Thursday, November 16, 2017<\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\">Time:<\/span>\u00a06:30\u20139:30 PM<\/span><\/p>\n<p><span style=\"color: #000000;\">Festive attire<\/span><\/p>\n<p>&nbsp;<\/p>\n<h4>Table and Ticket Information<\/h4>\n<p><a href=\"http:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/essexhouse.jpg\"><img loading=\"lazy\" width=\"610\" height=\"423\" class=\"alignnone size-medium wp-image-15473\" src=\"http:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/essexhouse.jpg\" srcset=\"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/essexhouse.jpg 610w, https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/essexhouse-300x208.jpg 300w\" sizes=\"(max-width: 610px) 100vw, 610px\" \/><\/a><\/p>\n<h6>Photo: <a href=\"http:\/\/www.marriott.com\/hotels\/travel\/nycex-jw-marriott-essex-house-new-york\/\">J.W. Marriott Essex House<\/a><\/h6>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/501auctions.com\/afamgala2017\/tickets?type=12265\"><strong>Platinum Sponsor Table $50,000<\/strong><\/a><\/p>\n<ul>\n<li>Featured table for ten guests, plus all Underwriter Level benefits<\/li>\n<li>Platinum Sponsor listing in all gala materials<\/li>\n<li>Patron level museum membership for all guests at your table<\/li>\n<li>Recognition as museum sponsor with corporate logo in the exhibition wall text and all materials<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/501auctions.com\/afamgala2017\/tickets?type=12265\"><strong>Underwriter Table $25,000<\/strong><\/a><\/p>\n<ul>\n<li>Prime table for ten guests, plus all Leader Level benefits<\/li>\n<li>Underwriter listing in all gala materials<\/li>\n<li>Museum membership for all guests at your table<\/li>\n<li>Private champagne reception and curatorial tour for twenty-five\u00a0guests at the museum<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/501auctions.com\/afamgala2017\/tickets?type=12265\"><strong>Leader Table $15,000<\/strong><\/a><\/p>\n<ul>\n<li>Table for ten guests, plus all Benefactor Level benefits<\/li>\n<li>Leader listing in all gala materials<\/li>\n<li>All benefits of Corporate Museum membership for one year<\/li>\n<li>Recognition as museum exhibition sponsor with corporate logo in the exhibition wall text and all materials<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/501auctions.com\/afamgala2017\/tickets?type=12265\"><strong>Benefactor Table $10,000<\/strong><\/a><\/p>\n<ul>\n<li>Table for ten guests<\/li>\n<li>Benefactor listing with logo recognition in benefit program, invitation, and on screens at gala<\/li>\n<li>Private curatorial tour for ten\u00a0guests at the museum<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/501auctions.com\/afamgala2017\/tickets?type=12176\"><strong>Benefit Committee Ticket Package (2 Tickets) $5,000<\/strong><\/a><\/p>\n<ul>\n<li>Premium seating for two guests and Patron listing in all gala related materials<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/501auctions.com\/afamgala2017\/tickets?type=12176\"><strong>Patron Ticket <\/strong> <strong>$2,500<\/strong><\/a><\/p>\n<ul>\n<li>Premium seating<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/501auctions.com\/afamgala2017\/tickets?type=12176\"><strong>Supporter<\/strong> <strong>Ticket<\/strong> <strong>$1,500<\/strong><\/a> <em>(limited<\/em> <em>availability)<\/em><\/p>\n<ul>\n<li>Preferred seating<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/501auctions.com\/afamgala2017\/tickets?type=12176\"><strong>Friend Ticket $1,000 <\/strong><\/a><em>(limited<\/em> <em>availability)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><strong>You may\u00a0reserve a table or ticket <a href=\"https:\/\/501auctions.com\/afamgala2017\/\"><span style=\"text-decoration: underline;\">online<\/span><\/a>,\u00a0or by contacting Karley Klopfenstein, Deputy Director for Development, at 646. 856. 8927\u00a0or\u00a0<a href=\"mailto:kklop@folkartmuseum.org\"><span style=\"text-decoration: underline;\">kklop@folkartmuseum.org<\/span><\/a><\/strong>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><em>Event photos by\u00a0Paul Bruinooge\/PatrickMcMullan.com<\/em><\/p>\n","gallery":[{"acf_fc_layout":"image","image":{"ID":18762,"id":18762,"title":"American Folk Art Museum Annual Gala","filename":"EV-Gala-2017-Essex-House-027.jpg","filesize":291312,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-027.jpg","link":"https:\/\/folkartmuseum.org\/programs\/fall-2017-benefit-gala\/american-folk-art-museum-annual-gala\/","alt":"","author":"16","description":"","caption":"Karen Fielding, Gail O. Mellow==\nAmerican Folk Art Museum Annual Gala==\nJW Marriott Essex House, NYC==\nNovember 16, 2017==\n\u00a9Patrick McMullan==\nPhoto - Paul Bruinooge\/PatrickMcMullan.com==\n==","name":"american-folk-art-museum-annual-gala","status":"inherit","uploaded_to":15429,"date":"2018-06-27 15:03:12","modified":"2018-06-27 15:03:14","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":600,"height":400,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-027-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-027-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-027.jpg","medium_large-width":600,"medium_large-height":400,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-027.jpg","large-width":600,"large-height":400,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-027.jpg","1536x1536-width":600,"1536x1536-height":400,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-027.jpg","2048x2048-width":600,"2048x2048-height":400}}},{"acf_fc_layout":"image","image":{"ID":18763,"id":18763,"title":"American Folk Art Museum Annual Gala","filename":"EV-Gala-2017-Essex-House-029.jpg","filesize":187510,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-029.jpg","link":"https:\/\/folkartmuseum.org\/programs\/fall-2017-benefit-gala\/american-folk-art-museum-annual-gala-2\/","alt":"","author":"16","description":"","caption":"Chris DiTullio, Jill Soltau, Monty Blanchard==\nAmerican Folk Art Museum Annual Gala==\nJW Marriott Essex House, NYC==\nNovember 16, 2017==\n\u00a9Patrick McMullan==\nPhoto - Paul Bruinooge\/PatrickMcMullan.com==\n==","name":"american-folk-art-museum-annual-gala-2","status":"inherit","uploaded_to":15429,"date":"2018-06-27 15:03:26","modified":"2018-06-27 15:03:29","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":600,"height":400,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-029-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-029-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-029.jpg","medium_large-width":600,"medium_large-height":400,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-029.jpg","large-width":600,"large-height":400,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-029.jpg","1536x1536-width":600,"1536x1536-height":400,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-029.jpg","2048x2048-width":600,"2048x2048-height":400}}},{"acf_fc_layout":"image","image":{"ID":18764,"id":18764,"title":"American Folk Art Museum Annual Gala","filename":"EV-Gala-2017-Essex-House-035.jpg","filesize":189244,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-035.jpg","link":"https:\/\/folkartmuseum.org\/programs\/fall-2017-benefit-gala\/american-folk-art-museum-annual-gala-3\/","alt":"","author":"16","description":"","caption":"Jeff Pressman, Monty Blanchard, Liz Warren, Irwin Warren==\nAmerican Folk Art Museum Annual Gala==\nJW Marriott Essex House, NYC==\nNovember 16, 2017==\n\u00a9Patrick McMullan==\nPhoto - 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Paul Bruinooge\/PatrickMcMullan.com==\n==","name":"american-folk-art-museum-annual-gala-8","status":"inherit","uploaded_to":15429,"date":"2018-06-27 15:04:59","modified":"2018-06-27 15:05:03","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":600,"height":400,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-081-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-081-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-081.jpg","medium_large-width":600,"medium_large-height":400,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-081.jpg","large-width":600,"large-height":400,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-081.jpg","1536x1536-width":600,"1536x1536-height":400,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-081.jpg","2048x2048-width":600,"2048x2048-height":400}}},{"acf_fc_layout":"image","image":{"ID":18770,"id":18770,"title":"American Folk Art Museum Annual Gala","filename":"EV-Gala-2017-Essex-House-124.jpg","filesize":229820,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-124.jpg","link":"https:\/\/folkartmuseum.org\/programs\/fall-2017-benefit-gala\/american-folk-art-museum-annual-gala-9\/","alt":"","author":"16","description":"","caption":"Audrey Heckler, Steve Cannon==\nAmerican Folk Art Museum Annual Gala==\nJW Marriott Essex House, NYC==\nNovember 16, 2017==\n\u00a9Patrick McMullan==\nPhoto - Paul Bruinooge\/PatrickMcMullan.com==\n==","name":"american-folk-art-museum-annual-gala-9","status":"inherit","uploaded_to":15429,"date":"2018-06-27 15:05:16","modified":"2018-06-27 15:05:20","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":600,"height":400,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-124-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-124-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-124.jpg","medium_large-width":600,"medium_large-height":400,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-124.jpg","large-width":600,"large-height":400,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-124.jpg","1536x1536-width":600,"1536x1536-height":400,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/EV-Gala-2017-Essex-House-124.jpg","2048x2048-width":600,"2048x2048-height":400}}}],"show_in_past_programs":true,"reserve_text":"Reserve table\/ticket","reserve_link":"https:\/\/501auctions.com\/afamgala2017\/","day":"16","month":"Nov","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/fall-2017-benefit-gala\/"},"7":{"ID":15746,"post_type":"programs","title":"2017 Veterans Day Celebration 11\/11\/17","content":"","status":"publish","date":"2017-08-02 14:33:54","name":"2017-veterans-day-celebration","parent":0,"modified":"2017-11-07 21:31:11","series?":"Program","category":{"term_id":31,"name":"Special Events","slug":"special-events","term_group":0,"term_taxonomy_id":31,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":15750,"id":15750,"title":"veteransday-banner","filename":"veteransday-banner.jpg","filesize":240265,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/veteransday-banner.jpg","link":"https:\/\/folkartmuseum.org\/programs\/2017-veterans-day-celebration\/veteransday-banner\/","alt":"","author":"16","description":"","caption":"","name":"veteransday-banner","status":"inherit","uploaded_to":15746,"date":"2017-08-01 20:35:46","modified":"2017-08-01 20:35:46","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1260,"height":460,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/veteransday-banner-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/veteransday-banner-300x110.jpg","medium-width":300,"medium-height":110,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/veteransday-banner-768x280.jpg","medium_large-width":768,"medium_large-height":280,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/veteransday-banner-1024x374.jpg","large-width":1024,"large-height":374,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/veteransday-banner.jpg","1536x1536-width":1260,"1536x1536-height":460,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/veteransday-banner.jpg","2048x2048-width":1260,"2048x2048-height":460}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/veteransday-list.jpg","headline":"Veterans Day Celebration ","di_date":"2017-11-11","excerpt":"<p>Join the American Folk Art Museum in celebrating Veterans Day!<\/p>\n","start_time":"12:00 pm","end_time":"7:00 pm","admission":"Free with RSVP","main_content":"<p>Join the American Folk Art Museum in celebrating Veterans Day! From noon to 7 pm, we will offer guided tours of the <em>War and Pieced <\/em>exhibition, an afternoon film screening of the 1964 classic film <em>Zulu <\/em>(138 minutes), and hands-on activities for all ages. At 1 pm and 4 pm, art historian Jacqueline Atkins will discuss the relationship between quilts and propaganda, and at 5 pm, Warrior Writers\u2014a community of military veterans, service members, artists, and allies who reflect on and express the veteran experience\u2014will perform poetry readings. Refreshments and snacks will be served throughout the day.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SCHEDULE\u00a0<\/strong><\/p>\n<p><strong>1\u20132 pm:<\/strong> Critical walkthrough: Jacqueline Atkins on <strong>Quilts as Propaganda<\/strong> (RSVP required; limited to 20 individuals)<\/p>\n<p><strong>Jacqueline Atkins,\u00a0<\/strong>former chief curator and curator of textiles for the Allentown Art Museum in Pennsylvania, is a textile historian and curatorial consultant. She lectures and writes on American and Japanese quilt history, and on Japanese and Western wartime textiles and kimono. In addition to articles in Japanese and American magazines and journals, her publications include\u00a0<em>Quilting Transformed: A History of Contemporary Quilting in the United States<\/em>;\u00a0<em>Wearing Propaganda: Textiles on the Home Front in Japan, Britain, and the United States 1931\u20131945<\/em>; and a chapter on Japanese novelty textiles in\u00a0<em>The Brittle Decade: Visualizing Japan in the 1930s<\/em>. Dr. Atkins was a judge for the NHK Japan Quilt Grand Prix in Tokyo for eight years and was also a recipient of a Fulbright Research Award to Japan, which led to her interest in the wartime and other early modern Japanese textiles. She holds a PhD in Decorative Arts and Material Culture from the Bard Graduate Center.<\/p>\n<p><a href=\"http:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/zulu.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-15766\" src=\"http:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/zulu-300x211.jpg\" alt=\"zulu\" width=\"300\" height=\"211\" srcset=\"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/zulu-300x211.jpg 300w, https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/zulu.jpg 403w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>2\u20134:15 pm:<\/strong> Film screening of\u00a0Cy Endfield&#8217;s <em><strong>Zulu<\/strong>, a<\/em>\u00a01964\u00a0epic\u00a0war film depicting the\u00a0Battle of Rorke&#8217;s Drift\u00a0between the\u00a0British Army\u00a0and the\u00a0Zulus\u00a0in January 1879, during the\u00a0Anglo-Zulu War. It depicts 150 British soldiers, many of whom were sick and wounded patients in a field hospital, who successfully held off a force of 4,000 Zulu warriors.\u00a0<em>Zulu<\/em>\u00a0is licensed by\u00a0Swank Motion Pictures.<\/p>\n<p><strong>4\u20135 pm:<\/strong> Critical walkthrough: Jacqueline Atkins on <strong>Quilts as Propaganda<\/strong> (RSVP required; limited to 20 individuals)<\/p>\n<p><a href=\"http:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/warriorwriters.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-15767\" src=\"http:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/warriorwriters-300x225.jpg\" alt=\"warriorwriters\" width=\"300\" height=\"225\" srcset=\"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/warriorwriters-300x225.jpg 300w, https:\/\/folkartmuseum.org\/content\/uploads\/2017\/08\/warriorwriters.jpg 403w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>5\u20136:30 pm:<\/strong> Poetry reading by Warrior Writers&#8217; Nicole Goodwin, Sarah Mess, Omar Columbus, and\u00a0Jan Barry (RSVP required)<\/p>\n<p><strong>Warrior Writers<\/strong>\u00a0is a national non-profit organization. Its mission is to create a culture that articulates veterans\u2019 experiences, build a collaborative community for artistic expression, and bear witness to war and the full range of military experiences. Learn more about its\u00a0work\u00a0at <u><a href=\"http:\/\/www.warriorwriters.org\/\">warriorwriters.org<\/a><\/u>.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Banner image credit: <em>Hungarian Soldier&#8217;s Intarsia Quilt,<\/em>\u00a0artist unidentified, Austro-Hungarian Empire, 1820\u20131830; wool, with embroidery thread; inlaid; hand-appliqu\u00e9d and hand-embroidered; 46 1\/2 x 60\u00a0in.; Collection Museum of Military History, Vienna.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n","show_in_past_programs":true,"reserve_text":"RSVP","reserve_link":"https:\/\/www.eventbrite.com\/e\/veterans-day-celebration-at-the-american-folk-art-museum-tickets-36162109844","day":"11","month":"Nov","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/2017-veterans-day-celebration\/"},"9":{"ID":16576,"post_type":"programs","title":"La Sirena Brings Mexican Folk Art to the Museum 10\/28\/17","content":"","status":"publish","date":"2017-09-18 16:08:35","name":"day-of-dead-celebration-102717-2","parent":0,"modified":"2017-10-25 14:29:11","series?":"Program","category":{"term_id":31,"name":"Special Events","slug":"special-events","term_group":0,"term_taxonomy_id":31,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":16581,"id":16581,"title":"lasirena-banner1","filename":"lasirena-banner1.jpg","filesize":250455,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/lasirena-banner1.jpg","link":"https:\/\/folkartmuseum.org\/programs\/day-of-dead-celebration-102717-2\/lasirena-banner1\/","alt":"","author":"16","description":"","caption":"","name":"lasirena-banner1","status":"inherit","uploaded_to":16576,"date":"2017-10-25 14:25:23","modified":"2017-10-25 14:25:23","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1200,"height":438,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/lasirena-banner1-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/lasirena-banner1-300x110.jpg","medium-width":300,"medium-height":110,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/lasirena-banner1-768x280.jpg","medium_large-width":768,"medium_large-height":280,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/lasirena-banner1-1024x374.jpg","large-width":1024,"large-height":374,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/lasirena-banner1.jpg","1536x1536-width":1200,"1536x1536-height":438,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/lasirena-banner1.jpg","2048x2048-width":1200,"2048x2048-height":438}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/lasirena-list.jpg","headline":"La Sirena Brings Mexican Folk Art to the Museum","di_date":"2017-10-28","excerpt":"<p>Celebrate <em>D\u00eda de los Muertos<\/em> at the American Folk Art Museum! Shop goods from La Sirena Mexican Folk Art, and enjoy a piece of <em>pan de muerto\u00a0<\/em>(&#8220;bread of the dead&#8221;).<\/p>\n","start_time":"11:30 am","end_time":"7:00 pm","admission":"Free","main_content":"<p>Celebrate\u00a0<em>D\u00eda de los Muertos<\/em>\u00a0at the American Folk Art Museum! Shop goods from\u00a0<a href=\"http:\/\/www.facebook.com\/LaSirenaMexicanFolkArt\">La Sirena Mexican Folk Art<\/a>, and enjoy a piece of\u00a0<em>pan de muerto\u00a0<\/em>(&#8220;bread of the dead&#8221;).<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Images courtesy of\u00a0La Sirena Mexican Folk Art<\/span><\/p>\n","show_in_past_programs":true,"day":"28","month":"Oct","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/day-of-dead-celebration-102717-2\/"},"11":{"ID":15533,"post_type":"programs","title":"Dialogue + Studio: Intarsia Patterning 10\/26\/17","content":"","status":"publish","date":"2017-07-17 20:58:17","name":"dialogue-studio-intarsia-patterning","parent":0,"modified":"2018-07-09 14:50:16","series?":"Program","category":{"term_id":27,"name":"Workshops","slug":"workshop","term_group":0,"term_taxonomy_id":27,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":15534,"id":15534,"title":"intarsiaworkshop-banner","filename":"intarsiaworkshop-banner.jpg","filesize":195560,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/intarsiaworkshop-banner.jpg","link":"https:\/\/folkartmuseum.org\/programs\/dialogue-studio-intarsia-patterning\/intarsiaworkshop-banner\/","alt":"","author":"16","description":"","caption":"","name":"intarsiaworkshop-banner","status":"inherit","uploaded_to":15533,"date":"2017-07-17 20:53:28","modified":"2017-07-17 20:53:28","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1260,"height":460,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/intarsiaworkshop-banner-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/intarsiaworkshop-banner-300x110.jpg","medium-width":300,"medium-height":110,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/intarsiaworkshop-banner-768x280.jpg","medium_large-width":768,"medium_large-height":280,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/intarsiaworkshop-banner-1024x374.jpg","large-width":1024,"large-height":374,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/intarsiaworkshop-banner.jpg","1536x1536-width":1260,"1536x1536-height":460,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/intarsiaworkshop-banner.jpg","2048x2048-width":1260,"2048x2048-height":460}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/intarsiaworkshop-list.jpg","headline":"Dialogue + Studio: Intarsia Patterning\u2014SOLD OUT","di_date":"2017-10-26","excerpt":"<p>Examining the relationship between marquetry and quilting, this workshop offers an introduction to intarsia patterning.<\/p>\n","start_time":"6:00 pm","end_time":"8:30 pm","admission":"$15 members, students, seniors; $20 non-members ","main_content":"<p>Examining the relationship between marquetry and quilting, this workshop offers an introduction to intarsia patterning. Taught by woodworker and quilter Lesley Gold, participants will learn the fundamentals of geometric patterning that leads to the concept of an individual quilt design through fabric piecing. Limited to 20 participants.<\/p>\n<p>The Dialogue + Studio workshop series offers participants opportunities to gain insight into and engage with self-taught art, past and present, at a deep level. Focused discussions about select themes, techniques, and materials featured in current exhibitions couple with related expert-led hands-on workshops.<\/p>\n<p><span style=\"color: #ff0000;\"><em><strong>This workshop is sold out.<\/strong><\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/lesleygold.tumblr.com\/\"><strong>Lesley Gold<\/strong><\/a>\u00a0is a full-time woodworker and quilter living in Philadelphia, PA. She is a dedicated student and teacher of the history of these art practices and values the craftsmanship of their various technical handwork skills. Lesley graduated from Savannah College of Art and Design in 2009 with a BFA in fibers and from the Cabinet and Furniture Making program at North Bennet Street School in 2016. Follow her work on Instagram at\u00a0<a href=\"https:\/\/www.instagram.com\/__quilt__\/\">@__quilt__<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.instagram.com\/lesley__gold\/\">@lesley__gold<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\"><strong>Image credit:<\/strong> Sample quilt design. Courtesy of Lesley Gold.\u00a0<\/span><\/p>\n","show_in_past_programs":true,"reserve_text":"Purchase tickets","day":"26","month":"Oct","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/dialogue-studio-intarsia-patterning\/"},"12":{"ID":16287,"post_type":"programs","title":"Open House: Self-Taught Genius Gallery and the Archives of the American Folk Art Museum 10\/18\/17","content":"","status":"publish","date":"2017-09-13 16:25:43","name":"open-house-self-taught-genius-gallery-and-the-archives-of-the-american-folk-art-museum-101817","parent":0,"modified":"2017-10-03 15:19:00","series?":"Program","category":{"term_id":31,"name":"Special Events","slug":"special-events","term_group":0,"term_taxonomy_id":31,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":16291,"id":16291,"title":"img_1062-banner2","filename":"IMG_1062-banner2.jpg","filesize":520713,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/IMG_1062-banner2.jpg","link":"https:\/\/folkartmuseum.org\/programs\/open-house-self-taught-genius-gallery-and-the-archives-of-the-american-folk-art-museum-101817\/img_1062-banner2\/","alt":"","author":"16","description":"","caption":"","name":"img_1062-banner2","status":"inherit","uploaded_to":16287,"date":"2017-09-13 16:28:16","modified":"2017-09-13 16:28:16","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1200,"height":460,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/IMG_1062-banner2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/IMG_1062-banner2-300x115.jpg","medium-width":300,"medium-height":115,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/IMG_1062-banner2-768x294.jpg","medium_large-width":768,"medium_large-height":294,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/IMG_1062-banner2-1024x393.jpg","large-width":1024,"large-height":393,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/IMG_1062-banner2.jpg","1536x1536-width":1200,"1536x1536-height":460,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/IMG_1062-banner2.jpg","2048x2048-width":1200,"2048x2048-height":460}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/09\/IMG_1062-list.jpg","headline":"Open House: Self-Taught Genius Gallery and the Archives of the American Folk Art Museum","di_date":"2017-10-18","excerpt":"<p>The American Folk Art Museum invites you to an open house of the new Self-Taught Genius Gallery and museum archives\u00a0in Long Island City, Queens.<\/p>\n","start_time":"4:00 pm","end_time":"7:00 pm","admission":"Free with RSVP","main_content":"<p>The American Folk Art Museum invites you to an open house of the\u00a0new <a href=\"http:\/\/folkartmuseum.org\/resources\/selftaughtgeniusgallery\/\">Self-Taught Genius Gallery<\/a> and museum archives\u00a0in Long Island City, Queens.<\/p>\n<p>Archivist Mimi Lester will lead a tour of the museum\u2019s repository and share highlights from its\u00a0holdings. These will include materials by Henry Darger, correspondence by Marino Auriti for his <em>Encyclopedic Palace<\/em> project, among others.<\/p>\n<p>The program will include a curator-led tour of the exhibition <em><a href=\"https:\/\/folkartmuseum.org\/exhibitions\/highlights-from-self-taught-genius\/\">Highlights from\u00a0Self-Taught Genius<\/a> (<\/em>cocurated by Stacy C. Hollander and Val\u00e9rie Rousseau) from 5 to 6 pm. The exhibition traces the enduring notion of self-taught genius from its roots in the eighteenth\u00a0century to its iterations in the present through highlights from the American Folk Art Museum\u2019s collection of artists who create outside traditional frames of reference and canonical art history.<\/p>\n<p>The program will include light refreshments.<\/p>\n","show_in_past_programs":true,"reserve_text":"RSVP","reserve_link":"https:\/\/www.eventbrite.com\/e\/open-house-self-taught-genius-gallery-the-archives-of-the-american-folk-art-museum-tickets-37818596440","day":"18","month":"Oct","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/open-house-self-taught-genius-gallery-and-the-archives-of-the-american-folk-art-museum-101817\/"},"13":{"ID":15520,"post_type":"programs","title":"Dialogue + Studio: Bookbinding with Combat Paper 10\/13\/17","content":"","status":"publish","date":"2017-07-17 20:23:51","name":"dialogue-studio-bookbinding-with-combat-paper","parent":0,"modified":"2017-08-28 14:30:13","series?":"Program","category":{"term_id":27,"name":"Workshops","slug":"workshop","term_group":0,"term_taxonomy_id":27,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":15523,"id":15523,"title":"lewisbookbinding-banner","filename":"lewisbookbinding-banner.jpg","filesize":173095,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/lewisbookbinding-banner.jpg","link":"https:\/\/folkartmuseum.org\/programs\/dialogue-studio-bookbinding-with-combat-paper\/lewisbookbinding-banner\/","alt":"","author":"16","description":"","caption":"","name":"lewisbookbinding-banner","status":"inherit","uploaded_to":15520,"date":"2017-07-17 20:22:13","modified":"2017-07-17 20:22:13","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1260,"height":460,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/lewisbookbinding-banner-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/lewisbookbinding-banner-300x110.jpg","medium-width":300,"medium-height":110,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/lewisbookbinding-banner-768x280.jpg","medium_large-width":768,"medium_large-height":280,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/lewisbookbinding-banner-1024x374.jpg","large-width":1024,"large-height":374,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/lewisbookbinding-banner.jpg","1536x1536-width":1260,"1536x1536-height":460,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/lewisbookbinding-banner.jpg","2048x2048-width":1260,"2048x2048-height":460}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/lewisbookbinding-list.jpg","headline":"Dialogue + Studio: Bookbinding with Combat Paper","di_date":"2017-10-13","excerpt":"<p>Nathan Lewis offers a bookbinding workshop with handmade paper created from military uniforms.<\/p>\n","start_time":"1:00 pm","end_time":"4:00 pm","admission":"$15 members, students, seniors; $20 non-members; free for veterans  ","main_content":"<p>On day two, Nathan Lewis offers a bookbinding workshop with handmade paper created from military uniforms. Participants will learn two styles of bookbinding, as well as explore the relationship between Combat Paper\u2019s work and objects on view in the <em>War and Pieced<\/em> exhibition. Limited to 15 individuals.<\/p>\n<p>The Dialogue + Studio workshop series offers participants opportunities to gain insight into and engage with self-taught art, past and present, at a deep level. Focused discussions about select themes, techniques, and materials featured in current exhibitions couple with related expert-led hands-on workshops.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Nathan Lewis<\/strong>\u00a0is a papermaker and bookbinder (but his parents only know about the tree service he works for). The first time that he made paper, he used the U.S. Army uniform that he wore in the United States military invasion of Iraq. His work continues to deal with themes of war and the military. Nathan maintains a secret book arts bunker in the hills of the Finger Lakes. Look for his neatly stacked pile of firewood.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Image courtesy of Nathan Lewis<\/span><\/p>\n","show_in_past_programs":true,"reserve_text":"Purchase tickets","reserve_link":"https:\/\/www.eventbrite.com\/e\/dialogue-studio-bookbinding-with-combat-paper-tickets-36161082772","day":"13","month":"Oct","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/dialogue-studio-bookbinding-with-combat-paper\/"},"14":{"ID":15512,"post_type":"programs","title":"FAE: Trip to Los Angeles 10\/13\/17","content":"","status":"publish","date":"2017-07-19 03:00:57","name":"trip-to-los-angeles","parent":0,"modified":"2017-08-23 14:49:01","series?":"Program","category":{"term_id":44,"name":"Folk Art Explorers","slug":"folk-art-explorers","term_group":0,"term_taxonomy_id":44,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":15853,"id":15853,"title":"fae-banner","filename":"fae-banner.jpg","filesize":581797,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/fae-banner.jpg","link":"https:\/\/folkartmuseum.org\/programs\/trip-to-los-angeles\/fae-banner\/","alt":"","author":"16","description":"","caption":"","name":"fae-banner","status":"inherit","uploaded_to":15512,"date":"2017-08-08 16:17:21","modified":"2017-08-08 16:17:21","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1260,"height":460,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/fae-banner-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/fae-banner-300x110.jpg","medium-width":300,"medium-height":110,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/fae-banner-768x280.jpg","medium_large-width":768,"medium_large-height":280,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/fae-banner-1024x374.jpg","large-width":1024,"large-height":374,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/fae-banner.jpg","1536x1536-width":1260,"1536x1536-height":460,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/fae-banner.jpg","2048x2048-width":1260,"2048x2048-height":460}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/ramirez-list.jpg","headline":"Folk Art Explorers: Trip to Los Angeles","di_date":"2017-10-13","excerpt":"<p>The American Folk Art Museum invites you on a four-day trip to Los Angeles, California, for a fun exploration of folk art and self-taught art throughout the city.<\/p>\n","admission":"$2,300, additional $300 for single supplement ","main_content":"<p>The American Folk Art Museum invites you on a four-day trip to Los Angeles, California, for a fun exploration of folk art and self-taught art throughout the city.<\/p>\n<p>Highlights of the trip include a special tour of the inaugural exhibition <em>Mart\u00edn Ram\u00edrez: His Life in Pictures, Another Interpretation<\/em> at the<a href=\"https:\/\/www.theicala.org\/\"> Institute of Contemporary Art, Los Angeles<\/a> with Exhibition Curator and Executive Director <strong>Elsa Longhauser<\/strong>, a tour at the <a href=\"http:\/\/www.cafam.org\/\">Craft &amp; Folk Art Museum<\/a>, stops at the <a href=\"http:\/\/www.lacma.org\/\">Los Angeles County Museum of Art<\/a> and <a href=\"http:\/\/www.getty.edu\/visit\/center\/\">The Getty Center<\/a>, private collection tours, and fabulous meals throughout the city.<\/p>\n<p>Ticket price includes round-trip airfare from JFK International Airport; deluxe hotel accommodations for three nights; ground transportation for excursions throughout Los Angeles; Friday lunch, Saturday lunch and dinner, Sunday brunch and dinner, and Monday breakfast; and museum tours. Taxes and gratuities are included.<\/p>\n<p>For more detailed information or to purchase a ticket, please contact Rebecca Kaplan at\u00a0<a href=\"mailto:rkaplan@folkartmuseum.org\">rkaplan@folkartmuseum.org<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">List image:\u00a0Mart\u00edn Ram\u00edrez, <em>Untitled (Train)<\/em>, Auburn, California, c. 1953, crayon and pencil on pieced paper, 22 \u00bd x 47&#8243;. Gift of Herbert Waide Hemphill, Jr. \u00a9 Estate of Mart\u00edn Ram\u00edrez. Photo by Gavin Ashworth.<\/span><\/p>\n","show_in_past_programs":true,"day":"13","month":"Oct","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/trip-to-los-angeles\/"},"15":{"ID":15515,"post_type":"programs","title":"Dialogue + Studio: Combat Paper 10\/12\/17","content":"","status":"publish","date":"2017-07-17 19:44:17","name":"dialogue-studio-combat-paper","parent":0,"modified":"2017-09-28 02:26:30","series?":"Program","category":{"term_id":27,"name":"Workshops","slug":"workshop","term_group":0,"term_taxonomy_id":27,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":15517,"id":15517,"title":"combatpaper-banner","filename":"combatpaper-banner.jpg","filesize":197666,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/combatpaper-banner.jpg","link":"https:\/\/folkartmuseum.org\/programs\/dialogue-studio-combat-paper\/combatpaper-banner\/","alt":"","author":"16","description":"","caption":"","name":"combatpaper-banner","status":"inherit","uploaded_to":15515,"date":"2017-07-17 19:43:03","modified":"2017-07-17 19:43:03","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1260,"height":460,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/combatpaper-banner-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/combatpaper-banner-300x110.jpg","medium-width":300,"medium-height":110,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/combatpaper-banner-768x280.jpg","medium_large-width":768,"medium_large-height":280,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/combatpaper-banner-1024x374.jpg","large-width":1024,"large-height":374,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/combatpaper-banner.jpg","1536x1536-width":1260,"1536x1536-height":460,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/combatpaper-banner.jpg","2048x2048-width":1260,"2048x2048-height":460}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/combatpaper-list.jpg","headline":"Dialogue + Studio: Combat Paper","di_date":"2017-10-12","excerpt":"<p>Join Ithaca-based artist and veteran Nathan Lewis as he demonstrates how to transform uniforms into pulp, while discussing the myriad ways that textiles carry stories.<\/p>\n","start_time":"2:00 pm","end_time":"5:00 pm","admission":"Free with RSVP","main_content":"<p>Combat Paper is an artist collective that transforms military uniforms into handmade paper. Join Ithaca-based artist and veteran Nathan Lewis as he demonstrates how to transform uniforms into pulp, while discussing the myriad ways that textiles carry stories.<\/p>\n<p>The Dialogue + Studio workshop series offers participants opportunities to gain insight into and engage with self-taught art, past and present, at a deep level. Focused discussions about select themes, techniques, and materials featured in current exhibitions couple with related expert-led hands-on workshops.<\/p>\n<p><b>Combat Paper will conduct the demo over the course of three hours. Please drop-in anytime from <span data-term=\"goog_2035573962\">2 to 5 PM<\/span>. Average time spent will be approximately 20 minutes.<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Nathan Lewis<\/strong> is a papermaker and bookbinder (but his parents only know about the tree service he works for). The first time that he made paper, he used the U.S. Army uniform that he wore in the United States military invasion of Iraq. His work continues to deal with themes of war and the military. Nathan maintains a secret book arts bunker in the hills of the Finger Lakes. Look for his neatly stacked pile of firewood.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Image courtesy of Combat Paper<\/span><\/p>\n","show_in_past_programs":true,"reserve_text":"RSVP","reserve_link":"https:\/\/www.eventbrite.com\/e\/dialogue-studio-combat-paper-tickets-36160907247","day":"12","month":"Oct","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/dialogue-studio-combat-paper\/"},"18":{"ID":15545,"post_type":"programs","title":"Julia Bryan-Wilson on Gender, Politics, and Textiles 9\/28\/17","content":"","status":"publish","date":"2017-07-19 19:15:08","name":"julia-bryan-wilson-on-gender-politics-and-textiles","parent":0,"modified":"2017-10-04 16:41:02","series?":"Program","category":{"term_id":40,"name":"Discussions","slug":"discussions","term_group":0,"term_taxonomy_id":40,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":15553,"id":15553,"title":"bryanwilson-banner","filename":"bryanwilson-banner.jpg","filesize":196928,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/bryanwilson-banner.jpg","link":"https:\/\/folkartmuseum.org\/programs\/julia-bryan-wilson-on-gender-politics-and-textiles\/bryanwilson-banner\/","alt":"","author":"16","description":"","caption":"","name":"bryanwilson-banner","status":"inherit","uploaded_to":15545,"date":"2017-07-19 19:20:57","modified":"2017-07-19 19:20:57","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1260,"height":460,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/bryanwilson-banner-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/bryanwilson-banner-300x110.jpg","medium-width":300,"medium-height":110,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/bryanwilson-banner-768x280.jpg","medium_large-width":768,"medium_large-height":280,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/bryanwilson-banner-1024x374.jpg","large-width":1024,"large-height":374,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/bryanwilson-banner.jpg","1536x1536-width":1260,"1536x1536-height":460,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/bryanwilson-banner.jpg","2048x2048-width":1260,"2048x2048-height":460}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/bryanwilson-list.jpg","headline":"Julia Bryan-Wilson on Gender, Politics, and Textiles ","di_date":"2017-09-28","excerpt":"<p>Art historian Julia Bryan-Wilson will present an illustrated overview of her recent publication<em>\u00a0Fray: Art and Textile Politics\u00a0<\/em>(University of Chicago Press, 2017).<\/p>\n","start_time":"6:30 pm","end_time":"8:00 pm","admission":"$8 members, students, seniors; $10 non-members","main_content":"<p>Art historian Julia Bryan-Wilson will present an illustrated overview of her forthcoming\u00a0publication<em> Fray: Art and Textile Politics <\/em>(University of Chicago Press, 2017). Discussing the works on view in the <em>War and Pieced<\/em> exhibition, as well as modern counterparts, Julia\u00a0will explore the relationship between textiles, gender, and war. A\u00a0book signing will follow the discussion.<\/p>\n<p>Read more about the publication\u00a0at the\u00a0<a href=\"http:\/\/press.uchicago.edu\/ucp\/books\/book\/chicago\/F\/bo11040813.html\">University of Chicago Press Books website<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Julia Bryan-Wilson<\/strong>\u00a0is professor of modern and contemporary art at the University of California, Berkeley.\u00a0Her research interests include theories of artistic labor, feminist and queer theory, performance, craft histories, photography, video, visual culture of the nuclear age, and collaborative practices. She is the author of\u00a0<em>Art Workers: Radical Practice in the Vietnam War Era<\/em>\u00a0(University of California Press, 2009), and editor of\u00a0<em>OCTOBER Files: Robert Morris<\/em>\u00a0(MIT Press, 2013). With Glenn Adamson, she co-wrote\u00a0<em>Art in the Making: Artists and Their Materials from the Studio to Crowdsourcing<\/em><em>\u00a0<\/em>(Thames &amp; Hudson, 2016).\u00a0A scholar and a critic, Julia\u00a0has written articles that have appeared in\u00a0<em>Art Bulletin<\/em>,\u00a0<em>Art Journal<\/em>,\u00a0<em>Artforum<\/em>,\u00a0<em>Bookforum<\/em>,\u00a0<em>Camera Obscura<\/em>,\u00a0<em>differences<\/em>,\u00a0<em>Frieze<\/em>,\u00a0<em>Grey Room<\/em>,\u00a0<em>October<\/em>,\u00a0<em>Parkett<\/em>, the\u00a0<em>Journal of Modern Craft<\/em>, and\u00a0<em>Oxford Art Journal<\/em>, and many other venues. Her article \u201cInvisible Products\u201d received the 2013 Art Journal Award from the College Art Association. Julia\u00a0has held fellowships from the Clark Art Institute, the Henry Moore Institute, the Smithsonian Archives of American Art, the Terra Foundation, the Mellon, and the Getty Research Institute. She was a recipient of a Creative Capital\/Andy Warhol Foundation Arts Writers Grant, and has won several awards for her teaching. With Andrea Andersson, she curated the first major exhibition dedicated to the Chilean poet\/artist Cecilia Vicu\u00f1a<em>.\u00a0<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\"><strong>Image credit:\u00a0<\/strong>University of Chicago Press, 2017<\/span><\/p>\n","show_in_past_programs":true,"reserve_text":"Purchase tickets","reserve_link":"https:\/\/www.eventbrite.com\/e\/discussion-julia-bryan-wilson-on-gender-politics-and-textiles-tickets-36160594311","day":"28","month":"Sep","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/julia-bryan-wilson-on-gender-politics-and-textiles\/"},"19":{"ID":15494,"post_type":"programs","title":"War and Pieced in Context 9\/8\/17","content":"","status":"publish","date":"2017-07-11 18:12:57","name":"war-and-pieced-in-context","parent":0,"modified":"2018-07-09 14:51:41","series?":"Program","category":{"term_id":40,"name":"Discussions","slug":"discussions","term_group":0,"term_taxonomy_id":40,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":15495,"id":15495,"title":"soldier_musician-banner","filename":"soldier_musician-banner.jpg","filesize":336384,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/soldier_musician-banner.jpg","link":"https:\/\/folkartmuseum.org\/programs\/war-and-pieced-in-context\/soldier_musician-banner\/","alt":"","author":"16","description":"","caption":"","name":"soldier_musician-banner","status":"inherit","uploaded_to":15494,"date":"2017-07-11 18:06:13","modified":"2017-07-11 18:06:13","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1260,"height":504,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/soldier_musician-banner-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/soldier_musician-banner-300x120.jpg","medium-width":300,"medium-height":120,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/soldier_musician-banner-768x307.jpg","medium_large-width":768,"medium_large-height":307,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/soldier_musician-banner-1024x410.jpg","large-width":1024,"large-height":410,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/soldier_musician-banner.jpg","1536x1536-width":1260,"1536x1536-height":504,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/soldier_musician-banner.jpg","2048x2048-width":1260,"2048x2048-height":504}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/07\/soldier_musician-list.jpg","headline":"War and Pieced in Context\u2014SOLD OUT","di_date":"2017-09-08","excerpt":"<p>An evening of scholarly presentations explores the historical, material, and cultural significance of quilts from military fabrics.<\/p>\n","start_time":"5:20 pm","end_time":"8:30 pm","admission":"$10 members, students, seniors; $15 non-members","main_content":"<p>An evening of scholarly presentations explores the historical, material, and cultural significance of quilts from military fabrics. The program will begin with a keynote lecture by<em>\u00a0War and Pieced<\/em>\u00a0co-curator and international quilt historian, author, and collector\u00a0<strong>Dr. Annette Gero.<\/strong>\u00a0Speakers include\u00a0<strong>Neal Hurst<\/strong>, associate curator of costumes and textiles at Colonial Williamsburg Foundation;\u00a0<strong>Sue Reich<\/strong>, independent scholar and quilt historian; and\u00a0<strong>Jonathan Holstein<\/strong>, independent scholar and author of\u00a0<em>The Pieced Quilt: An American Design Tradition.\u00a0<\/em><strong>Carolyn Ducey<\/strong>, curator of collections at International Quilt Study Center &amp; Museum, University of Nebraska-Lincoln, will moderate the discussion.<\/p>\n<p><em><span style=\"color: #ff0000;\"><strong>This event is sold out. The program will be live-streamed on <span style=\"text-decoration: underline;\"><a style=\"color: #ff0000; text-decoration: underline;\" href=\"https:\/\/www.facebook.com\/AmericanFolkArtMuseum\">our Facebook page<\/a><\/span>.<\/strong><\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p>PROGRAM<\/p>\n<p><strong><em>Meanderings of the Collector &#8211;\u00a0<\/em>Dr. Annette Gero<\/strong><\/p>\n<p>Revealing the extraordinary stories of how she found, researched, and documented these quilts, this keynote will provide an overview of the quilts included in the <em>War and Pieced<\/em> exhibition. Many questions about the quilts still need to be answered, such as who made them, what they were used for, and how we need to view these textiles from an eighteenth and nineteenth century perspective. Kings, generals, and tailors commissioned many of the quilts, some of which\u00a0were made by soldiers in prison and hospital, all using uniform fabric. This presentation will attempt to unravel some of the extraordinarily glorious, and previously unknown, textile history.<\/p>\n<p><strong><em>Broadcloth, Coating, and Kersey: Woolen Soldiers Clothing, 1750\u20131950 &#8211;\u00a0<\/em>Neal Hurst<\/strong><\/p>\n<p>From Bunker Hill to the beaches at Normandy, wool was the primary fabric worn by soldiers going into combat. Wool textiles provided a hard wearing, serviceable, and comfortable uniform. This talk will explore woolen military textiles and the traditions surrounding clothing as a fighting force.<\/p>\n<p><strong><em>Parsing Quilts: Beginnings &#8211;\u00a0<\/em>Jonathan Holstein<\/strong><\/p>\n<p>A basic human aesthetic response to square and rectangular formats has existed for thousands of years\u2014one that developed in conjunction with squared architecture and has informed many areas of artistic creativity, especially textiles. In that regard, the fundamental,\u00a0traditional overall quilt format developed anciently, primarily in the Middle East and Asia, in a variety of textiles and other decorative arts. Within that central form, the basic overall design configurations that we now associate with traditional quilts evolved in various manifestations, particularly in the Middle East.\u00a0Through the centuries, those designs, which were embodied primarily in textiles that included quilts, migrated to Europe through trade, where their overall compositions eventually became incorporated into European quilts. Ultimately, those formats and some of the textiles that both inspired and embodied them arrived in the United States, where they informed American quilt designs.<\/p>\n<p><strong><em>Military Fabrics\u00a0in Twentieth Century American War Quilts &#8211;\u00a0<\/em>Sue Reich<\/strong><\/p>\n<p>Focusing on twentieth century American quilts made during times of war, this talk will explore quilts made from\u00a0soldiers&#8217; uniforms and insignia, with an emphasis on woolen military textiles.<\/p>\n<p>&nbsp;<\/p>\n<p>SCHEDULE<\/p>\n<p>5:00 pm: Registration<\/p>\n<p>5:20 pm: Welcome remarks by Stacy C. Hollander<\/p>\n<p>5:30 pm: Keynote: Dr. Annette Gero<\/p>\n<p>6:30 pm: Break<\/p>\n<p>6:50 pm: Neal Hurst<\/p>\n<p>7:15 pm: Jonathan Holstein<\/p>\n<p>7:40 pm: Sue Reich<\/p>\n<p>8:05 pm: Discussion and Q&amp;A<\/p>\n<p><strong>\u00a0<\/strong>8:40 pm: Reception<\/p>\n<p>&nbsp;<\/p>\n<p>SPEAKERS<\/p>\n<p><strong>Dr. Annette Gero<\/strong>, PhD, author, collector, and international quilt historian, has been collecting and documenting quilts since 1982. She has curated thirty-three exhibitions in Australia and internationally, and she has lectured on quilt history in the United States, Canada, New Zealand, France, and England. In 1986, she was elected a Fellow of the Royal Society for Arts (London) in recognition of her work on Australian quilt history. She is a member of the advisory board and an associate fellow at\u00a0the International Quilt Study Center &amp; Museum, Lincoln, Nebraska; founder and patron of the Sydney Quilt Study Group; past president of the Quilt Study Group of Australia; the first international member of the American Quilt Study Group; and lecturer for the Australian Academy of Decorative Arts. She is highly recognized for her quilt collection, which has been described in Australia as \u201ca national treasure.\u201d Her outstanding contribution to the history of Australian quilting has been documented in the Archives of the National Library of Australia, Canberra. Her collection has been exhibited throughout Australia and at the Mus\u00e9e de L&#8217;Impression sur Etoffes, Mulhouse, France; the Mus\u00e9e des Traditions et Arts Normands, Normandy, France; the International Quilt Show in Houston, Texas; The European Quilt Symposium, Alsace, France; the University of Alberta, Canada; and most recently at The Museum of Folk Art, Berlin, Germany.\u00a0She is author of four books on the history of quilts, including <em>Historic Australian Quilts,<\/em> <em>The Fabric of Society: Australia\u2019s Quilt History from<\/em> <em>Convict Times to 1960, Making the Australian Quilt<\/em>, and the book on her latest collection of war quilts made by men, <em>Wartime Quilts: Appliqu\u00e9 and Geometric Masterpieces from Military Fabrics.<\/em><\/p>\n<p><strong>Neal Hurst<\/strong> received a BA in history from the College of William and Mary and an MA from the Winterthur Program in American Material Culture at the University of Delaware.\u00a0He served as assistant curator on the inaugural exhibition for the Museum of the American Revolution in Philadelphia, Pennsylvania.\u00a0In August 2016, Neal joined the curatorial team at The Colonial Williamsburg Foundation as the associate curator of costume and textiles.<\/p>\n<p><strong>Jonathan Holstein <\/strong>has been involved with quilts since he and his wife Gail van der Hoof began to collect them for their graphic qualities in the late 1960s. Their 1971 exhibition <em>Abstract Design in American Quilts<\/em> at the Whitney Museum of American Art is noted as a pivotal event in an aesthetic reassessment of the genre. The first Amish quilts shown in museum exhibitions were included in their Whitney show, and they curated the first all-Amish exhibitions that appeared in a number of American museums. Over the next several decades, they curated scores of similar exhibitions at museums in the United States, Europe, and Japan, and they lectured on the subject here and abroad, which coupled with the Whitney exhibition, are considered significant factors in the development and growth of the contemporary art quilt movement. Holstein has written many exhibition catalogs, and his first book on the subject, <em>The Pieced Quilt: An American Design Tradition<\/em>, was published in 1973. Holstein continues to curate museum exhibitions as well as\u00a0lecture and write about quilts as aesthetic and historic objects. American folk art in general and Native American art are other areas in which he has been involved since the 1960s.<\/p>\n<p><strong>Sue Reich <\/strong>first learned to quilt as a child at her Grandmother Martin&#8217;s farmhouse in\u00a0Crawford County, Pennsylvania. The celebration of the United States&#8217;\u00a0bicentennial sparked her love for quiltmaking and her interest in quilt history. Sue was\u00a0instrumental in documenting and researching the historic quilts of Connecticut, and she co-authored the official quilt documentation book of her home state. An American Quilter\u2019s Society certified\u00a0appraiser and National Quilting Association trained judge, Sue still finds time to make her own quilt creations\u00a0for her family and for the Quilts of Valor Foundation, where she serves on the board of directors.\u00a0She is the author of\u00a0<i>World War II Quilts<\/i>\u00a0(2010) and<i>\u00a0World War I Quilts<\/i>\u00a0(2014).<\/p>\n<p><strong>Carolyn Ducey <\/strong>has been the Curator of Collections at the International Quilt Study Center &amp; Museum (IQSCM) at the University of Nebraska\u2013Lincoln since 1998. Ducey oversees the ongoing care and management of the IQSCM collection of more than 5,200 quilts. She is the author of the monograph <em>Chintz Appliqu\u00e9: From Imitation to Icon <\/em>(2008), co-author of <em>What\u2019s in a Name: Inscribed Quilts (2012), <\/em>and co-editor of <em>American Quilts in the Industrial Age 1760\u20131870: A Catalog of the IQSCM Collections<\/em> (February 2019). Ducey earned an MA in American Art History from Indiana University in 1998, and a PhD in Textiles, Clothing &amp; Design (with an emphasis in Quilt Studies) at the University of Nebraska in 2010.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Image credit:\u00a0<i>Intarsia Quilt with Soldiers and Musicians<\/i>\u00a0(detail), artist unidentified (initialed &#8220;J.S.J.&#8221;), Prussia, c. 1760\u20131780, wool, with embroidery thread; intarsia, hand-appliqu\u00e9d and -embroidered, 55 x 43 in., the Annette Gero Collection. Photo by Tim Connolly, Shoot Studios.<\/span><\/p>\n","gallery":[{"acf_fc_layout":"video","url":"https:\/\/vimeo.com\/248710511","host":"Vimeo"}],"show_in_past_programs":true,"reserve_text":"Purchase tickets","day":"08","month":"Sep","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/war-and-pieced-in-context\/"},"21":{"ID":15353,"post_type":"programs","title":"Summer Saturday 2017","content":"","status":"publish","date":"2017-06-19 15:50:05","name":"summer-saturday-2017","parent":0,"modified":"2017-07-24 15:58:49","series?":"Program","category":{"term_id":31,"name":"Special Events","slug":"special-events","term_group":0,"term_taxonomy_id":31,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":15403,"id":15403,"title":"ss2017-2","filename":"ss2017-2.jpg","filesize":174352,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/ss2017-2.jpg","link":"https:\/\/folkartmuseum.org\/programs\/summer-saturday-2017\/ss2017-2\/","alt":"","author":"16","description":"","caption":"","name":"ss2017-2","status":"inherit","uploaded_to":15353,"date":"2017-06-21 14:45:34","modified":"2017-06-21 14:45:34","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":831,"height":509,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/ss2017-2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/ss2017-2-300x184.jpg","medium-width":300,"medium-height":184,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/ss2017-2-768x470.jpg","medium_large-width":768,"medium_large-height":470,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/ss2017-2.jpg","large-width":831,"large-height":509,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/ss2017-2.jpg","1536x1536-width":831,"1536x1536-height":509,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/ss2017-2.jpg","2048x2048-width":831,"2048x2048-height":509}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/ss2017.jpg","headline":"Summer Saturday 2017","di_date":"2017-07-22","excerpt":"<p class=\"p1\">Celebrate everything folk at the American Folk Art Museum\u2019s Summer Saturday\u2014an all-day FREE event of live music, artist demos, guided tours, and family fun.<\/p>\n","start_time":"11:00 am","end_time":"6:00 pm","admission":"Free","main_content":"<p class=\"p1\">Celebrate everything folk at the American Folk Art Museum\u2019s Summer Saturday\u2014an all-day FREE event of live music, artist demos, guided tours, and family fun.<\/p>\n<p class=\"p2\">The first annual Summer Saturday 2017 will be on July 22, starting at 11:00 am. Bring the kids to hear folk tales from years past. From our popular <a href=\"http:\/\/folkartmuseum.org\/programs\/about-free-music-fridays\/\">Free Music Fridays series<\/a>, performances by singer-songwriters will take place throughout the day, and docents will lead guided tours of the museum\u2019s exhibitions between sets. Artisans will demonstrate their skills, and their work will be for sale in the <a href=\"https:\/\/shop.folkartmuseum.org\/\">Museum Shop<\/a>. A special 10% discount is available in the shop all\u00a0<span class=\"s1\">day (20% for members). <\/span>Summer Saturday 2017\u2014if it\u2019s folk, it happens here! <span class=\"s2\">#<\/span>FolkSummer<\/p>\n<p class=\"p2\"><a href=\"http:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summer-sat-performers.jpg\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-15385\" src=\"http:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summer-sat-performers.jpg\" alt=\"summer-sat-performers\" width=\"600\" height=\"103\" srcset=\"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summer-sat-performers.jpg 600w, https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summer-sat-performers-300x52.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p class=\"p2\"><strong>SCHEDULE<\/strong><\/p>\n<p class=\"p1\"><strong>11:30 am\u201312 pm:\u00a0<\/strong><strong>THE BIG LITTLES<\/strong><\/p>\n<p class=\"p1\">Matt Singer is the singer-songwriter for <a href=\"http:\/\/www.mattsingermusic.com\/thebiglittles\/\">The Big Littles<\/a>, a super cute acoustic pop rock duo that deftly walks the tightrope of making genuinely enjoyable music for kids and grownups. Not cute enough? Matt plays a little guitar. Super cute.<\/p>\n<p class=\"p1\"><strong>12:15 am\u20131 pm:\u00a0<\/strong><strong>STORIES &amp; SONGS FROM AROUND THE WORLD<\/strong><\/p>\n<p class=\"p2\">Storyteller <a href=\"http:\/\/www.aprilarmstrong.com\/\">April Armstrong<\/a> speaks and sings a tapestry of universal themes from legends, folktales, tall tales, and tail tales (some old, some new) that delights and inspires audiences.\u00a0April was awarded a BRIO Award for storytelling in 2015 from the Bronx Council for the Arts. Her debut CD,\u00a0<em>The Cat Came Back: Stories and Songs with a Jazzy Twist,<\/em> won a 2015 Parent\u2019s Choice Award \u2013 Silver (available on her website, CDBaby.com, and Amazon.com).\u00a0She and her jazz trio have performed her concert of\u00a0<em>Stories and Songs with a Jazzy Twist<\/em>\u00a0at the legendary Apollo Theater in Harlem, Flushing Town Hall, and the Abroms Art Center Theater.\u00a0April is a featured teller for Historic Hudson Valley venues and has appeared at the Hudson River Clearwater, The Mohegan, and the Connecticut College Festivals. She tells\u00a0stories for schools, colleges, libraries, and museums in the New York City tri-state area, California, and Florida. As an actress and singer, April has appeared in more than thirty productions, including two Broadway national tours, and at the Public Theater, as well as\u00a0on <em>Law &amp; Order: SVU<\/em>.<\/p>\n<p class=\"p2\">Families with children of all ages are encouraged to attend.<\/p>\n<p class=\"p1\"><strong>1\u20132 pm:\u00a0<\/strong><strong>GUIDED EXHIBITION TOUR OF <a href=\"http:\/\/folkartmuseum.org\/exhibitions\/carlo-zinelli-1916-1974\/\"><em>CARLO ZINELLI (1916\u20131974)<\/em><\/a> AND <a href=\"http:\/\/folkartmuseum.org\/exhibitions\/eugen-gabritschevsky-theater-imperceptible\/\"><em>EUGEN GABRITSCHEVSKY: THEATER OF THE IMPERCEPTIBLE<\/em><\/a><\/strong><\/p>\n<p class=\"p1\"><strong>2\u20133 pm:\u00a0<\/strong><strong>ANIELLE AND MATTHEW<\/strong><\/p>\n<p class=\"p2\">Acoustic duo <a href=\"https:\/\/aniellereid.com\/anielle-and-matthew\">Anielle Reid and Matthew Brookshire<\/a> perform Americana-Pop. Accompanied on banjo and guitar, these singer-songwriters with Southern roots bring gorgeous harmonies to finely crafted portraits of big city life.<\/p>\n<p class=\"p1\"><strong>3\u20134 pm: GUIDED EXHIBITION TOUR OF <a href=\"http:\/\/folkartmuseum.org\/exhibitions\/carlo-zinelli-1916-1974\/\"><em>CARLO ZINELLI (1916\u20131974)<\/em><\/a> AND <a href=\"http:\/\/folkartmuseum.org\/exhibitions\/eugen-gabritschevsky-theater-imperceptible\/\"><em>EUGEN GABRITSCHEVSKY: THEATER OF THE IMPERCEPTIBLE<\/em><\/a><\/strong><\/p>\n<p class=\"p1\"><strong>4\u20134:30 pm:\u00a0<\/strong><strong>ANDY MAC<\/strong><\/p>\n<p class=\"p2\">A self-proclaimed \u201cwhiney man child,\u201d <a href=\"https:\/\/www.andymacmusic.com\/\">Andy Mac<\/a> is a New York\u2013based singer-songwriter who is constantly confused and sings about it. He owns Brooklyn Bass Drums, a small company that manufactures custom drums out of vintage luggage.<\/p>\n<p class=\"p2\"><strong>4:30\u20135 pm:\u00a0<\/strong><strong>BRYAN DUNN<\/strong><\/p>\n<p class=\"p2\"><a href=\"http:\/\/www.bryandunnmusic.net\/\">Bryan Dunn<\/a>\u2019s gutsy roots rock sound is like your favorite faded denim: intimate, classic, love-worn, and real. Combining the addictive hooks of the British Invasion, the storied swagger of Austin, Texas, and the plaintive soul of his Irish ancestry, Bryan\u2019s songs are instant earworms.<\/p>\n","gallery":[{"acf_fc_layout":"image","image":{"ID":15365,"id":15365,"title":"summersat1","filename":"summersat1.jpg","filesize":95330,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summersat1.jpg","link":"https:\/\/folkartmuseum.org\/programs\/summer-saturday-2017\/summersat1\/","alt":"","author":"16","description":"","caption":"","name":"summersat1","status":"inherit","uploaded_to":15353,"date":"2017-06-19 15:29:03","modified":"2017-06-19 15:29:03","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":310,"height":206,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summersat1-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summersat1-300x199.jpg","medium-width":300,"medium-height":199,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summersat1.jpg","medium_large-width":310,"medium_large-height":206,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summersat1.jpg","large-width":310,"large-height":206,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summersat1.jpg","1536x1536-width":310,"1536x1536-height":206,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summersat1.jpg","2048x2048-width":310,"2048x2048-height":206}}},{"acf_fc_layout":"image","image":{"ID":15366,"id":15366,"title":"summersat2","filename":"summersat2.jpg","filesize":93643,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summersat2.jpg","link":"https:\/\/folkartmuseum.org\/programs\/summer-saturday-2017\/summersat2\/","alt":"","author":"16","description":"","caption":"","name":"summersat2","status":"inherit","uploaded_to":15353,"date":"2017-06-19 15:29:04","modified":"2017-06-19 15:29:04","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":310,"height":206,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summersat2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summersat2-300x199.jpg","medium-width":300,"medium-height":199,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summersat2.jpg","medium_large-width":310,"medium_large-height":206,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summersat2.jpg","large-width":310,"large-height":206,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summersat2.jpg","1536x1536-width":310,"1536x1536-height":206,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/06\/summersat2.jpg","2048x2048-width":310,"2048x2048-height":206}}}],"show_in_past_programs":true,"day":"22","month":"Jul","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/summer-saturday-2017\/"},"23":{"ID":14444,"post_type":"programs","title":"Dialogue + Studio: Calligraphy 6\/20\/17","content":"","status":"publish","date":"2017-02-13 21:21:05","name":"dialogue-studio-calligraphy-620","parent":0,"modified":"2018-07-09 15:06:12","series?":"Program","category":{"term_id":27,"name":"Workshops","slug":"workshop","term_group":0,"term_taxonomy_id":27,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":14472,"id":14472,"title":"screen-shot-2017-02-13-at-4-18-00-pm","filename":"Screen-Shot-2017-02-13-at-4.18.00-PM.png","filesize":873435,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM.png","link":"https:\/\/folkartmuseum.org\/programs\/dialogue-studio-calligraphy-620\/screen-shot-2017-02-13-at-4-18-00-pm\/","alt":"","author":"16","description":"","caption":"","name":"screen-shot-2017-02-13-at-4-18-00-pm","status":"inherit","uploaded_to":14444,"date":"2017-02-13 21:19:27","modified":"2017-02-13 21:19:27","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":752,"height":536,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM-300x214.png","medium-width":300,"medium-height":214,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM.png","medium_large-width":752,"medium_large-height":536,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM.png","large-width":752,"large-height":536,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM.png","1536x1536-width":752,"1536x1536-height":536,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM.png","2048x2048-width":752,"2048x2048-height":536}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM.png","headline":"Dialogue + Studio: Calligraphy\u2014SOLD OUT","di_date":"2017-06-20","excerpt":"<p>Inspired by the artwork of\u00a0Carlo Zinelli, individuals are invited to learn the art of calligraphy in a workshop led by professional calligrapher Anna Pinto.\u00a0Participants will be introduced to two styles of lettering, and use them in a small hands-on project. Limited to 20 participants. All materials will be provided.<\/p>\n<p>&nbsp;<\/p>\n","more_info":[{"acf_fc_layout":"program_description","header":"Dialogue + Studio: Calligraphy","image":{"ID":14472,"id":14472,"title":"screen-shot-2017-02-13-at-4-18-00-pm","filename":"Screen-Shot-2017-02-13-at-4.18.00-PM.png","filesize":873435,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM.png","link":"https:\/\/folkartmuseum.org\/programs\/dialogue-studio-calligraphy-620\/screen-shot-2017-02-13-at-4-18-00-pm\/","alt":"","author":"16","description":"","caption":"","name":"screen-shot-2017-02-13-at-4-18-00-pm","status":"inherit","uploaded_to":14444,"date":"2017-02-13 21:19:27","modified":"2017-02-13 21:19:27","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":752,"height":536,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM-300x214.png","medium-width":300,"medium-height":214,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM.png","medium_large-width":752,"medium_large-height":536,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM.png","large-width":752,"large-height":536,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM.png","1536x1536-width":752,"1536x1536-height":536,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.18.00-PM.png","2048x2048-width":752,"2048x2048-height":536}},"text":"<p style=\"margin: 0in; margin-bottom: .0001pt; background: white;\"><span style=\"letter-spacing: .4pt;\">Tuesday, June 20, 6:30\u20138:30 PM<br \/>\n$15 members, students, and seniors; $20 non-members<\/span><\/p>\n<p>Inspired by the artwork of\u00a0Carlo Zinelli, individuals are invited to learn the art of calligraphy in a workshop led by professional calligrapher Anna Pinto.\u00a0Participants will be introduced to two styles of lettering and use them in a small hands-on project.\u00a0Limited to twenty participants. All materials will be provided.<\/p>\n<p>NOTE: <span style=\"text-decoration: underline;\"><strong>This program is now sold out.<\/strong><\/span> To be added to the wait list, please email <a href=\"mailto:publicprograms@folkartmuseum.org\" target=\"_blank\" rel=\"noopener\">publicprograms@folkartmuseum.<wbr \/>org<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.annapintocalligraphy.com\/\"><strong>Anna Pinto<\/strong><\/a>\u00a0is a freelance calligrapher for private clients as well as many cultural, corporate, and educational institutions. She has taught calligraphy in the art department of Long Island University in Brooklyn, and teaches workshops for various calligraphy- and book-arts groups around the country. She is a member of the Board of New York&#8217;s Society of Scribes. Her specialties are the italic style and casual handwriting styles. She particularly enjoys incorporating color and drawing into her work, and working with clients to find just the right expressive solution for their projects. Her calligraphy is featured in publications as diverse as\u00a0<em>Artist and Alphabet: Lettering Art in the Twentieth Century\u00a0<\/em>(Godine),\u00a0<em>Lady Cottington&#8217;s Pressed Fairy Calendar 2006<\/em>\u00a0(Abrams),\u00a0<em>Drawing Dimensions: a Comprehensive Introduction<\/em>\u00a0by Cynthia Dantzic (Prentice Hall), and\u00a0<em>The Perfect Wedding Reception<\/em>\u00a0and\u00a0<em>The Perfect Wedding Details<\/em>\u00a0by Maria McBride Mellinger (Harper Collins). Her work is also represented in private collections and the collections libraries at Rutgers and Yale, and the San Francisco Public Library. She is based in Hoboken, New Jersey.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Image: Carlo Zinelli (1916\u20131974), untitled (double-sided), San Giacomo Hospital, Verona, Italy, 1970, gouache on paper, 19 x 27 1\/2 in., collection of Robert A. Roth. Photo by Bill Bengtson.<\/span><\/p>\n"}],"start_time":"6:30 pm","end_time":"8:30 pm","performer_or_host":"Anna Pinto","admission":"$15 members, students, and seniors; $20 non-members","main_content":"<p><span style=\"color: #ff0000;\"><em><strong>This event is sold out.<\/strong><\/em><\/span><\/p>\n<p>Inspired by the artwork of\u00a0Carlo Zinelli, individuals are invited to learn the art of calligraphy in a workshop led by professional calligrapher Anna Pinto. Participants will be taught the fundamentals of calligraphy and learn two styles of script. Limited to 20 participants. All materials will be provided.<\/p>\n<p>The Dialogue &amp; Studio workshop series offers participants opportunities to gain insight into and engage with self-taught art, past and present, at a deeper level. Focused discussions about select themes, techniques, and materials featured in current exhibitions couple with related expert-led hands-on workshops.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/annapintocalligraphy.com\"><strong>Anna Pinto<\/strong><\/a>\u00a0is a freelance calligrapher for private clients as well as many cultural, corporate, and educational institutions. She has taught calligraphy in the art department of Long Island University in Brooklyn, and teaches workshops for various calligraphy- and book-arts groups around the country. She is a member of the Board of New York&#8217;s Society of Scribes. Her specialties are the italic style and casual handwriting styles. She particularly enjoys incorporating color and drawing into her work, and working with clients to find just the right expressive solution for their projects. Her calligraphy is featured in publications as diverse as\u00a0<em>Artist and Alphabet: Lettering Art in the Twentieth Century\u00a0<\/em>(Godine),\u00a0<em>Lady Cottington&#8217;s Pressed Fairy Calendar 2006<\/em>\u00a0(Abrams),\u00a0<em>Drawing Dimensions: a Comprehensive Introduction<\/em>\u00a0by Cynthia Dantzic (Prentice Hall), and\u00a0<em>The Perfect Wedding Reception<\/em>\u00a0and\u00a0<em>The Perfect Wedding Details<\/em>\u00a0by Maria McBride Mellinger (Harper Collins). Her work is also represented in private collections and the collections libraries at Rutgers and Yale, and the San Francisco Public Library. She is based in Hoboken, New Jersey.<\/p>\n<p>&nbsp;<\/p>\n<p>Image: Carlo Zinelli (1916\u20131974), untitled (double-sided), San Giacomo Hospital, Verona, Italy, 1970, gouache on paper, 19 x 27 1\/2 in., collection of Robert A. Roth. Photo by Bill Bengtson.<\/p>\n","show_in_past_programs":true,"reserve_text":"Reserve tickets","reserve_link":"https:\/\/www.eventbrite.com\/e\/dialogue-studio-calligraphy-tickets-31764145414","day":"20","month":"Jun","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/dialogue-studio-calligraphy-620\/"},"24":{"ID":14465,"post_type":"programs","title":"Critical Walk-Through: Mark Dion 6\/8\/17","content":"","status":"publish","date":"2017-02-13 21:05:39","name":"cwt-mark-dion-68","parent":0,"modified":"2018-10-10 14:23:22","series?":"Program","category":{"term_id":40,"name":"Discussions","slug":"discussions","term_group":0,"term_taxonomy_id":40,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":14468,"id":14468,"title":"screen-shot-2017-02-13-at-4-06-57-pm","filename":"Screen-Shot-2017-02-13-at-4.06.57-PM.png","filesize":733520,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.06.57-PM.png","link":"https:\/\/folkartmuseum.org\/programs\/cwt-mark-dion-68\/screen-shot-2017-02-13-at-4-06-57-pm\/","alt":"","author":"16","description":"","caption":"","name":"screen-shot-2017-02-13-at-4-06-57-pm","status":"inherit","uploaded_to":14465,"date":"2017-02-13 21:07:30","modified":"2017-02-13 21:07:30","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":884,"height":519,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.06.57-PM-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.06.57-PM-300x176.png","medium-width":300,"medium-height":176,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.06.57-PM-768x451.png","medium_large-width":768,"medium_large-height":451,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.06.57-PM.png","large-width":884,"large-height":519,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.06.57-PM.png","1536x1536-width":884,"1536x1536-height":519,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.06.57-PM.png","2048x2048-width":884,"2048x2048-height":519}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-3.58.04-PM.png","headline":"Critical Walk-Through: Mark Dion on Eugen Gabritschevsky","di_date":"2017-06-08","excerpt":"<p>Contemporary artist Mark Dion will lead a tour through the exhibition <em>Eugen Gabritschevsky: Theater of the Imperceptible<\/em>, discussing the parallels between their work and the intersection of art and science.<\/p>\n","start_time":"3:00 pm","end_time":"4:00 pm","performer_or_host":"Mark Dion","admission":"$3 members, students, and seniors; $6 non-members","main_content":"<p>Contemporary artist Mark Dion will lead a tour through the exhibition <em>Eugen Gabritschevsky: Theater of the Imperceptible<\/em>, discussing the parallels between their work and the intersection of art and science. Dion will also discuss the current exhibition he cocurated,\u00a0<a href=\"http:\/\/www.drawingcenter.org\/en\/drawingcenter\/5\/exhibitions\/6\/current\/1460\/exploratory-works\/\"><em>Exploratory Works: Drawings from the Department of Tropical Research Field Expeditions<\/em><\/a>, on view at The Drawing Center through July 16, 2017.<\/p>\n<p>A Critical Walk-Through is a 40-minute guided tour that is meant to offer an alternative perspective to the works on view. They include conversations with artists, scholars, and curators, and provide an intimate opportunity to engage with the central themes and histories found in the artwork. The program is limited to 20 individuals.<\/p>\n<p>&nbsp;<\/p>\n<p>Since the early 1990s, <a href=\"http:\/\/www.tanyabonakdargallery.com\/artists\/mark-dion\/series\"><strong>Mark Dion<\/strong><\/a>\u00a0has examined the ways in which dominant ideologies and public institutions shape our understanding of history, knowledge, and the natural world. Appropriating archaeological and other scientific methods of collecting, ordering, and exhibiting objects, the artist creates works that address distinctions between objective scientific methods and subjective influences. By locating the roots of environmental politics and public policy in the construction of knowledge about nature, Dion questions the authoritative role of the scientific voice in contemporary society.<\/p>\n<p>Throughout the past two decades, his work has been the subject of major exhibitions worldwide. Notable solo exhibitions include\u00a0<em>Mark Dion: The Academy of Things\u00a0<\/em>at the Academy of Fine Arts Design in Dresden, Germany (2014);\u00a0<em>The Macabre Treasury\u00a0<\/em>at Museum Het Domein in Sittard, The Netherlands (2013);\u00a0<em>Oceanomania: Souvenirs of Mysterious Seas\u00a0<\/em>at Mus\u00e9e Oc\u00e9anographique de Monaco and Nouveau Mus\u00e9e National de Monaco\/Villa Paloma in Monaco (2011);\u00a0<em>The Marvelous Museum: A Mark Dion Project <\/em>at Oakland Museum of California (2010\u20132011);\u00a0<em>Systema Metropolis<\/em>\u00a0at Natural History Museum, London (2007);\u00a0<em>The South Florida Wildlife Rescue Unit<\/em>\u00a0at Miami Art Museum (2006); <em>Rescue Archaeology<\/em>, a project for the Museum of Modern Art (2004); and his renowned\u00a0<em>Tate Thames Dig<\/em>\u00a0at the Tate Gallery in London (1999). In 2012, his work was included in <em>dOCUMENTA 13,<\/em>\u00a0curated by Carolyn Christov-Bakargiev in Kassel, Germany, and has also been exhibited at MoMA PS1 in New York, Guggenheim Bilbao in Spain, Minneapolis Institute of Art, Arp Museum Bahnhof Rolandseck in Remagen, Germany, and Kunsthaus Graz in Austria. His work can be found in the collections of the Metropolitan Museum of Art, Tate Gallery, the Museum of Contemporary Art, Los Angeles, Museum of Modern Art, Centre Georges Pompidou in Paris, Hamburger Kunsthalle in Germany, Harvard University Art Museums, and the Israel Museum of Art in Jerusalem, among others. Presently, he is a mentor at Columbia University and co-director of Mildred&#8217;s Land, an innovative visual art education and residency program in Beach Lake, Pennsylvania.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Photo by Jorge Colombo.<\/span><\/p>\n","show_in_past_programs":true,"reserve_text":"Reserve tickets","reserve_link":"https:\/\/www.eventbrite.com\/e\/critical-walkthrough-mark-dion-on-eugen-gabritschevsky-tickets-31763022054","day":"08","month":"Jun","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/cwt-mark-dion-68\/"},"27":{"ID":14492,"post_type":"programs","title":"FAE: Trip to Santa Fe and Albuquerque 5\/19\/17","content":"","status":"publish","date":"2017-02-16 19:30:10","name":"trip-to-santa-fe-and-albuquerque","parent":0,"modified":"2018-07-09 14:53:17","series?":"Program","category":{"term_id":44,"name":"Folk Art Explorers","slug":"folk-art-explorers","term_group":0,"term_taxonomy_id":44,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/2002.26.1.jpg","headline":"Folk Art Explorers: Trip to Santa Fe and Albuquerque\u2014SOLD OUT","di_date":"2017-05-19","excerpt":"<p>The museum invites you on\u00a0a five-day trip to Santa Fe and Albuquerque for an exciting chance to explore\u00a0New Mexican folk art.<\/p>\n","admission":"$2,600, additional $300 for single supplement","main_content":"<p><span style=\"color: #ff0000;\"><em><strong>This event is sold out.<\/strong><\/em><\/span><\/p>\n<p>The museum invites you on\u00a0a five-day trip to Santa Fe and Albuquerque for an exciting chance to explore New Mexican folk art.<\/p>\n<p>Highlights of this trip will include a special tour of <em>No Idle Hands: The Myths &amp; Meanings of Tramp Art<\/em> at the <a href=\"http:\/\/www.internationalfolkart.org\/\">Museum of International Folk Art<\/a> with curator Laura Addison, a tour of the home and studio of Georgia O\u2019Keeffe in\u00a0Abiqui\u00fa, a stop at El Santuario de Chimayo, studio tours of well-known New Mexican artists, meals at five-star restaurants, and most importantly, a one-of-a-kind experience with the American Folk Art Museum.<\/p>\n<p>Ticket price includes round-trip flight from LaGuardia Airport; deluxe hotel accommodations for four nights with porterage; ground transportation for excursions throughout Santa Fe, Abiqui\u00fa, Chimayo, and Albuquerque; Friday dinner, Saturday lunch and dinner, Sunday lunch, Monday lunch, and Tuesday breakfast; and museum tours. Taxes and gratuities are included.<\/p>\n<p>Please see the itinerary for more detailed information and to purchase a ticket. For questions, please contact Rebecca Kaplan\u00a0at\u00a0<a href=\"mailto:rkaplan@folkartmuseum.org\">rkaplan@folkartmuseum.org<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>List image:\u00a0<em>Tramp Art Shelf<\/em>, artist unidentified, United States, 1940, wood,\u00a018 \u00d7 25 \u00d7 7&#8243;, gift of Sam and Myra Gotoff,\u00a02002.26.1.\u00a0<span class=\"detailLabel\">Photo by<\/span>\u00a0Gavin Ashworth.<\/p>\n","show_in_past_programs":true,"reserve_text":"Itinerary","reserve_link":"http:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/NM-fillable-contract_update-2-27-2017.pdf","day":"19","month":"May","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/trip-to-santa-fe-and-albuquerque\/"},"28":{"ID":15019,"post_type":"programs","title":"Art Museum Day 5\/18\/17","content":"","status":"publish","date":"2017-04-11 18:53:01","name":"art-museum-day-52017","parent":0,"modified":"2018-02-12 16:28:31","series?":"Program","category":{"term_id":33,"name":"Drop-in Gallery Tours","slug":"gallery-tours","term_group":0,"term_taxonomy_id":33,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":14538,"id":14538,"title":"zinelli_home2","filename":"Zinelli_Home2.jpg","filesize":247317,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2.jpg","link":"https:\/\/folkartmuseum.org\/programs\/inner-worlds-5917\/zinelli_home2\/","alt":"","author":"16","description":"","caption":"","name":"zinelli_home2","status":"inherit","uploaded_to":14537,"date":"2017-02-23 16:41:45","modified":"2017-02-23 16:41:45","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1260,"height":504,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2-300x120.jpg","medium-width":300,"medium-height":120,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2-768x307.jpg","medium_large-width":768,"medium_large-height":307,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2-1024x410.jpg","large-width":1024,"large-height":410,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2.jpg","1536x1536-width":1260,"1536x1536-height":504,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2.jpg","2048x2048-width":1260,"2048x2048-height":504}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2.jpg","headline":"Art Museum Day 2017","di_date":"2017-05-18","excerpt":"<p>Join us to celebrate Art Museum Day\u00a0with a special guided tour of <em>Eugen Gabritschevsky: Theater of the Imperceptible<\/em> and <em>Carlo Zinelli (1916\u20131974)<\/em>.<\/p>\n","start_time":"1:00 pm","end_time":"2:00 pm","admission":"Free","main_content":"<p>Join us to celebrate <a href=\"https:\/\/aamd.org\/our-members\/from-the-field\/art-museum-day-2017\">Art Museum Day<\/a>\u00a0with a special guided tour of <a href=\"http:\/\/folkartmuseum.org\/exhibitions\/eugen-gabritschevsky-theater-imperceptible\/\"><em>Eugen Gabritschevsky: Theater of the Imperceptible<\/em><\/a> and <a href=\"http:\/\/folkartmuseum.org\/exhibitions\/carlo-zinelli-1916-1974\/\"><em>Carlo Zinelli (1916\u20131974)<\/em><\/a>. Please meet in the museum atrium. As part of Art Museum Day, the <a href=\"http:\/\/shop.folkartmuseum.org\/\">Museum Shop<\/a>\u00a0will extend $10.00 off any purchase over $75.00.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Image: Carlo Zinelli (1916\u20131974), untitled, San Giacomo Hospital, Verona, Italy, 1961, gouache on paper, 19 3\/4 \u00d7 27 1\/2&#8243;, Collection de l\u2019Art Brut, Lausanne, Switzerland, cab-2128. Photo by Henri Germond \u00a9 Collection de l\u2019Art Brut, Lausanne \u00a9 Fondazione Culturale Carlo Zinelli.<\/span><\/p>\n","show_in_past_programs":true,"day":"18","month":"May","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/art-museum-day-52017\/"},"31":{"ID":14537,"post_type":"programs","title":"Inner Worlds: Dialogues on Art and Mental Health 5\/9\/17","content":"","status":"publish","date":"2017-02-23 17:21:42","name":"inner-worlds-5917","parent":0,"modified":"2018-07-09 14:54:03","series?":"Program","category":{"term_id":40,"name":"Discussions","slug":"discussions","term_group":0,"term_taxonomy_id":40,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":14538,"id":14538,"title":"zinelli_home2","filename":"Zinelli_Home2.jpg","filesize":247317,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2.jpg","link":"https:\/\/folkartmuseum.org\/programs\/inner-worlds-5917\/zinelli_home2\/","alt":"","author":"16","description":"","caption":"","name":"zinelli_home2","status":"inherit","uploaded_to":14537,"date":"2017-02-23 16:41:45","modified":"2017-02-23 16:41:45","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1260,"height":504,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2-300x120.jpg","medium-width":300,"medium-height":120,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2-768x307.jpg","medium_large-width":768,"medium_large-height":307,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2-1024x410.jpg","large-width":1024,"large-height":410,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2.jpg","1536x1536-width":1260,"1536x1536-height":504,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2.jpg","2048x2048-width":1260,"2048x2048-height":504}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Zinelli_Home2.jpg","headline":"Inner Worlds: Dialogues on Art and Mental Health\u2014SOLD OUT","di_date":"2017-05-09","excerpt":"<p>Inspired by the profound creativity of artists Carlo Zinelli and Eugen Gabritschevsky, this evening program will explore the landscape of mental health by highlighting historical and contemporary examples of artists living with mental illness. It will offer a space to consider the creativity of the human mind and the role art can play in activating expression.<\/p>\n","start_time":"6:30 pm","end_time":"9:30 pm","admission":"$8 members, students, and seniors; $10 non-members; free for artists","main_content":"<p><span style=\"color: #ff0000;\"><strong>This event is sold out. To be added to the waiting list, please e-mail <a style=\"color: #ff0000;\" href=\"mailto:publicprograms@folkartmuseum.org\" target=\"_blank\" rel=\"noopener\">publicprograms@folkartmuseum.<wbr \/>org<\/a>.<\/strong><\/span><\/p>\n<p>Inspired by the profound creativity of artists Carlo Zinelli and Eugen Gabritschevsky, this evening program will explore the landscape of mental health by highlighting historical and contemporary examples of artists living with mental illness. It will offer a space to consider the creativity of the human mind and the role art can play in activating expression.<\/p>\n<p>Two scholars working at the intersection of art and mental health, Dr. Thomas R\u00f6ske (Prinzhorn Collection) and Dr. Janos Marton (the Living Museum), will present on their work, current research, and methodology. Tina Kukielski, Executive Director of\u00a0<em>Art21<\/em>, will moderate the conversation.<\/p>\n<p><a href=\"http:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-23-at-12.31.40-PM.png\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-14554\" src=\"http:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-23-at-12.31.40-PM-213x300.png\" alt=\"screen-shot-2017-02-23-at-12-31-40-pm\" width=\"213\" height=\"300\" srcset=\"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-23-at-12.31.40-PM-213x300.png 213w, https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-23-at-12.31.40-PM.png 405w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/><\/a><\/p>\n<p>This dialogue will be followed by a presentation of\u00a0<em>Doktoress Karola and the invisible mirror<\/em>, a new work by Philippe Ungar on the relationship between Dr. Jacqueline Porret-Forel and visionary artist Alo\u00efse Corbaz. The work consists of a short film, followed by an interview between Jacqueline Porret-Forel and Philippe Ungar performed onstage by\u00a0Tia Link as Jacqueline Porret-Forel and\u00a0Kelly Miller as the interviewer. The project continues the conversation about the intertwining of art, life, and mental health.<\/p>\n<p>&nbsp;<\/p>\n<p>6:30\u20137:30 pm: Conversation<\/p>\n<p>8\u20139 pm: Screening + Performance<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Dr. Thomas R\u00f6ske<\/strong>, born in 1962 in Reinbek, Germany, studied art history, musicology, and psychology at Hamburg University from 1981 to 1986. In 1991 he finished his Ph.D. on the intellectual biography of art historian and psychotherapist Hans Prinzhorn (1886\u20131933). From 1993 to 1999 he was assistant professor in the Department of Art History at Frankfurt University. During this time, he also curated exhibitions for various art institutions in Germany and Great Britain. In September 2001, R\u00f6ske became curator of the Prinzhorn Collection at the Psychiatric Clinic of Heidelberg University Hospital, a museum for the historic collection of artworks by those living with mental illness from all over Europe. Since November 2002, he has been the director of the Prinzhorn Collection, which stages internationally touring exhibitions about art and psychiatry. He teaches regularly at the Centre for European Art History at Heidelberg University and at the Institute for Art History at Frankfurt University. In 2012 he became President of the European Outsider Art Association (EOA). R\u00f6ske has published extensively on art and psychiatry and on outsider art. Other fields of interest are art and art theory from around 1800, and modern art, especially expressionism, art and homosexuality, and art and the outsider experience.<\/p>\n<p><strong>Dr. Janos Marton<\/strong>\u00a0is director of\u00a0the Living Museum. Born in Hungary in 1949, he received a Ph.D. in psychology in 1976 and a M.A. in fine arts at Columbia University in 1980. He then went to work as a psychologist at\u00a0Creedmoor Psychiatric Center, the largest of five state-run psychiatric institutions in Queens, New York. In 1983, Dr. Marton invited\u00a0Bolek Greczynski, a Polish artist known for his political artwork and experimental theater, to join the hospital staff at Creedmoor. Together, the two guided the transformation of an abandoned building on the campus known as Building 75 into the Living Museum, a thriving art space for patients. For over thirty years, the Living Museum has provided a space for people living with mental illness to transform their lived experiences into artistic expression. In 2015, Dr. Marton was awarded the fourth annual Dr. Guislain \u201cBreaking the Chains of Stigma\u201d Award, an initiative of Janssen Research &amp; Development, LLC, and Museum Dr. Guislain.<\/p>\n<p>Born in 1962,\u00a0<strong>Philippe Ungar<\/strong>\u00a0is a writer and an audio archivist. Since 2001 he has worked for several art foundations, private collections, and galleries in Europe and in the United States, including the Yves Klein Archives (Paris), the Panza Collection Archives (Mendrisio, Switzerland), the Niki Charitable Art Foundation (Santee, California), among others. Prior to his current career, from 1985 to 2005, he taught philosophy in high school and at the University Institute for Professors Training (IUFM) in Lille, France. During this time, he was also a journalist for Swiss French Radio. His most recent publication is\u00a0<em>Soulages in America<\/em>\u00a0(New York: Dominique L\u00e9vy Gallery).<\/p>\n<p><strong>Tina Kukielski<\/strong>\u00a0is Executive Director of\u00a0<em>Art21<\/em>. She was a cocurator of the acclaimed\u00a0<em>2013 Carnegie International<\/em>, bringing together thirty-five established and emerging artists from nineteen different countries. During her time at the\u00a0Whitney Museum of American Art,\u00a0from 2002\u20132010, she worked to acquire and mount exhibitions by a wide range of celebrated contemporary artists. As lead curator on the\u00a0Hillman Photography Initiative\u00a0at the Carnegie Museum of Art, Kukielski has launched a number of digital initiatives and film series. In 2014, Kukielski coproduced\u00a0a documentary film about Andy Warhol\u00a0in partnership with artist Cory Arcangel documenting a digital conservation project which brought renewed attention to nearly forgotten artworks made by Warhol on an Amiga personal computer in 1985. Kukielski is a contributor to\u00a0<em>Artforum<\/em>,\u00a0<em>Mousse Contemporary Art Magazine<\/em>, and the 2015 anthology on digital art,\u00a0<em>Mass Effect: Internet Art in the Twenty-First Century<\/em>. She has been a visiting critic at Columbia, Yale, Princeton, and Carnegie Mellon, and has taught courses in the MFA programs at Parsons School of Design and the University of Hartford. She received her B.A. in art history from Boston University and pursued graduate coursework in modern and contemporary art at the Graduate Center, City University of New York.<\/p>\n<p><em>Doktoress Karola and the invisible mirror<\/em><\/p>\n<p>Director:<\/p>\n<p>Philippe Ungar<\/p>\n<p>Camera:<\/p>\n<p>Rasha Hasbini and Philippe Ungar<\/p>\n<p>Editing:<\/p>\n<p>Jean-Marie Boulet and C\u00e9cile Ribet<\/p>\n<p>Subtitles and Translation:<\/p>\n<p>L\u00e9titia Farris Toussaint<\/p>\n<p>Music:<\/p>\n<p>Maximilien Mathevon<\/p>\n<p>Graphics and Poster Design:<\/p>\n<p>Gilles Tevessin<\/p>\n<p>Photo Credits:<\/p>\n<p>All rights reserved<\/p>\n<p>Many thanks to Jacqueline Porret Forel<\/p>\n<p>&nbsp;<\/p>\n<p><em>Eugen Gabritschevsky: Theater of the Imperceptible<\/em> is organized in collaboration with La maison rouge, Paris, and the Collection de l\u2019Art Brut, Lausanne.<\/p>\n<p>These two exhibitions art supported in part by Joyce Berger Cowin, the David Davies and Jack Weeden Fund for Exhibitions, the Ford Foundation, Janssen Research &amp; Development, LLC, public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Banner image: Carlo Zinelli (1916\u20131974), untitled (detail), San Giacomo Hospital, Verona, Italy, 1961, gouache on paper, 19 3\/4 x 27 1\/2 in.,Collection de l\u2019Art Brut, Lausanne, Switzerland, cab-2128.\u00a0Photo by Henri Germond \u00a9 Collection de l\u2019Art Brut, Lausanne \u00a9 Fondazione Culturale Carlo Zinelli. Top\u00a0image: Poster for <em>Doktoress Karola and the invisible mirror<\/em> by Gilles Tevessin.<\/span><\/p>\n","gallery":[{"acf_fc_layout":"video","url":"https:\/\/vimeo.com\/237710230","host":"Vimeo"}],"show_in_past_programs":true,"reserve_text":"Reserve tickets","reserve_link":"https:\/\/www.eventbrite.com\/e\/inner-worlds-dialogues-on-art-and-mental-health-tickets-31762605809","day":"09","month":"May","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/inner-worlds-5917\/"},"33":{"ID":14461,"post_type":"programs","title":"Critical Walk-Through: Marina Zurkow 5\/4\/17","content":"","status":"publish","date":"2017-02-13 20:52:26","name":"cwt-marina-zurkow-54","parent":0,"modified":"2018-10-10 14:23:53","series?":"Program","category":{"term_id":40,"name":"Discussions","slug":"discussions","term_group":0,"term_taxonomy_id":40,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":15098,"id":15098,"title":"screen-shot-2017-04-21-at-11-07-44-am","filename":"Screen-Shot-2017-04-21-at-11.07.44-AM.png","filesize":494815,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-04-21-at-11.07.44-AM.png","link":"https:\/\/folkartmuseum.org\/programs\/cwt-marina-zurkow-54\/screen-shot-2017-04-21-at-11-07-44-am\/","alt":"","author":"16","description":"","caption":"","name":"screen-shot-2017-04-21-at-11-07-44-am","status":"inherit","uploaded_to":14461,"date":"2017-04-21 15:09:04","modified":"2017-04-21 15:09:04","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":801,"height":319,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-04-21-at-11.07.44-AM-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-04-21-at-11.07.44-AM-300x119.png","medium-width":300,"medium-height":119,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-04-21-at-11.07.44-AM-768x306.png","medium_large-width":768,"medium_large-height":306,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-04-21-at-11.07.44-AM.png","large-width":801,"large-height":319,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-04-21-at-11.07.44-AM.png","1536x1536-width":801,"1536x1536-height":319,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-04-21-at-11.07.44-AM.png","2048x2048-width":801,"2048x2048-height":319}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/M_Zurkow_2067crop.jpeg","headline":"Critical Walk-Through: Marina Zurkow on Eugen Gabritschevsky","di_date":"2017-05-04","excerpt":"<p>Contemporary artist Marina Zurkow will lead a tour through the exhibition\u00a0<em>Eugen Gabritschevsky: Theater of the Imperceptible<\/em>, discussing the relationship among the animal, art, and science.<\/p>\n","start_time":"6:00 pm","end_time":"7:00 pm","performer_or_host":"Marina Zurkow","admission":"$3 members, students, and seniors; $6 non-members","main_content":"<p>Contemporary artist Marina Zurkow will lead a tour through the exhibition\u00a0<em>Eugen Gabritschevsky: Theater of the Imperceptible<\/em>, discussing the relationship among the animal, art, and science.<\/p>\n<p>A Critical Walk-Through is a 40-minute guided tour that is meant to offer an alternative perspective to the works on view. They include conversations with artists, scholars, and curators, and provide an intimate opportunity to engage with the central themes and histories found in the artwork. The program is limited to 20 individuals.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"http:\/\/www.o-matic.com\/\">Marina Zurkow<\/a>\u00a0<\/strong>is a media artist focused on near-impossible nature\u2013culture intersections, and researching \u201cwicked problems\u201d like invasive species and superfund sites. She uses biomaterials, animation, and software technologies to foster intimate connections between people and non-human agents in gallery installations and participatory public projects. Recent exhibitions have been shown at Chronus Art Center, Shanghai, bitforms gallery, New York City, Sundance New Frontiers, and the Smithsonian American Art Museum. She is a 2011 Guggenheim fellow, and a faculty member New York University\u2019s Interactive Telecommunication Program.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Image: Marina Zurkow (b. 1962), <i>Slurb<\/i> (still), n.p., 2009, 17:42 minutes, color, animation, and stereo sound, 1920 \u00d7 1080 pixels. Music by Lem Jay Ignacio, with additional animation by Jen Kelly. Courtesy of the artist and bitforms gallery, New York. List image: courtesy of the artist.<\/span><\/p>\n","show_in_past_programs":true,"reserve_text":"Reserve tickets","reserve_link":"https:\/\/www.eventbrite.com\/e\/critical-walkthrough-marina-zurkow-on-eugen-gabritschevsky-tickets-31763318942","day":"04","month":"May","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/cwt-marina-zurkow-54\/"},"34":{"ID":14985,"post_type":"programs","title":"YF: Realms of the Unreal 4\/27\/17","content":"","status":"publish","date":"2017-04-05 15:29:38","name":"yf-realms-of-the-unreal","parent":0,"modified":"2017-10-04 18:16:23","series?":"Program","category":{"term_id":31,"name":"Special Events","slug":"special-events","term_group":0,"term_taxonomy_id":31,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":14986,"id":14986,"title":"https-%2f%2fcdn-evbuc-com%2fimages%2f29756931%2f87644248021%2f1%2foriginal","filename":"https-2F2Fcdn.evbuc_.com2Fimages2F297569312F876442480212F12Foriginal.jpg","filesize":128414,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/04\/https-2F2Fcdn.evbuc_.com2Fimages2F297569312F876442480212F12Foriginal.jpg","link":"https:\/\/folkartmuseum.org\/programs\/yf-realms-of-the-unreal\/https-%2f%2fcdn-evbuc-com%2fimages%2f29756931%2f87644248021%2f1%2foriginal\/","alt":"","author":"16","description":"","caption":"","name":"https-%2f%2fcdn-evbuc-com%2fimages%2f29756931%2f87644248021%2f1%2foriginal","status":"inherit","uploaded_to":14985,"date":"2017-04-05 15:13:39","modified":"2017-04-05 15:13:39","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":800,"height":400,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/04\/https-2F2Fcdn.evbuc_.com2Fimages2F297569312F876442480212F12Foriginal-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/04\/https-2F2Fcdn.evbuc_.com2Fimages2F297569312F876442480212F12Foriginal-300x150.jpg","medium-width":300,"medium-height":150,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/04\/https-2F2Fcdn.evbuc_.com2Fimages2F297569312F876442480212F12Foriginal-768x384.jpg","medium_large-width":768,"medium_large-height":384,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/04\/https-2F2Fcdn.evbuc_.com2Fimages2F297569312F876442480212F12Foriginal.jpg","large-width":800,"large-height":400,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/04\/https-2F2Fcdn.evbuc_.com2Fimages2F297569312F876442480212F12Foriginal.jpg","1536x1536-width":800,"1536x1536-height":400,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/04\/https-2F2Fcdn.evbuc_.com2Fimages2F297569312F876442480212F12Foriginal.jpg","2048x2048-width":800,"2048x2048-height":400}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/04\/Screen-Shot-2017-04-05-at-11.14.12-AM.png","headline":"Young Folk Benefit Party","di_date":"2017-04-27","excerpt":"<p>Young Folk is hosting an annual benefit party Thursday, April 27, from 8:30 pm to midnight at Madame X. Join us for drinks, music, and visuals by Jennifer Reiland.<\/p>\n","start_time":"8:30 pm","end_time":"12:00 am","admission":"$75 \u2013 $175","main_content":"<p>Join us for Young Folk&#8217;s annual benefit on <span class=\"aBn\" tabindex=\"0\" data-term=\"goog_1199597903\"><span class=\"aQJ\">Thursday, April 27, 8:30 pm to midnight<\/span><\/span>. Held at <a href=\"http:\/\/madamex.com\/\">Madame X<\/a>, guests are invited to pass through the looking glass and ascend into a Realm of the Unreal; populated by fanciful beasts and outrageous vegetation, a war wages on between good and evil. The evening will feature specialty drinks, music, and exclusive visuals by <a href=\"http:\/\/jennifermayreiland.com\/\">Jennifer Reiland<\/a>.<\/p>\n<p>Tickets are $50 for Young Folk members; $75 for non-members; and $175 with ticket and a Young Folk membership bundled.<\/p>\n<p>Visit the <a href=\"http:\/\/folkartmuseum.org\/support\/young-folk\/\">Young Folk<\/a> page to learn more, and e-mail\u00a0<a href=\"mailto:youngfolk@folkartmuseum.org\">youngfolk@folkartmuseum.org<\/a> for more information about the event or to redeem your member discount code.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Madame X<\/strong><\/p>\n<p>94 W Houston Street<\/p>\n<p>New York, NY 10012<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Image:<em> At battle of Drosabellamaximillian. Seeing Glandelinians retreating Vivian girls grasp christian banners, and lead charge against foe<\/em> (detail) (double-sided), Henry Darger (1892\u20131973), Chicago, mid-twentieth century, watercolor, pencil, and carbon tracing on pieced paper, 19 \u00d7 47 3\/4&#8243;, American Folk Art Museum purchase \u00a9 Kiyoko Lerner, 2002.22.1B. Photo by James Prinz.<\/span><\/p>\n","show_in_past_programs":true,"reserve_text":"Reserve tickets","reserve_link":"https:\/\/www.eventbrite.com\/e\/young-folk-benefit-party-tickets-33018181269","day":"27","month":"Apr","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/yf-realms-of-the-unreal\/"},"35":{"ID":14476,"post_type":"programs","title":"Dialogue + Studio: Science Illustration 4\/25\/17","content":"","status":"publish","date":"2017-02-13 21:32:17","name":"dialogue-studio-science-illustration-425","parent":0,"modified":"2017-06-27 19:46:50","series?":"Program","category":{"term_id":27,"name":"Workshops","slug":"workshop","term_group":0,"term_taxonomy_id":27,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":14477,"id":14477,"title":"screen-shot-2017-02-13-at-4-25-21-pm","filename":"Screen-Shot-2017-02-13-at-4.25.21-PM.png","filesize":1004698,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.25.21-PM.png","link":"https:\/\/folkartmuseum.org\/programs\/dialogue-studio-science-illustration-425\/screen-shot-2017-02-13-at-4-25-21-pm\/","alt":"","author":"16","description":"","caption":"","name":"screen-shot-2017-02-13-at-4-25-21-pm","status":"inherit","uploaded_to":14476,"date":"2017-02-13 21:26:38","modified":"2017-02-13 21:26:38","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":838,"height":552,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.25.21-PM-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.25.21-PM-300x198.png","medium-width":300,"medium-height":198,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.25.21-PM-768x506.png","medium_large-width":768,"medium_large-height":506,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.25.21-PM.png","large-width":838,"large-height":552,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.25.21-PM.png","1536x1536-width":838,"1536x1536-height":552,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.25.21-PM.png","2048x2048-width":838,"2048x2048-height":552}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Screen-Shot-2017-02-13-at-4.25.21-PM.png","headline":"Dialogue + Studio: Science Illustration","di_date":"2017-04-25","excerpt":"<p>Inspired by the art of\u00a0Eugen Gabritschevsky, individuals are invited to learn the art of science illustration with a workshop led by professional illustrator Patricia Wynne. Participants will learn the fundamentals of science illustration and how to draw from bones. Limited to 20 participants. All materials will be provided.<\/p>\n","more_info":[{"acf_fc_layout":"program_description","header":"Dialogue + Studio: Science Illustration","image":false,"text":"<p>Tuesday, April 25, 6:30\u20138:30 PM<\/p>\n<p>Tickets: $15 members, students, and seniors; $20 non-members<\/p>\n<p>&nbsp;<\/p>\n<p>Inspired by the art of\u00a0<a href=\"http:\/\/folkartmuseum.org\/exhibitions\/eugen-gabritschevsky-theater-imperceptible\/\">Eugen Gabritschevsky<\/a>, individuals are invited to learn the art of science illustration with a workshop led by professional illustrator Patricia Wynne. Participants will learn the fundamentals of science illustration and how to draw from bones. Limited to 20 participants. All materials will be provided.<\/p>\n<p>The Dialogue &amp; Studio workshop series offers participants opportunities to gain insight into and engage with self-taught art, past and present, at a deeper level. Focused discussions about select themes, techniques, and materials featured in current exhibitions couple with related expert-led hands-on workshops.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Patricia Wynne<\/strong>\u00a0is an artist, illustrator, and teacher who has drawn animals her whole life. After studying printmaking with Mauricio Lasansky at the University of Iowa and embarking on a gallery career, Wynne moved to Detroit where she taught printmaking at the University of Windsor, Ontario, and drawing at Wayne State University. A position as scientific illustrator at the University of Michigan followed and with it an entirely new avenue for drawing animals opened. Since that moment, the study of animals became a daily process of discovery and her drawings and prints were flooded with revelations about animals of all kinds. After a move to New York City to pursue a diverse freelance career. Wynne has kept busy drawing animals for scientists; illustrating for\u00a0<em>Scientific American<\/em>, the\u00a0<em>New York Times<\/em>,\u00a0and the\u00a0<em>Wall Street<\/em>\u00a0<em>Journal<\/em>; designing characters for Star Wars; producing over two hundred books for adults and children; teaching animal drawing at the Central Park Zoo, American Museum of Natural History, Maritime Aquarium, and Bronx Botanical Garden; showing in galleries; and jurying exhibitions and workshops. These days she spends more time than ever making prints. Wynne lives and draws today in New York City across from Central Park with her husband Maceo, two cats, six lizards, three turtles, four canaries, and one hundred fishes.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Image: Eugen Gabritschevsky (1893\u20131979),\u00a0untitled (annotation on back:\u00a0<em>Die Hu\u0308fte Der (Ober) Schenkel<\/em>\/The Hip or Thigh),\u00a0Haar, Germany,\u00a0c. 1955,\u00a0gouache on paper,\u00a03 x 4 5\/16 in.,\u00a0Collection de l\u2019Art Brut, Lausanne, Switzerland, cab-103. Photo by Amelie Blanc, Atelier de num\u00e9risation\u2014Ville de Lausanne \u00a9 Collection de l\u2019Art Brut, Lausanne.<\/span><\/p>\n"}],"start_time":"6:30 pm","end_time":"8:30 pm","performer_or_host":"Patrtica Wynne","admission":"$15 members, students, and seniors; $20 non-members","main_content":"<p>Inspired by the art of\u00a0<a href=\"http:\/\/folkartmuseum.org\/exhibitions\/eugen-gabritschevsky-theater-imperceptible\/\">Eugen Gabritschevsky<\/a>, individuals are invited to learn the art of science illustration with a workshop led by professional illustrator Patricia Wynne. Participants will learn the fundamentals of science illustration and how to draw from bones. Limited to 20 participants. All materials will be provided.<\/p>\n<p>The Dialogue &amp; Studio workshop series offers participants opportunities to gain insight into and engage with self-taught art, past and present, at a deeper level. Focused discussions about select themes, techniques, and materials featured in current exhibitions couple with related expert-led hands-on workshops.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Patricia Wynne<\/strong>\u00a0is an artist, illustrator, and teacher who has drawn animals her whole life. After studying printmaking with Mauricio Lasansky at the University of Iowa and embarking on a gallery career, Wynne moved to Detroit where she taught printmaking at the University of Windsor, Ontario, and drawing at Wayne State University. A position as scientific illustrator at the University of Michigan followed and with it an entirely new avenue for drawing animals opened. Since that moment, the study of animals became a daily process of discovery and her drawings and prints were flooded with revelations about animals of all kinds. After a move to New York City to pursue a diverse freelance career. Wynne has kept busy drawing animals for scientists; illustrating for\u00a0<em>Scientific American<\/em>, the\u00a0<em>New York Times<\/em>,\u00a0and the\u00a0<em>Wall Street<\/em>\u00a0<em>Journal<\/em>; designing characters for Star Wars; producing over two hundred books for adults and children; teaching animal drawing at the Central Park Zoo, American Museum of Natural History, Maritime Aquarium, and Bronx Botanical Garden; showing in galleries; and jurying exhibitions and workshops. These days she spends more time than ever making prints. Wynne lives and draws today in New York City across from Central Park with her husband Maceo, two cats, six lizards, three turtles, four canaries, and one hundred fishes.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Image: Eugen Gabritschevsky (1893\u20131979),\u00a0untitled (<em>Die Hu\u0308fte Der (Ober) Schenkel<\/em>\/The Hip or Thigh),\u00a0Haar, Germany,\u00a0c. 1955,\u00a0gouache on paper,\u00a03 x 4 5\/16 in.,\u00a0Collection de l\u2019Art Brut, Lausanne, Switzerland, cab-103. Photo by Amelie Blanc, Atelier de num\u00e9risation\u2014Ville de Lausanne \u00a9 Collection de l\u2019Art Brut, Lausanne.<\/span><\/p>\n","show_in_past_programs":true,"reserve_text":"Reserve tickets","reserve_link":"https:\/\/www.eventbrite.com\/e\/dialogue-studio-science-illustration-tickets-31764063168","day":"25","month":"Apr","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/dialogue-studio-science-illustration-425\/"},"36":{"ID":14541,"post_type":"programs","title":"Perspectives on Eugen Gabritschevsky 4\/20\/17","content":"","status":"publish","date":"2017-02-23 17:13:21","name":"perspectives-on-eugen-gabritschevsky","parent":0,"modified":"2017-10-04 16:44:24","series?":"Program","category":{"term_id":40,"name":"Discussions","slug":"discussions","term_group":0,"term_taxonomy_id":40,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":14542,"id":14542,"title":"gab_home1","filename":"Gab_Home1.jpg","filesize":244328,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Gab_Home1.jpg","link":"https:\/\/folkartmuseum.org\/programs\/perspectives-on-eugen-gabritschevsky\/gab_home1\/","alt":"","author":"16","description":"","caption":"","name":"gab_home1","status":"inherit","uploaded_to":14541,"date":"2017-02-23 17:00:27","modified":"2017-02-23 17:00:27","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1260,"height":504,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Gab_Home1-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Gab_Home1-300x120.jpg","medium-width":300,"medium-height":120,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Gab_Home1-768x307.jpg","medium_large-width":768,"medium_large-height":307,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Gab_Home1-1024x410.jpg","large-width":1024,"large-height":410,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Gab_Home1.jpg","1536x1536-width":1260,"1536x1536-height":504,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Gab_Home1.jpg","2048x2048-width":1260,"2048x2048-height":504}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/Gab_Home1.jpg","headline":"Perspectives on Eugen Gabritschevsky","di_date":"2017-04-20","excerpt":"<p>This evening presentation will present new research on the life and work of Eugen Gabritschevsky. Join scholars Anne Sauvagnargues, Kurt Johnson, and Val\u00e9rie Rousseau as they discuss Gabritschevksy\u2019s relationship to entomology, surrealism, the natural world, and other topics.<\/p>\n","start_time":"6:30 pm","end_time":"8:30 pm","admission":"$8 members, students, and seniors; $10 non-members; free for students","main_content":"<p>&nbsp;<\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/226565390\" width=\"500\" height=\"281\" frameborder=\"0\" title=\"Perspectives on Eugen Gabritschevsky\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/p>\n<p>This evening presentation will present new research on the life and work of Eugen Gabritschevsky. Join scholars Anne Sauvagnargues, Kurt Johnson, and Val\u00e9rie Rousseau as they discuss Gabritschevksy\u2019s relationship to entomology, surrealism, the natural world, and other topics.<\/p>\n<p><strong>Anne Sauvagnargues, &#8220;Gabritchevsky\u2019s Artmachine&#8221;<\/strong><\/p>\n<p>Eugen Gabrichevsky forces us to renew our conception of art brut beyond any binary dualism: madness versus normality, popular art versus high art. These categories no longer apply to Gabritchevsky\u2019s oeuvre. His pictorial experimentation jumps over the modernist boundaries of realism and abstraction and shows that abstraction is really only a matter of threshold, anticipating the preoccupation of contemporary art. Being a world-renowned biologist at the forefront of research in genetics and molecular life before his breakdown, Gabritchevsky multiplies points of view and nonhuman perspectives, creating points of\u00a0<em>life<\/em>\u00a0more than points of view, and proposes an ecological, cosmic, and humorous system of multifold perspective, far away from renaissance. This presentation will argue that his painting plays with the boundaries of perception, matter, color, and molecule\u2014making Gabritchevsky the meteorologist of our twentieth-century world history by bringing his tiny paintings to the ecological level of intramolecular perception, which begs the question: how would a fly, a virus, or an atom paint?<\/p>\n<p><strong>Kurt Johnson, &#8220;Parallel and Convergent Landscapes: The Existential Abyss, Entomological Metaphor, and the Dialectic of Science and Art in\u00a0Gabritschevsky and Nabokov&#8221;<\/strong><\/p>\n<p>These two Russian emigres, both known for their science\u00a0<em>and<\/em>\u00a0art, starkly contrast in the ways they ultimately lived life (though the \u201cdivide\u201d may be far less than it seems).\u00a0This presentation will explore how each appears to have navigated the existential challenge of \u201cbeing\u201d\u2014the multiple forms it took in their science and art, the entomological themes inevitably at play\u2014but how they ended up, apparently, on two sides of a \u201cconsciousness divide\u201d (one \u201chappy,\u201d one \u201cbereft\u201d). \u00a0Further, what do we know today in science that might help heal this historic divide between \u201cfactual realism\u201d and \u201cmetaphorical\/metaphysical realism,\u201d and their play in our lives?<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Anne Sauvagnargues<\/strong>\u00a0is a professor of philosophy at the University of Paris Ouest Nanterre La D\u00e9fense. A specialist in aesthetics, contemporary arts, and the philosophy of Gilles Deleuze, she codirects the book series \u201cLignes d\u2019art\u201d with Fabienne Brug\u00e8re for Presses universitaires de France. She is the author of numerous works, including\u00a0<em>Deleuze and Art<\/em> (Bloomsbury, 2013),\u00a0Artmachines<em>: Deleuze, Guattari, Simondon<\/em>\u00a0(Edinburgh University Press, 2016), and\u00a0<em>Deleuze. L\u2019empirisme transcendental<\/em> (Presses universitaires de France, 2008; forthcoming with Edinburgh University Press).<\/p>\n<p><strong>Kurt Johnson<\/strong> is a scientist, comparative religionist, social activist, and former monastic. With a PhD in evolution, ecology, systematics, and comparative biology, plus extensive training in comparative religion and philosophy, he was associated professionally for twenty years with the American Museum of Natural History and also with the One Spirit Interfaith Seminary in New York City. Dr. Johnson has published over 200 professional scientific articles and seven books on evolution and ecology. His book <em>Nabokov\u2019s Blues: The Scientific Odyssey of a Literary Genius <\/em>(coauthored with <em>New York Times<\/em> journalist Steve Coates) was a \u201cten best\u201d book in science in 2000 at <em>Booklist<\/em>, <em>Library Journal<\/em>, the <em>Washington Post<\/em>, and picked as \u201cEditor\u2019s Choice for 1999\u201d at the <em>Seattle Times<\/em>. The book\u2019s Chinese translation received the 2016 Best Nature and Science Book Award from the <em>Beijing News. <\/em>In 2016, he authored with Stephen H. Blackwell\u00a0<em>Fine Lines: Vladimir Nabokov\u2019s Scientific Art. <\/em>The book was selected by <em>Nature<\/em> as a \u201cTop 20 Book in Science for 2016.\u201d<\/p>\n<p><strong>Val\u00e9rie Rousseau, <\/strong>PhD,\u00a0is Curator of Self-Taught Art and Art Brut at the American Folk Art Museum. Since 2013, she has curated exhibitions on artists from various countries, including the\u00a0AAMC\u00a0Award\u2013winning <em>When the Curtain Never Comes Down<\/em> on performance art (2015); <em>Once Something Has Lived It Can Never Really Die<\/em> on Ronald Lockett, Melvin Way, Native American effigies, and Brazilian ex-votos (2016); <em>Art Brut in America: The Incursion of Jean Dubuffet<\/em> (2015); and shows on Bill Traylor (2013) and William Van Genk (2014). The Director of Soci\u00e9t\u00e9 des arts indisciplin\u00e9s, Montreal, from 2001 to 2007, Rousseau built an archive on art practices emerging outside the art mainstream and organized exhibitions, notably <em>Richard Greaves: Anarchitect<\/em> (2005\u201307). Rousseau holds a PhD in art history and an MA in art theory, both from Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al, as well as an MA in anthropology from \u00c9cole des Hautes \u00c9tudes en Sciences Sociales, Paris. She is the author of the essays \u201cVisionary Architectures\u201d (<em>The Alternative Guide to the Universe<\/em>, Hayward Gallery, 2013), \u201cRevealing Art Brut\u201d (<em>Culture &amp; Mus\u00e9es<\/em>, 2010), and\u00a0<em>Vestiges de l\u2019indiscipline<\/em>\u00a0(Canadian Museum of Civilization, 2007).<\/p>\n<p>&nbsp;<\/p>\n<p>Public programs are supported in part by Joyce Berger Cowin, Cultural Services of the French Embassy, the David Davies and Jack Weeden Fund for Exhibitions, the Ford Foundation, Janssen Research &amp; Development, LLC, Just Folk: Marcy Carsey\/Susan Baerwald, public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Image:\u00a0Eugen Gabritschevsky (1893\u20131979), untitled, Haar, Germany, n.d., gouache on paper, 9 5\/8 x 15 3\/16 in., Collection abcd\/Bruno Decharme. Photo by Cesar Decharme.<\/span><\/p>\n","show_in_past_programs":true,"reserve_text":"Reserve tickets","reserve_link":"https:\/\/www.eventbrite.com\/e\/perspectives-on-eugen-gabritschevsky-tickets-31762428278","day":"20","month":"Apr","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/perspectives-on-eugen-gabritschevsky\/"},"37":{"ID":14945,"post_type":"programs","title":"Slow Art Day 2017","content":"","status":"publish","date":"2017-03-31 20:35:31","name":"slow-art-day-2017","parent":0,"modified":"2017-04-12 14:19:17","series?":"Program","category":{"term_id":31,"name":"Special Events","slug":"special-events","term_group":0,"term_taxonomy_id":31,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":14946,"id":14946,"title":"gab","filename":"Gab.png","filesize":632040,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/03\/Gab.png","link":"https:\/\/folkartmuseum.org\/programs\/slow-art-day-2017\/gab\/","alt":"","author":"16","description":"","caption":"","name":"gab","status":"inherit","uploaded_to":14945,"date":"2017-03-31 20:28:00","modified":"2017-03-31 20:28:00","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":623,"height":439,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/03\/Gab-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/03\/Gab-300x211.png","medium-width":300,"medium-height":211,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/03\/Gab.png","medium_large-width":623,"medium_large-height":439,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/03\/Gab.png","large-width":623,"large-height":439,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/03\/Gab.png","1536x1536-width":623,"1536x1536-height":439,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/03\/Gab.png","2048x2048-width":623,"2048x2048-height":439}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/03\/Gab.png","headline":"Slow Art Day 2017","di_date":"2017-04-08","excerpt":"<p>Celebrate Slow Art Day 2017<b> <\/b>at the American Folk Art Museum! Visitors are encouraged to pick up sketching supplies at the front desk and create a sketch of an artwork while exploring\u00a0the galleries.<\/p>\n","start_time":"11:30 am","end_time":"7:00 pm","admission":"Free","main_content":"<p>Celebrate <a href=\"http:\/\/www.slowartday.com\/\"><b>Slow Art Day 2017<\/b><\/a>\u00a0at the American Folk Art Museum! Visitors are encouraged to pick up sketching supplies at the front desk and create a sketch of an artwork while exploring\u00a0the galleries. When finished, take a photo of your sketch alongside the object that inspired it. Share with us by posting your photo collage using #SlowArtDay, #Gabritschevsky, and #Zinelli.<\/p>\n<p><a href=\"http:\/\/folkartmuseum.org\/content\/uploads\/2017\/03\/logo-fb.png\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-14970\" src=\"http:\/\/folkartmuseum.org\/content\/uploads\/2017\/03\/logo-fb.png\" alt=\"logo-fb\" width=\"300\" height=\"300\" srcset=\"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/03\/logo-fb.png 300w, https:\/\/folkartmuseum.org\/content\/uploads\/2017\/03\/logo-fb-150x150.png 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><span style=\"color: #808080;\">Image: Eugen Gabritschevsky (1893\u20131979), untitled, Haar, Germany, 1942, gouache on paper, 8 1\/4 x 11 5\/8 in., Collection Chave, Vence, France, no. 2197. Photo by Galerie Chave \u00a9 Estate of Eugen Gabritschevsky.<\/span><\/p>\n","show_in_past_programs":true,"day":"08","month":"Apr","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/slow-art-day-2017\/"},"38":{"ID":14370,"post_type":"programs","title":"Post-Dubuffet: Self-Taught Art in the Twenty-First Century 4\/3\/17","content":"","status":"publish","date":"2017-01-31 16:52:38","name":"post-dubuffet-self-taught-art-in-the-twenty-first-century","parent":0,"modified":"2018-07-09 14:54:56","series?":"Program","category":{"term_id":25,"name":"Symposia &amp; Lectures","slug":"symposiaandlectures","term_group":0,"term_taxonomy_id":25,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":14423,"id":14423,"title":"widener_a","filename":"Widener_a.jpg","filesize":803169,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/01\/Widener_a.jpg","link":"https:\/\/folkartmuseum.org\/programs\/post-dubuffet-self-taught-art-in-the-twenty-first-century\/widener_a\/","alt":"","author":"16","description":"","caption":"","name":"widener_a","status":"inherit","uploaded_to":14370,"date":"2017-02-06 18:30:46","modified":"2017-02-06 18:30:46","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1200,"height":662,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/01\/Widener_a-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/01\/Widener_a-300x166.jpg","medium-width":300,"medium-height":166,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/01\/Widener_a-768x424.jpg","medium_large-width":768,"medium_large-height":424,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/01\/Widener_a-1024x565.jpg","large-width":1024,"large-height":565,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/01\/Widener_a.jpg","1536x1536-width":1200,"1536x1536-height":662,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/01\/Widener_a.jpg","2048x2048-width":1200,"2048x2048-height":662}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/01\/Widener-2112-1221.png","headline":"Post-Dubuffet: Self-Taught Art in the Twenty-First Century\u2014SOLD OUT","di_date":"2017-04-03","excerpt":"<p>Curators, scholars, and artist come together in this symposium to examine the current state of self-taught art. Speakers will include Maxwell L. Anderson, Edward M. G\u00f3mez, Massimiliano Gioni, Jane Kallir, Randall Morris, Barbara Safarova, and Val\u00e9rie Rousseau, symposium chair and curator at the American Folk Art Museum.<\/p>\n<p>&nbsp;<\/p>\n","start_time":"2:00 pm","end_time":"6:30 pm","admission":"$10 members, students, and seniors; $20 non-members","main_content":"<p><iframe src=\"https:\/\/player.vimeo.com\/video\/215991205\" width=\"500\" height=\"281\" frameborder=\"0\" title=\"Post-Dubuffet: Self-Taught Art in the Twenty-First Century Symposium, Part 1\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/216291128\" width=\"500\" height=\"281\" frameborder=\"0\" title=\"Post-Dubuffet: Self-Taught Art in the Twenty First Century Symposium, Part 2\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/p>\n<p><strong>This event is sold out\u00a0but will be <a href=\"https:\/\/www.facebook.com\/AmericanFolkArtMuseum\/\">live streamed on Facebook<\/a>.<\/strong><\/p>\n<p>In a world exponentially altered by technology and its far-reaching effects on community structures, social relationships, and educational systems, is self-taught art being radically revised in the twenty-first century? Who are the art brut artists of\u00a0tomorrow?<\/p>\n<p>Curators, scholars, and artist come together in this symposium to examine the current state of the field. Speakers will include Maxwell L. Anderson, Edward M. G\u00f3mez, Massimiliano Gioni, Jane Kallir, Randall Morris, Barbara Safarova, George Widener, and Val\u00e9rie Rousseau, symposium chair and curator at the American Folk Art Museum.<\/p>\n<p>The symposium will be immediately followed by a <a href=\"http:\/\/folkartmuseum.org\/programs\/book-launch-for-the-hidden-art\/?ID=14583\">public reception and book launch<\/a> for\u00a0<i>The Hidden Art: 20th- &amp; 21st-Century Self-Taught Artists from the Audrey B. Heckler Collection, w<\/i>ritten by Val\u00e9rie Rousseau (ed.), Jane Kallir, Anne-Imelda Radice, and 29 additional authors (New York: Skira Rizzoli\/American Folk Art Museum, 2017), with photography by Visko Hatfield. Join us as many of the contributors come together to celebrate this important publication.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Schedule:<\/strong><\/p>\n<p>1:30 pm: Registration &amp; Refreshments<\/p>\n<p>2:00 pm: Welcome Address<\/p>\n<p>Anne-Imelda Radice, Executive Director, American Folk Art Museum<\/p>\n<p>2:05\u20132:15 pm: <em>Opening Remarks: International and Contemporary Perspectives on Self-Taught Art<\/em><\/p>\n<p><strong>Val\u00e9rie Rousseau<\/strong>, Curator, Self-Taught Art and Art Brut, American Folk Art Museum<\/p>\n<p>Swiss creators like Alo\u00efse Cobaz, Heinrich Anton M\u00fcller, and Adolf W\u00f6lfli, and American artists like Henry Darger, Mart\u00edn Ram\u00edrez, and Judith Scott, are frequently cited as archetypal figures of the art brut concept defined by Jean Dubuffet in 1945 and continuously redefined through subsequent intellectual developments. Throughout the twentieth century, self-taught artists working outside the art mainstream have been the subject of extensive interest from professional artists, critics, art dealers, collectors, and museum curators\u2014including figures such as Morris Hirshfield, John Kane, and Bill Traylor, as well as more recent names like Thornton Dial, Richard Greaves, and Melvin Way. Essential in shaping the art historical canon, they are recognized for their impact on visual culture and for their transformative role in the art discourse\u2014a reality championed by Dubuffet, who did not see art brut as a category, but as an evolving concept invented to explore critically the notion of art itself.<\/p>\n<p>In a world exponentially altered by digital technology and its far-reaching effects on community structures, social relationships, and educational systems, is self-taught art being radically revised in the twenty-first century, and if so, who will be the self-taught artists of tomorrow? Can we consider whether art brut\u2014or the oft-used term \u201coutsider art\u201d in the United States\u2014might be an obsolete historical concept, irrelevant in the context of the globalization of art? Or rather, is it a still-relevant expression of timeless features and idiosyncratic values, regardless of changing mediums like performance, photography, and video? Indeed, art discoveries recently made outside of the expected realm of the West have challenged the initial dichotomies (high\/low, insider\/outsider) prevalent in the field. Moreover, our fluctuating conceptions of otherness and the significant remodeling of psychiatric treatments have also contributed to changing perspectives. Finally, in the context of the growing presence of self-taught art\/art brut in encyclopedic and generalist art museums, it is also worth reflecting on the role of museums that specialize in this artistic material, and their vision for the future.<\/p>\n<p>2:20\u20132:45 pm: <em>Art Brut: Some Current International Trends<\/em><\/p>\n<p><strong>Edward M. G\u00f3mez<\/strong>, Art Critic and Art Historian<\/p>\n<p>In recent years, as the territorial and thematic scope of research in the related, overlapping fields of\u00a0art brut, outsider art, and self-taught art has broadened, both the Collection de l\u2019Art Brut and\u00a0<em>Raw Vision<\/em>\u00a0magazine have played leading roles in presenting the work and ideas of hitherto unknown artists from different parts of the world and in examining their achievements in ever more diverse and illuminating contexts. This presentation will highlight current trends and issues concerning the work of self-taught artists in and from Japan, as well as broader research and exhibition activities at the Collection de l\u2019Art Brut that reflect the museum\u2019s latest interests and discoveries.<\/p>\n<p>2:50\u20133:15 pm: <em>Hans Prinzhorn and Early Psychiatric Collections to the Concept of Art Brut in the Beginning of the 21st Century<\/em><\/p>\n<p><strong>Barbara Safarova<\/strong>, President, abcd foundation<\/p>\n<p>In the early 1920s, a new generation of doctors and collectors\u2014Hans Prinzhorn being the most singular\u2014took an interest in the images made by patients, both because their creations offered a means of access to the unconscious, and because\u2014unlike their predecessors\u2014they considered them works of art, even if the actual word \u201cart\u201d was only sparingly used. Obviously, our aesthetic consciousness evolves over time and we constantly discover artistic territories, previously invisible, depending on changes in cultural paradigms, or even scientific discoveries. How has our perception of works of art brut changed almost one hundred years after the publication of Prinzhorn\u2019s <em>Bildnerei der Geisteskranken<\/em>? What kind of unifying connections are there between the works in the abcd \/ Bruno Decharme collection?<\/p>\n<p>3:20\u20133:45 pm:<em> The Future is Diversity: Art Brut in the 21st Century<\/em><\/p>\n<p><strong>Randall Morris<\/strong>, Independent Scholar and Co-owner, Cavin-Morris Gallery, New York<\/p>\n<p>This lecture will attempt to draw attention to the art historical need to recognize a stretching of prevailing parameters of taste in the field by highlighting authentic and important self-taught artists from different cultures who are pushing the borders of the field as we know it. The collection of Audrey B. Heckler has been prominent in the appreciation of these contemporary inclusions.<\/p>\n<p>3:45\u20134:10 pm: Coffee Break<\/p>\n<p>4:10\u20134:35 pm: <em>Rethinking \u201cTaughtologies\u201d in Artistic Practice<\/em><\/p>\n<p><strong>Maxwell L. Anderson<\/strong>, President, Souls Grown Deep Foundation<\/p>\n<p>This talk will explore the \u201csorting hat\u201d that defines some artists as part of the so-called art mainstream, and relegates others into exile. The language used in such sorting is revelatory and problematic. The phrase \u201cself-taught\u201d is, for nearly half of the most successful artists working today, just as applicable as it is to artists who lack a laminated pass to the leading art fairs. But a lack of formal education seems to stick for the most part to artists of color or of limited means, leading to their being defined not as mainstream but as \u201cidiosyncratic.\u201d This talk will explore how a reflexive invocation of such qualifying labels perpetuates both harmful stereotypes and a self-fulfilling ostracism from the \u201cmainstream.\u201d<\/p>\n<p>4:40\u20135:05 pm: <em>George Widener in His Own Words<\/em><\/p>\n<p><strong>George Widener<\/strong>, Artist<\/p>\n<p>George Widener will discuss the life experiences that led him to a career as an artist. He will discuss his early artworks, as well as share projects he is currently working on.<\/p>\n<p>5:10\u20135:35 pm: <em>Massimiliano Gioni in Conversation with Val\u00e9rie<\/em>\u00a0<em>Rousseau<\/em><\/p>\n<p><strong>Massimiliano Gioni<\/strong>, Artistic Director, New Museum of Contemporary Art<\/p>\n<p>Massimiliano Gioni will reflect on the positioning of self-taught artists in art institutions and in art history. With the growing inclusion of artists situated outside the art mainstream in museum exhibitions, such as the New Museum\u2019s <em>The Keeper <\/em>(2016), what may be the prototypical art museum of tomorrow and what challenges might it pose to its artistic specificity?<\/p>\n<p>5:40\u20136:10 pm: Questions<\/p>\n<p>6:10\u20136:15 pm: Closing Remarks:<em> Where Do We Go From Here?<\/em><\/p>\n<p><strong>Jane Kallir<\/strong>, Independent Scholar and Codirector, Galerie St. Etienne, New York<\/p>\n<p>6:30\u20137:30 pm: Reception &amp; Book Launch for <em>The Hidden Art: 20th- &amp; 21st-Century Self-Taught Artists from the Audrey B. Heckler Collection<\/em>\u00a0(New York: Skira Rizzoli\/American Folk Art Museum, 2017)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Maxwell Anderson<\/strong> is president of the Souls Grown Deep Foundation, a not-for-profit organization dedicated to researching, documenting, preserving, and exhibiting the work of African American artists of the American South. He concurrently serves as executive director of the Geneva-based New Cities Foundation, which he joined in 2015. Throughout almost thirty years as an art museum director, he sought to address challenges facing the cultural sector, from operational efficiency to programmatic relevance, transparent business practices, community engagement, cultural property ownership disputes, and the effect of digital platforms on communications. He directed a total of five art museums in Atlanta, Toronto, New York, Indianapolis, and Dallas. He holds a PhD in art history from Harvard University, and serves on the executive board of the National Committee for the History of Art.<\/p>\n<p><strong>Massimiliano Gioni<\/strong> is the artistic director of the New Museum in New York and the director of the Trussardi Foundation in Milan. He has curated numerous exhibitions internationally, among which include the 55th Venice Biennale in 2013, the eighth Gwangju Biennale in 2010, the fourth Berlin Biennale in 2006, and Manifesta 5 in 2004.<\/p>\n<p><strong>Edward M. G\u00f3mez<\/strong>\u00a0is an art critic, art historian, graphic designer, and author. The senior editor of the outsider art magazine\u00a0<em>Raw Vision<\/em>\u00a0and New York correspondent of\u00a0<em>Art &amp; Antiques<\/em>, he\u00a0is also a member of the advisory council of the Collection de l\u2019Art Brut, the world\u2019s first museum dedicated to the art of visionary, self-taught artists, in Lausanne, Switzerland, which was founded by Jean Dubuffet.\u00a0Edward has written for the\u00a0<em>New York Times<\/em>,\u00a0<em>Art + Auction<\/em>,\u00a0<em>ARTnews<\/em>,\u00a0<em>Art in America<\/em>,\u00a0<em>Metropolis<\/em>,\u00a0<em>Hyperallergic<\/em>, the\u00a0<em>Brooklyn Rail<\/em>, the <em>Japan Times<\/em>,\u00a0<em>Reforma<\/em>, and other outlets. He is the author or coauthor of numerous publications, including, among others, the\u00a0<em>New Design<\/em>\u00a0series (Rockport), <em>Genqui Numata<\/em>\u00a0(Franklin Furnace Archive),\u00a0<em>Dictionnaire de la civilisation japonaise<\/em><em>\u00a0<\/em>(Hazan \u00c9ditions),\u00a0<em>Yes: Yoko Ono <\/em>(Abrams),\u00a0<em>The Art of Adolf W\u00f6lfli: St. Adolf-Giant-Creation <\/em>(American Folk Art Museum\/Princeton University Press),\u00a0<em>Hans Kr\u00fcsi<\/em>\u00a0(Iconofolio\/Outsiders),\u00a0<em>Amer Kobaslija<\/em><em>\u00a0<\/em>(George Adams Gallery), and\u00a0<em>As Things Appear<\/em>, a collection of stories (Ballena Studio). Among other honors, he has received Fulbright, Asian Cultural Council, and Pro Helvetia research awards. In collaboration with Chris Shields, Edward has made the new film\u00a0<em>Valton Tyler: Flesh is Fiction<\/em>, which examines the life and work of the Texas-based, self-taught artist who is known for his visionary oil-on-canvas paintings of otherworldly landscapes; it will be released later this year.<\/p>\n<p><strong>Jane Kallir<\/strong>, codirector of New York\u2019s Galerie St. Etienne, is an expert on early twentieth-century self-taught artists. The gallery represents the estates of Grandma Moses and John Kane, and Kallir has written widely about both artists. Her professional activities also extend to more recent \u201coutsiders,\u201d such as Henry Darger, and to European\u00a0art brut. Among Kallir\u2019s many books are\u00a0<em>The Folk Art Tradition: Naive Painting in Europe and the United States<\/em>\u00a0and\u00a0<em>Grandma Moses: The Artist Behind the Myth<\/em>.<\/p>\n<p><strong>Randall Morris<\/strong> is an independent scholar, curator, and writer. He is co-owner with his wife, Shari Cavin, of Cavin-Morris Gallery and is currently researching the connections between the spiritual arts of the African American diaspora, primarily the United States Haiti, and Jamaica.<strong>\u00a0<\/strong><\/p>\n<p><strong>Val\u00e9rie Rousseau<\/strong>, PhD, is curator of self-taught art and art brut at the American Folk Art Museum. Since 2013, she has curated numerous exhibitions, including the AAMC Award\u2013winning <em>When the Curtain Never Comes Down<\/em> on performance art (2015), <em>Art Brut in America: The Incursion of Jean Dubuffet<\/em> (2015), and others about Eugen Gabritschevsky, Willem Van Genk, Ronald Lockett, Richard Greaves, Bill Traylor, Melvin Way, Carlo Zinelli, Native American effigies, and Brazilian ex-votos. The director of the Montreal-based Soci\u00e9t\u00e9 des arts indisciplin\u00e9s, from 2001 to 2007, she is the author of \u201cVisionary Architectures\u201d (<em>The Alternative Guide to the Universe<\/em>, Hayward Gallery, 2013), \u201cRevealing Art Brut\u201d (<em>Culture &amp; Mus\u00e9es<\/em>, 2010), and <em>Vestiges de l\u2019indiscipline<\/em> (Canadian Museum of Civilization, 2007). Rousseau holds a PhD in art history and an MA in art theory (both from UQ\u00c0M, Montreal), as well as an MA in anthropology (\u00c9cole des Hautes \u00c9tudes en Sciences Sociales, Paris).<\/p>\n<p><strong>Barbara Safarova<\/strong>, a Czech film producer and essayist with a PhD in aesthetics, has been the president of the abcd foundation since 2001. In 2010 she became a program director at the Coll\u00e8ge international de philosophie in Paris. In her essays she explores artistic productions in the field of art brut from multiple points of view\u2014aesthetics, art history, literary theory, and psychoanalysis\u2014including their status within the contemporary art field. She is currently preparing the exhibition <em>La Folie en T\u00eate<\/em> featuring a selection of works from the early twentieth-century European psychiatric collections at La maison de Victor Hugo in Paris (November 17, 2017 \u2013 March 18, 2018).<\/p>\n<p><strong>George Widener<\/strong>, a self-taught artist and calendar savant, creates mixed-media works on paper that give aesthetic, visible form to complex calculations based on dates and historical events\u2014the sinking of the Titanic being one of his favorites. The artist often uses found paper\u00a0or a support composed of layers of tea-stained paper napkins. His drawings feature simple palettes, sophisticated patterning, and bold compositions of dates and imagery that transcend centuries of time and the history of art.<\/p>\n<p>Widener\u2019s work has been extensively exhibited worldwide. The artist was part of the exhibition <em>World Transformers: The Art of the Outsiders<\/em>, at the Schirn Kunsthalle in Frankfurt (2010) and <em>Exhibition 1<\/em> at the Museum of Everything in London (2009). Additionally, fourteen of Widener\u2019s works were in the exhibition <em>Hiding Places: Memory in the Arts<\/em> at the John Michael Kohler Arts Center in Sheboygan, Wisconsin (2011). Widener was also included in the exhibition <em>The Alternative Guide to the Universe<\/em>, curated by Ralph Rugoff at the Hayward Gallery in London (2013). Widener\u2019s work is in many international private collections and museum collections, including the American Folk Art Museum in New York, collection abcd in Paris, the Museum of Everything in London, the Kroller-Muller Museum in the Netherlands, and the Collection de l\u2019Art Brut in Lausanne, Switzerland. He is represented by Ricco\/Maresca Gallery, New York.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">George Widener (b. 1962),\u00a0<em>2112\u20131221<\/em> (detail), Ohio, 2006, ink on paper, 19 1\/4 x 20 in., collection of Audrey B. Heckler. Photo by Visko Hatfield \u00a9 2017 George Widener.<\/span><\/p>\n","show_in_past_programs":true,"reserve_text":"Reserve tickets","reserve_link":"https:\/\/www.eventbrite.com\/e\/post-dubuffet-self-taught-art-in-the-twenty-first-century-tickets-31595611324","day":"03","month":"Apr","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/post-dubuffet-self-taught-art-in-the-twenty-first-century\/"},"39":{"ID":14583,"post_type":"programs","title":"Book Launch for The Hidden Art 4\/3\/17","content":"","status":"publish","date":"2017-03-01 16:04:22","name":"book-launch-for-the-hidden-art","parent":0,"modified":"2017-10-04 18:19:05","series?":"Program","category":{"term_id":31,"name":"Special Events","slug":"special-events","term_group":0,"term_taxonomy_id":31,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":14572,"id":14572,"title":"zinelli_home1","filename":"Zinelli_Home1.jpg","filesize":293960,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/06\/Zinelli_Home1.jpg","link":"https:\/\/folkartmuseum.org\/home\/zinelli_home1\/","alt":"","author":"16","description":"","caption":"","name":"zinelli_home1","status":"inherit","uploaded_to":165,"date":"2017-02-27 17:12:50","modified":"2017-02-27 17:12:50","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1260,"height":504,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/06\/Zinelli_Home1-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/06\/Zinelli_Home1-300x120.jpg","medium-width":300,"medium-height":120,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/06\/Zinelli_Home1-768x307.jpg","medium_large-width":768,"medium_large-height":307,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/06\/Zinelli_Home1-1024x410.jpg","large-width":1024,"large-height":410,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/06\/Zinelli_Home1.jpg","1536x1536-width":1260,"1536x1536-height":504,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/06\/Zinelli_Home1.jpg","2048x2048-width":1260,"2048x2048-height":504}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/03\/Hidden-Art-Cover.gif","headline":"Book Launch for The Hidden Art","di_date":"2017-04-03","excerpt":"<p>Please join us for a public reception and book launch for\u00a0<em>The Hidden Art: 20th- &amp; 21st-Century Self-Taught Artists from the Audrey B. Heckler Collection.<\/em><\/p>\n","start_time":"6:30 pm","end_time":"7:30 pm","admission":"Free","main_content":"<p>Please join us for a public reception and book launch for\u00a0<em>The Hidden Art: 20th- &amp; 21st-Century Self-Taught Artists from the Audrey B. Heckler Collection<\/em>, written by Val\u00e9rie Rousseau (ed.), Jane Kallir, Anne-Imelda Radice, and 29 additional authors (New York: Skira Rizzoli\/American Folk Art Museum, 2017), with photography by Visko Hatfield. Join us as many of the contributors come together to celebrate this important publication.<\/p>\n<p>This event is free and open to the public. RSVP to <a href=\"mailto:rsvp@folkartmuseum.org\">rsvp@folkartmuseum.org<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Artists featured in\u00a0<em>The Hidden Art<\/em><\/p>\n<p>Emery Blagdon, Georgia Blizzard, David Butler, James Castle, Nek Chand, Alo\u00efse Corbaz, Henry Darger, Thornton Dial, Hiroyuki Doi, Sam Doyle, William Edmondson, Guo Fengyi, Howard Finster, Johann Fischer, Eugen Gabritschevsky, Madge Gill, Johann Hauser, William Hawkins, Morris Hirshfield, Franz Kernbeis, August Klett, Johann Korec, Augustin Lesage, Ronald Lockett, Justin McCarthy, M\u2019onma, Sister Gertrude Morgan, Barbus M\u00fcller, Lubo\u0161 Pln\u00fd, Mart\u00edn Ram\u00edrez, Achilles G. Rizzoli, Friedrich Schr\u00f6der-Sonnenstern, Christine Sefolosha, Jon Serl, Ghyslaine and Sylvain Sta\u00eblens, Jimmy Lee Sudduth, Mose Tolliver, Bill Traylor, Oswald Tschirtner, August Walla, George Widener, Charlie Willeto, Scottie Wilson, Adolf W\u00f6lfli, Purvis Young, Anna Zem\u00e1nkov\u00e1, Domenico Zindato, and Carlo Zinelli.<\/p>\n<p>&nbsp;<\/p>\n<p>Contributors to\u00a0<em>The Hidden Art<\/em><\/p>\n<p>Gordon W. Bailey, Shonto Begay, Michael Bonesteel, Roger Cardinal, Lynne Cooke, Susan Mitchell Crawley, Claudia Dichter, Johann Feilacher, Philipp Fernandes do Brito, Edward M. Go\u0301mez, Audrey B. Heckler, Bernard L. Herman, Katherine L. Jentleson, Jane Kallir, Phyllis Kind, Tina Kukielski, Sarah Lombardi, Elsa Longhauser, John Maizels, Judith McWillie, Richard Meyer, Randall Morris, Tom Patterson, Anne-Imelda Radice, Colin Rhodes, Roger Ricco, Thomas Ro\u0308ske, Vale\u0301rie Rousseau, Barbara Safarova, Leslie Umberger, Karen Wilkin, Elaine Y. Yau.<\/p>\n","show_in_past_programs":true,"day":"03","month":"Apr","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/book-launch-for-the-hidden-art\/"},"41":{"ID":14433,"post_type":"programs","title":"Educators' Evening 3\/15\/17","content":"","status":"publish","date":"2017-02-08 18:11:51","name":"educators-evening-315","parent":0,"modified":"2017-07-31 15:39:54","series?":"Program","category":{"term_id":39,"name":"Educators","slug":"educators","term_group":0,"term_taxonomy_id":39,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":14434,"id":14434,"title":"educators-1","filename":"educators-1.png","filesize":505048,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/educators-1.png","link":"https:\/\/folkartmuseum.org\/programs\/educators-evening-315\/educators-1\/","alt":"","author":"16","description":"","caption":"","name":"educators-1","status":"inherit","uploaded_to":14433,"date":"2017-02-08 18:01:52","modified":"2017-02-08 18:01:52","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":643,"height":405,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/educators-1-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/educators-1-300x189.png","medium-width":300,"medium-height":189,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/educators-1.png","medium_large-width":643,"medium_large-height":405,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/educators-1.png","large-width":643,"large-height":405,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/educators-1.png","1536x1536-width":643,"1536x1536-height":405,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/educators-1.png","2048x2048-width":643,"2048x2048-height":405}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2017\/02\/educators-2.png","headline":"Educators' Evening","di_date":"2017-03-15","excerpt":"<p>Please join educators and administrators from around the city for a special open house event. Explore the current exhibitions and leave inspired\u2014with complimentary classroom resource materials.<\/p>\n<div><\/div>\n","start_time":"4:00 pm","end_time":"6:00 pm","admission":"Free","main_content":"<p>Please join educators and administrators from around the city for a special open house event. Explore the current exhibitions and leave inspired\u2014with complimentary classroom resource materials.<\/p>\n<p>Includes a wine-and-cheese reception.<\/p>\n<p>Free; registration is required.<\/p>\n<p>To participate in or request more information about this free event, please contact\u00a0<a href=\"mailto:education@folkartmuseum.org\" target=\"_blank\">education@folkartmuseum.org<\/a> or 212. 265. 0605.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Photos courtesy of Akash Sharma.<\/span><\/p>\n","show_in_past_programs":true,"day":"15","month":"Mar","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/educators-evening-315\/"},"42":{"ID":13222,"post_type":"programs","title":"Writing about Loss 2\/16\/17","content":"","status":"publish","date":"2016-09-21 20:48:32","name":"writing-about-loss","parent":0,"modified":"2017-10-04 18:36:17","series?":"Program","category":{"term_id":40,"name":"Discussions","slug":"discussions","term_group":0,"term_taxonomy_id":40,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":13320,"id":13320,"title":"Meghan O'Rourke","filename":"meghanorourke-sarahshatz.jpg","filesize":234775,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/09\/meghanorourke-sarahshatz.jpg","link":"https:\/\/folkartmuseum.org\/programs\/writing-about-loss\/meghan-orourke\/","alt":"","author":"16","description":"","caption":"","name":"meghan-orourke","status":"inherit","uploaded_to":13222,"date":"2016-09-21 20:47:31","modified":"2016-09-21 20:47:31","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":1969,"height":1304,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/09\/meghanorourke-sarahshatz-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/09\/meghanorourke-sarahshatz-300x198.jpg","medium-width":300,"medium-height":198,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/09\/meghanorourke-sarahshatz.jpg","medium_large-width":768,"medium_large-height":509,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/09\/meghanorourke-sarahshatz-1024x678.jpg","large-width":1024,"large-height":678,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/09\/meghanorourke-sarahshatz.jpg","1536x1536-width":1536,"1536x1536-height":1017,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/09\/meghanorourke-sarahshatz.jpg","2048x2048-width":1969,"2048x2048-height":1304}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/09\/meghanorourke-sarahshatz.jpg","headline":"Writing about Loss","di_date":"2017-02-16","excerpt":"<p>Meghan O\u2019Rourke, author of the 2012 best-seller <em>The Long Goodbye: A Memoir, <\/em>will read excerpts from her book and discuss the process of writing about grief and mourning with poet Deborah Landau.<\/p>\n","start_time":"6:30 pm","end_time":"8:00 pm","performer_or_host":"Meghan O\u2019Rourke","admission":"$10 members, students, seniors; $12 non-members","main_content":"<p>Meghan O\u2019Rourke, author of the 2012 best-seller <em>The Long Goodbye: A Memoir, <\/em>will read excerpts and discuss the process of writing about grief and mourning with poet Deborah Landau.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Meghan O\u2019Rourke<\/strong><strong>\u00a0<\/strong>began her career as one of the youngest editors in the history of\u00a0<em>The New Yorker.<\/em><em>\u00a0<\/em>Since then, she has served as culture editor and literary critic for\u00a0<em>Slate<\/em>\u00a0as well as poetry editor and advisory editor for\u00a0<em>The Paris Review.<\/em>\u00a0Her essays, criticism, and poems have appeared in\u00a0<em>Slate, The New Yorker, The New York Times Magazine, The New York Times Book Review, The Nation, Redbook, Vogue, Poetry, The Kenyon Review,<\/em><em>\u00a0<\/em>and\u00a0<em>Best American Poetry.<\/em><em>\u00a0<\/em>O\u2019Rourke is also the author of the poetry collections\u00a0<em>Once <\/em>(2011) and<em>\u00a0<\/em><em>Halflife<\/em>\u00a0(2007), which was a finalist for both the Patterson Poetry Prize and Britain\u2019s Forward First Book Prize. She was awarded the inaugural May Sarton Poetry Prize, the Union League Prize for Poetry from the Poetry Foundation, a Guggenheim Fellowship, a Radcliffe Fellowship, a Lannan Literary Fellowship, two Pushcart Prizes, and a Front Page Award for her cultural criticism. One of three judges chosen to select\u00a0<em>Granta<\/em><em>\u2019s<\/em>\u00a0Best Young American Novelists in 2007, she has been a fellow at the MacDowell Colony and a finalist for the Rome Prize of the Academy of Arts and Letters. A graduate of Yale University, she has taught at Princeton, The New School, and New York University. She is currently working on a book about chronic illness. She lives in Brooklyn, where she grew up, and Marfa, Texas.<\/p>\n<p><b>Deborah Landau<em>\u00a0<\/em><\/b>is the author of three collections of poetry:\u00a0<em>The Uses of the Body<\/em> and\u00a0<em>The Last Usable Hour<\/em>, both Lannan Literary Selections from Copper Canyon Press, and\u00a0<em>Orchidelirium<\/em>, selected by Naomi Shihab Nye for the Robert Dana-Anhinga Prize for Poetry. Her other awards include a Jacob K. Javits Fellowship from the US Department of Education and a Guggenheim Fellowship. Her work has appeared in the\u00a0<em>New Yorker<\/em>, the\u00a0<em>Paris Review<\/em>,\u00a0<em>Tin House<\/em>,\u00a0<em>Poetry<\/em>, the <i>Wall Street Journal<\/i>, and the\u00a0<em>New York Times<\/em>, selected for\u00a0<em>The Best American Poetry<\/em>, and included in anthologies such as <i>Please Excuse This Poem: 100 New Poets for the Next Generation<\/i>, <i>Not For Mothers Only<\/i>,\u00a0<em>The Best American Erotic Poems<\/em>, and\u00a0<em>Women&#8217;s Work: Modern Poets Writing in English<\/em>. Landau teaches in and directs the\u00a0creative writing program at New York University.<\/p>\n<div><\/div>\n<p>Photo by\u00a0Sarah Shatz.<\/p>\n","show_in_past_programs":true,"reserve_text":"Reserve tickets","reserve_link":"https:\/\/www.eventbrite.com\/e\/writing-about-loss-a-conversation-with-meghan-orourke-tickets-27938911035","day":"16","month":"Feb","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/writing-about-loss\/"},"43":{"ID":13217,"post_type":"programs","title":"Dialogue + Studio: Mourning Jewelry 2\/7\/17","content":"","status":"publish","date":"2016-09-22 14:26:55","name":"mourning-jewelry","parent":0,"modified":"2018-07-09 14:55:41","series?":"Program","category":{"term_id":27,"name":"Workshops","slug":"workshop","term_group":0,"term_taxonomy_id":27,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":13252,"id":13252,"title":"Screen Shot 2016-09-21 at 12.46.50 PM","filename":"Screen-Shot-2016-09-21-at-12.46.50-PM.png","filesize":487350,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.46.50-PM.png","link":"https:\/\/folkartmuseum.org\/exhibitions\/securing-the-shadow-posthumous-portraiture-in-america\/screen-shot-2016-09-21-at-12-46-50-pm\/","alt":"","author":"16","description":"","caption":"Harriet Mackie (The Dead Bride) \nP. R. Vall\u00e9e (act. 1803\u20131815)\nCharleston, South Carolina\n1804\nWatercolor and graphite pencil on ivory\n2 7\/16 x 1 15\/16\"\nCollection Yale University Art Gallery, New Haven, Connecticut\nMabel Brady Garvan Collection, 1936.300\nPhoto courtesy Yale University Art Gallery","name":"screen-shot-2016-09-21-at-12-46-50-pm","status":"inherit","uploaded_to":12992,"date":"2016-09-21 16:47:23","modified":"2016-09-21 16:47:37","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":432,"height":620,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.46.50-PM-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.46.50-PM-209x300.png","medium-width":209,"medium-height":300,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.46.50-PM.png","medium_large-width":432,"medium_large-height":620,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.46.50-PM.png","large-width":432,"large-height":620,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.46.50-PM.png","1536x1536-width":432,"1536x1536-height":620,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.46.50-PM.png","2048x2048-width":432,"2048x2048-height":620}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.46.50-PM.png","headline":"Dialogue + Studio: Mourning Jewelry\u2014SOLD OUT","di_date":"2017-02-07","excerpt":"<p>Jeweler and educator, Karen Bachmann, will lead a mourning jewelry workshop, in which participants are taught the tradition of hairwork jewelry.<\/p>\n","start_time":"6:30 pm","end_time":"8:00 pm","performer_or_host":"Karen Bachmann","admission":"$25 members, students, seniors; $30 non-members","main_content":"<p>SOLD OUT\u2014Jeweler and educator, Karen Bachmann, will lead a mourning jewelry workshop, in which participants are taught the tradition of hairwork jewelry. Participants will produce hairwork flowers. All materials will be provided. Limited to 12 participants.<\/p>\n<p>Karen Bachmann specializes in jewelry, hollowware, and decorative art. She has special interests in medieval, memento mori, Renaissance, baroque, and nineteenth-century work. She is a practicing studio jeweler with over twenty-five years of experience creating fine jewelry and is a former master jeweler at Tiffany &amp; Co. Her work, which can be found in international private and public collections, has been exhibited extensively. She teaches in both the art history and fine art departments at Pratt Institute. She is also an adjunct professor at the Fashion Institute of Technology. Karen is an artist and scholar in residence at the Morbid Anatomy Museum in Brooklyn. Her work has been published in\u00a0<em>Art Jewelry Today<\/em>\u00a0and the Lark Craft&#8217;s <em>500<\/em>\u00a0book series. Published works include\u00a0<em>Hairy Secrets: Human Relic as Memory Object in Victorian Hairwork Jewelry<\/em>\u00a0and\u00a0<em>Queen of the Stone Age: The Venus of Willendorf<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\"><em>Harriet Mackie (The Dead Bride)<\/em>, P. R. Vall\u00e9e (act. 1803\u20131815), Charleston, South Carolina, 1804, watercolor and graphite pencil on ivory, 2 7\/16 x 1 15\/16 in., Yale University Art Gallery, New Haven, Connecticut, Mabel Brady Garvan Collection, 1936.300. Photo courtesy Yale University Art Gallery.<\/span><\/p>\n","show_in_past_programs":true,"reserve_text":"Reserve tickets","reserve_link":"https:\/\/www.eventbrite.com\/e\/dialogue-studio-series-mourning-jewelry-tickets-27909714708","day":"07","month":"Feb","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/mourning-jewelry\/"},"44":{"ID":13439,"post_type":"programs","title":"How We Remember: Death in American Art & Culture 1\/28\/17","content":"","status":"publish","date":"2016-09-27 20:38:37","name":"how-we-remember","parent":0,"modified":"2018-07-09 14:56:31","series?":"Program","category":{"term_id":25,"name":"Symposia &amp; Lectures","slug":"symposiaandlectures","term_group":0,"term_taxonomy_id":25,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"main_image":{"ID":13248,"id":13248,"title":"Screen Shot 2016-09-21 at 12.38.37 PM","filename":"Screen-Shot-2016-09-21-at-12.38.37-PM.png","filesize":949710,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.38.37-PM.png","link":"https:\/\/folkartmuseum.org\/exhibitions\/securing-the-shadow-posthumous-portraiture-in-america\/screen-shot-2016-09-21-at-12-38-37-pm\/","alt":"","author":"16","description":"","caption":"The Farwell Children\nDeacon Robert Peckham (1785\u20131877)\nFitchburg, Massachusetts\nc. 1841\nOil on canvas\n53 1\/2 x 40 1\/2\"; 62 1\/2 x 48\" (framed)\nCollection American Folk Art Museum, New York\nGift of Ralph Esmerian, 2005.8.11\nPhoto \u00a9 2000 John Bigelow Taylor","name":"screen-shot-2016-09-21-at-12-38-37-pm","status":"inherit","uploaded_to":12992,"date":"2016-09-21 16:39:22","modified":"2016-09-21 16:39:53","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":594,"height":774,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.38.37-PM-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.38.37-PM-230x300.png","medium-width":230,"medium-height":300,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.38.37-PM.png","medium_large-width":594,"medium_large-height":774,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.38.37-PM.png","large-width":594,"large-height":774,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.38.37-PM.png","1536x1536-width":594,"1536x1536-height":774,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.38.37-PM.png","2048x2048-width":594,"2048x2048-height":774}},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2016\/08\/Screen-Shot-2016-09-21-at-12.38.37-PM.png","headline":"How We Remember: Death in American Art & Culture\u2014SOLD OUT","di_date":"2017-01-28","excerpt":"<p>On the occasion of the exhibition\u00a0<em>Securing the Shadow: Posthumous Portraiture in America,\u00a0<\/em>thinkers from a variety of disciplines will gather to share perspectives on topics related to the art and culture of death\u00a0in America.<\/p>\n","start_time":"10:00 am","end_time":"3:30 pm","admission":"$25 for members, students, and seniors; $30 for non-members","main_content":"<p><span style=\"color: #ff0000;\"><em><strong>This event is sold out.<\/strong><\/em><\/span><\/p>\n<p>On the occasion of the exhibition\u00a0<em>Securing the Shadow: Posthumous Portraiture in America,\u00a0<\/em>thinkers from a variety of disciplines will gather to share perspectives on topics related to the art and culture of death\u00a0in America. Curated by Stacy C. Hollander, Deputy Director for Curatorial Affairs, Chief Curator, and Director of Exhibitions, <em>Securing the Shadow<\/em>\u00a0is the first museum exhibition to consider nineteenth-century self-taught portraiture through the lens of memory and loss. The tradition of preserving\u00a0the likeness of a loved one as he or she appeared in life, particularly children whose short lives might otherwise\u00a0be\u00a0undocumented, reveals a long and complex legacy of iconography and symbols related to death in art and text. Hollander effectively traces\u00a0the derivation of posthumous\u00a0portraiture\u00a0from a shadow traced on a wall to the meaningful shadow secured by the artist, and ultimately the photographer whose postmortem daguerreotypes could no longer mask the face of death.<\/p>\n<p>The morning panel will focus on the posthumous image in early America, discussing the cultural precedents for the tradition, as well as the way in which painted portraits and postmortem photographs cheat death to provide a \u201cliving\u201d image of a loved one. The afternoon panel offers a broader perspective on the culture of death in the United States\u2014both past and present. From the evolution of funerary customs to contemporary expressions of memory, the panel explores how Americans grieve(d). Together, the symposium asks us to consider the visual and theoretical implications of the shadow and the role of art in remembrance.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SCHEDULE<\/strong>:<\/p>\n<p>10:00 AM: Registration \/ Coffee &amp; Pastries<\/p>\n<p>10:30 AM: Welcome Address<\/p>\n<p><strong>10:30 AM\u201312:15 PM: Panel 1: The Posthumous Image in Nineteenth-Century America<\/strong><\/p>\n<p>10:30\u201310:50 AM: <em>A Peculiar Intimacy: Death in Early America,\u00a0<\/em>Gary M. Laderman, Professor and Chair, Department of Religion, Emory University<\/p>\n<p>10:55\u201311:20 AM: <em>\u201cAnd If Thou Wilt, Remember\u201d: Posthumous Portraiture in America,\u00a0<\/em>Stacy C. Hollander, Deputy Director for Curatorial Affairs, Chief Curator, and Director of Exhibitions, American Folk Art Museum<\/p>\n<p>11:25\u201311:45 AM: <em>Photography and Memorialization: Images of Death and Dying in the\u00a0<\/em><em>Nineteenth Century,\u00a0<\/em>Dr. Stanley B. Burns, Historian, Founder of the Burns Archive, and Professor of Medical Humanities, New York University<\/p>\n<p>11:50 AM\u201312:15 PM: Discussion, Moderator: Joanna Ebenstein, Cofounder, Morbid Anatomy Museum<\/p>\n<p>12:15\u20131:15 PM: Break for Lunch<\/p>\n<p><strong>1:20\u20133:00 PM: Panel 2: Death and Mourning in American Culture<\/strong><\/p>\n<p><span data-term=\"goog_1795413592\">1:20\u20131:40 PM<\/span>: <em>Fashioning Mourning: Dress and Bereavement in Nineteenth-Century\u00a0<\/em><em>America,\u00a0<\/em>Jessica Regan, Assistant Curator, the Costume Institute, the Metropolitan Museum of Art<\/p>\n<p>1:45\u20132:05 PM: <em>From Mourning Veils to Veiled Mourning,\u00a0<\/em>Kate Sweeney, Journalist and Author of <em>American Afterlife<\/em><\/p>\n<p>2:10\u20132:30 PM: <em>the epitaph project: A Tour,\u00a0<\/em>Joyce Burstein, Artist<em>\u00a0<\/em><\/p>\n<p>2:35\u20133:00 PM: Discussion, Moderator: Joanna Ebenstein, Cofounder, Morbid Anatomy Museum<\/p>\n<p>3:00\u20133:30 PM: Closing Reception<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Stacy C. Hollander<\/strong> is Deputy Director for Curatorial Affairs, Chief Curator, and Director of Exhibitions at the American Folk Art Museum. She has published widely and served as curator and cocurator of numerous exhibitions, including most recently <em>American Made<\/em> organized for the Crystal Bridges Museum of American Art (2016),\u00a0<em>Mystery and Benevolence: Masonic and Odd Fellows Folk Art from the Kendra and Allan Daniel Collection\u00a0<\/em>(2016, with catalog), <em>Self-Taught Genius: Treasures from the American Folk Art Museum\u00a0<\/em>(2014, with catalog),\u00a0<em>Compass: Folk Art in Four Directions\u00a0<\/em>organized for the South Street Seaport Museum (2012), and\u00a0<em>The Seduction of Light: Ammi Phillips | Mark Rothko Compositions in Pink, Green, and Red<\/em> (2008, with catalog).\u00a0She received her BA from Barnard College and her MA in American Folk Art Studies from New York University.<\/p>\n<p><strong>Dr. Stanley B. Burns<\/strong> began collecting medical, historical, and memorial photography in 1975, and founded the Burns Archive in 1977. Since then, he\u2019s authored dozens of award-winning photo-history books, and has curated and exhibited in\u00a0major museums and galleries worldwide. A New York City ophthalmologist, Dr. Burns\u2019 keen eye for iconic imagery has helped rewrite inaccuracies in medical history and played a large role in the rediscovery of postmortem photography and nineteenth-century mourning practices. He teaches at New York University&#8217;s Lagone Medical Center where he is Clinical Professor of Medicine and Psychiatry.\u00a0When not collecting, Dr. Burns spends his time consulting, lecturing, creating exhibitions, and writing books on under-appreciated areas of history and photography.<\/p>\n<p><strong>Gary M. Laderman<\/strong>, Goodrich C. White Professor of American Religious History and Cultures at Emory University, is the author of\u00a0<em>Sacred Matters: Celebrity Worship, Sexual Ecstasies, the Living Dead, and Other Signs of Religious Life in the United States<\/em>. He is also the author of two books on death in America:\u00a0<em>The Sacred Remains: American Attitudes Toward Death<\/em>,\u00a0<em>1799<\/em>\u2013<em>1883<\/em> and\u00a0<em>Rest in Peace: A Cultural History of Death and the Funeral Home in Twentieth-Century America<\/em>. Over the last decade, Laderman has been interviewed on topics ranging from death and funerals to horror films and televangelists in a variety of media, including the\u00a0<em>New York Times<\/em>,\u00a0<em>Los Angeles Times<\/em>,\u00a0<em>Washington Post<\/em>,\u00a0<em>US News and World Report<\/em>,\u00a0<em>Ebony,<\/em>\u00a0<em>NBC Evening News<\/em>,\u00a0and <em>Today<\/em>.<\/p>\n<p><strong>Joanna Ebenstein<\/strong> is a Brooklyn-based artist, curator, writer, and graphic designer. She is the creator of the Morbid Anatomy blog, library, and event series, and was cofounder and creative director of the recently shuttered Morbid Anatomy Museum in Brooklyn. In 2014, she cocurated the award-winning exhibition <em>The Art of Mourning<\/em>, which exhibited a broad array of arts relating to mourning, from spirit photography to death masks to postmortem photography and portraiture.<span style=\"color: #111111;\">\u00a0This show drew on\u00a0private\u00a0collections including that of Dr. Stanley Burns. She is the author of <em>The Anatomical Venus<\/em>, coauthor of <em>Walter Potter&#8217;s Curious World of Taxidermy<\/em>, and coeditor of <em>The Morbid Anatomy Anthology<\/em>.\u00a0<\/span><span style=\"color: #111111;\">Ebenstein\u2019s writing and photography have been published and exhibited internationally, and she speaks regularly\u00a0around\u00a0the world on\u00a0topics at the intersections\u00a0of art and medicine, and death\u00a0and culture.<\/span><\/p>\n<p><strong>Jessica Regan <\/strong>is an Assistant Curator at The Metropolitan Museum of Art\u2019s Costume Institute specializing in eighteenth- and nineteenth-century fashion. She earned her MA in art history from University College London and her BA in art history from New York University. Since beginning her career in the Costume Institute as an intern in 2001, she has worked on numerous departmental exhibitions and educational initiatives, most recently cocurating <em>Death Becomes Her: A Century of Mourning Attire <\/em>(2014) with Harold Koda.<\/p>\n<p><strong>Kate Sweeney<\/strong>\u00a0is an Atlanta-based writer and public radio storyteller and producer. While pursuing her MFA at the University of North Carolina Wilmington, she spent time with obituary writers, funeral directors, and ordinary Americans who found themselves involved with death and memorialization. The result is her book,\u00a0<em>American Afterlife<\/em>, which\u00a0<em>Paste<\/em>\u00a0Magazine called \u201cthe perfect story for our time, in the best possible way.\u201d Sweeney\u2019s radio stories air regularly on Atlanta\u2019s NPR station and she has won four Edward R. Murrow awards as well as a number of Associated Press awards for her work. Her writing has appeared in\u00a0<em>Oxford American,<\/em>\u00a0<em>Utne Reader<\/em>, <em>Atlanta\u00a0<\/em>Magazine,<em>\u00a0<\/em>and\u00a0<em>New South<\/em>, among other outlets.<em>\u00a0<\/em><\/p>\n<p><strong>Joyce Burstein <\/strong>is an artist based in New York. Her <em>epitaph project<\/em>, on view in <em>Securing the Shadow<\/em>, is an interactive sculpture\u2014a blank-slate-lined tombstone accompanied by chalk and an eraser\u2014that encourages observers to write an original epitaph. The project is permanently installed in cemeteries in California and Ohio, and has had temporary installations at the Socrates Sculpture Park in New York and other venues. The <em>epitaph project<\/em> challenges the pervasive taboo on confronting death by literally providing a blank slate on which to consider impermanence, selfhood, history, and absurdity with both humor and high seriousness. Joyce Burstein has an MFA in sculpture from the San Francisco Art Institute, and is the recipient of a Pollack-Krasner Foundation grant.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #808080;\">Image credit: <em>The Farwell Children<\/em>, Deacon Robert Peckham (1785\u20131877), Fitchburg, Massachusetts, c. 1841, oil on canvas, 53 1\/2 x 40 1\/2 in.; 62 1\/2 x 48 in. (framed), collection American Folk Art Museum, New York, gift of Ralph Esmerian, 2005.8.11. Photo\u00a0\u00a9 2000 John Bigelow Taylor.\u00a0<\/span><\/p>\n","gallery":[{"acf_fc_layout":"video","url":"https:\/\/vimeo.com\/207200301","host":"Vimeo"},{"acf_fc_layout":"video","url":"https:\/\/vimeo.com\/207509666","host":"Vimeo"}],"show_in_past_programs":true,"reserve_text":"Reserve tickets","reserve_link":"https:\/\/www.eventbrite.com\/e\/symposium-how-we-remember-death-in-american-art-culture-tickets-28195634903","day":"28","month":"Jan","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/how-we-remember\/"},"45":{"ID":16391,"post_type":"programs","title":"2017 Uncommon Artists Lecture","content":"","status":"publish","date":"2017-10-03 19:03:22","name":"2017-uncommon-artists-lecture","parent":0,"modified":"2018-11-28 15:37:25","series?":"Program","category":{"term_id":25,"name":"Symposia &amp; Lectures","slug":"symposiaandlectures","term_group":0,"term_taxonomy_id":25,"taxonomy":"category","description":"","parent":18,"count":0,"filter":"raw"},"list_image":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/10\/uncommon-art-17.jpg","headline":"2017 Anne Hill Blanchard Uncommon Artists Lecture","di_date":"2017-01-17","excerpt":"<p>The Anne Hill Blanchard Uncommon Artists Lecture Series highlights new and important contributions in the field of self-taught art and art brut.<\/p>\n","more_info":[{"acf_fc_layout":"program_description","header":"2017 Uncommon Artists Lecture","image":false,"text":"<p>Anne Monahan on Horace Pippin<\/p>\n<p>Laura Steward on Jerry Gretzinger<\/p>\n<p>Helga Christoffersen on Hilma af Klimt<\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/215362718\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/215362718\">Anne Hill Blanchard Uncommon Artists Lecture 2017<\/a> from <a href=\"https:\/\/vimeo.com\/folkartmuseum\">American Folk Art Museum<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n"}],"main_content":"<p>The Anne Hill Blanchard Uncommon Artists Lecture Series highlights new and important contributions in the field of self-taught art and art brut. It takes place annually during the Outsider Art Fair in New York. The series honors the late Anne Hill Blanchard, an inspiring and passionate leader in the field and a devoted supporter of the American Folk Art Museum.<\/p>\n<p><span style=\"text-decoration: underline;\">2017 Lectures<\/span><\/p>\n<p>Anne Monahan on Horace Pippin<\/p>\n<p>Laura Steward on Jerry Gretzinger<\/p>\n<p>Helga Christoffersen on Hilma af Klimt<\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/215362718\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/215362718\">Anne Hill Blanchard Uncommon Artists Lecture 2017<\/a> from <a href=\"https:\/\/vimeo.com\/folkartmuseum\">American Folk Art Museum<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n","gallery":[{"acf_fc_layout":"image","image":{"ID":16386,"id":16386,"title":"uncommon-art-17","filename":"uncommon-art-17.jpg","filesize":116018,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/10\/uncommon-art-17.jpg","link":"https:\/\/folkartmuseum.org\/programs\/about-uncommon-artists-lectures\/uncommon-art-17\/","alt":"","author":"16","description":"","caption":"","name":"uncommon-art-17","status":"inherit","uploaded_to":16381,"date":"2017-10-03 18:39:55","modified":"2017-10-03 18:39:55","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/folkartmuseum.org\/site\/wp-includes\/images\/media\/default.png","width":403,"height":269,"sizes":{"thumbnail":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/10\/uncommon-art-17-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/10\/uncommon-art-17-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/10\/uncommon-art-17.jpg","medium_large-width":403,"medium_large-height":269,"large":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/10\/uncommon-art-17.jpg","large-width":403,"large-height":269,"1536x1536":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/10\/uncommon-art-17.jpg","1536x1536-width":403,"1536x1536-height":269,"2048x2048":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/10\/uncommon-art-17.jpg","2048x2048-width":403,"2048x2048-height":269}}},{"acf_fc_layout":"image","image":{"ID":16387,"id":16387,"title":"uncommon-art-16","filename":"uncommon-art-16.jpg","filesize":106902,"url":"https:\/\/folkartmuseum.org\/content\/uploads\/2014\/10\/uncommon-art-16.jpg","link":"https:\/\/folkartmuseum.org\/programs\/about-uncommon-artists-lectures\/uncommon-art-16\/","alt":"","author":"16","description":"","caption":"","name":"uncommon-art-16","status":"inherit","uploaded_to":16381,"date":"2017-10-03 18:40:12","modified":"2017-10-03 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19:59:25","post_date_gmt":"2015-02-13 19:59:25","post_content":"","post_title":"Vimeo page","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"8334","to_ping":"","pinged":"","post_modified":"2015-02-13 20:00:55","post_modified_gmt":"2015-02-13 20:00:55","post_content_filtered":"","post_parent":0,"guid":"http:\/\/folkartmuseum.org\/?post_type=callstoaction&#038;p=8334","menu_order":0,"post_type":"callstoaction","post_mime_type":"","comment_count":"0","filter":"raw"}}],"day":"17","month":"Jan","year":"2017","link":"https:\/\/folkartmuseum.org\/programs\/2017-uncommon-artists-lecture\/"}}